VALUTAZIONE IMDb
6,7/10
7145
LA TUA VALUTAZIONE
Un esame del famigerato film pornografico La vera gola profonda del 1972, coprendo aspetti dalla creazione del film al suo impatto culturale.Un esame del famigerato film pornografico La vera gola profonda del 1972, coprendo aspetti dalla creazione del film al suo impatto culturale.Un esame del famigerato film pornografico La vera gola profonda del 1972, coprendo aspetti dalla creazione del film al suo impatto culturale.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Linda Lovelace
- Self - Linda Lovelace
- (filmato d'archivio)
Dennis Hopper
- Narrator
- (voce)
Ruth Westheimer
- Self
- (as Dr. Ruth Westheimer)
Francis Ford Coppola
- Self
- (filmato d'archivio)
Recensioni in evidenza
Yes, there is fellatio depicted inside the documentary Inside Deep Throat. About 3 seconds. So go see the original groundbreaking porno flick of 1972, Deep Throat, if you want to be deeply titillated and experience a poorly made movie that grossed over $600 million and sparked a sexual revolution that resulted for exhibitors and actors in stiff penalties that carry through today in Nikon's' wet dreams.
Today fortunately is also a world where videos allow private viewing of private parts and only a handful of "art" houses even try to offer porno films. So why go back to those carefree days of free love and iconoclasm? Because conservatives have taken up Nixon and Reagan's call for a purer world, a world suited to George Bush's values-laden regime. Inside Deep Throat is a cautionary tale that implicitly argues, sometimes humorously, that young Jack Nicholson and Warren Beatty are on to something when they complain our rights are being stolen.
Much bigger mirth arrives with the interviews of the retired director and project manager, among others, in their cheesy Florida print shirts and garish bungalows pontificating about the film's greatness emerging out of a mere $25,000 into film history. Not funny is star Linda Lovelace's return to the business, after disavowing it by taking an anti-porn feminist position with Gloria Steinem to speak for her and then going back to make a buck.
Sadder still is star Harry Reems' long association with substance abuse after being hounded by the feds as a scapegoat eventually cleared of obscenity charges. His current license to sell real estate in Park City, Utah, is a rich bit of irony. However, the humor continues with profundities by pop culture stars John Waters, Erica Jong, and Gore Vidal. Only a wry Dick Cavet puts it all into ironic perspective to ask if he could see the original now since he missed it and to aver that he always does what Nicholson and Beatty recommend.
Inside Deep throat is not as artful as Boogie Nights or as thoughtful as Kinsey; it is, however, a light look at a dark world that still thrives on privacy regardless of the public hunger for sex.
Today fortunately is also a world where videos allow private viewing of private parts and only a handful of "art" houses even try to offer porno films. So why go back to those carefree days of free love and iconoclasm? Because conservatives have taken up Nixon and Reagan's call for a purer world, a world suited to George Bush's values-laden regime. Inside Deep Throat is a cautionary tale that implicitly argues, sometimes humorously, that young Jack Nicholson and Warren Beatty are on to something when they complain our rights are being stolen.
Much bigger mirth arrives with the interviews of the retired director and project manager, among others, in their cheesy Florida print shirts and garish bungalows pontificating about the film's greatness emerging out of a mere $25,000 into film history. Not funny is star Linda Lovelace's return to the business, after disavowing it by taking an anti-porn feminist position with Gloria Steinem to speak for her and then going back to make a buck.
Sadder still is star Harry Reems' long association with substance abuse after being hounded by the feds as a scapegoat eventually cleared of obscenity charges. His current license to sell real estate in Park City, Utah, is a rich bit of irony. However, the humor continues with profundities by pop culture stars John Waters, Erica Jong, and Gore Vidal. Only a wry Dick Cavet puts it all into ironic perspective to ask if he could see the original now since he missed it and to aver that he always does what Nicholson and Beatty recommend.
Inside Deep throat is not as artful as Boogie Nights or as thoughtful as Kinsey; it is, however, a light look at a dark world that still thrives on privacy regardless of the public hunger for sex.
i am an unashamed porn fan, not in the sense that i sit around all the time watching th stuff, but in the sense that i find the people involved in the making and distribution of the stuff to be very interesting, if not somewhat shady and bizarre people but none the less they have a story to share that not many people can lay claim to and so i like to give any material broaching the subject, particularly in its formative years, a listen.
so i haven't seen deep throat, and i don't really want to, if I'm going to watch people engaging in sexual acts i will buy something a little more intense and modern without all the premise of having a plot for arts sake. but this documentary is not about the film persae, it is about the people involved with it and how it affected their lives.
we see and hear from a lot of people who's lives have been both positively and negatively affected by this film over the years and it gives the viewer an insight into what really makes these people get involved in the business to begin with, and surprisingly enough its not just the money as there wasn't much money in it for the actors as such back in the 70s.
so i suggest that anybody that has an interest in rights and freedoms should really watch this as it gives a deeper appreciation of these simple gifts that we have to live by today and are so readily taken for granted.
if you like this kinda stuff also check out a film called Wadd which is about the life and death of john Holmes and also read How to make love like a porn star, the autobiography of Jenna Jameson.
so i haven't seen deep throat, and i don't really want to, if I'm going to watch people engaging in sexual acts i will buy something a little more intense and modern without all the premise of having a plot for arts sake. but this documentary is not about the film persae, it is about the people involved with it and how it affected their lives.
we see and hear from a lot of people who's lives have been both positively and negatively affected by this film over the years and it gives the viewer an insight into what really makes these people get involved in the business to begin with, and surprisingly enough its not just the money as there wasn't much money in it for the actors as such back in the 70s.
so i suggest that anybody that has an interest in rights and freedoms should really watch this as it gives a deeper appreciation of these simple gifts that we have to live by today and are so readily taken for granted.
if you like this kinda stuff also check out a film called Wadd which is about the life and death of john Holmes and also read How to make love like a porn star, the autobiography of Jenna Jameson.
All I can say is wow, this was a great documentary. Because of the subject matter it isn't for everyone, and the fact that it has an actual X-rated scene in it doesn't help either. But if you can get past that, this is an insightful, fascinating look at adult films and our society. And there is a lot of humor in it as well. I wasn't surprised that several people in the audience walked out, since even I didn't realize how graphic the language/visuals would be. Showing how Deepthroat brought the "BJ" into the mainstream of adult films was interesting, and the interviews with the people actually making porn were very insightful.
Deep Throat was filmed in less than six days at a cost of $25k. At the time, pornography was far from the mainstream and the easiest way to see sex was in sex education films and understandably there was moral outrage over this film. Despite bans and protests, the film went on to gross in excess of $600,000,000 and be one of the most profitable films ever made. This documentary looks back at how the film came about and the impact it had on society as it grew in success. However it also looks at the personal costs and benefits of those who were directly involved, from the stars to the director.
This film opens in an energetic fashion with lots of editing, cool music and animated effects, I like this style but I did wonder how the hell it was going to keep it up for 90 minutes or indeed how I was going to keep up with it. Fortunately the film only uses this approach until the title card and from then on it is comparatively more traditional, but still quite pacey. The story itself is interesting but perhaps is stronger for the link it makes to the wider impact of pornography on society as well as the impact on those involved in the specific film itself. It is not 100% successful at this because it seems to want to have its feet in several different camps. As a result it fudges the bits on modern society and relies heavily on Norman Mailer telling us how porn is different not because it is all about money and how the interest in artistic expression has been lost which is all very good while he says it in his unique, booming style but not when you think about 1970's pornography and wonder how much artistic creativity was involved versus the desire to make whacking material.
Despite this fudge though the film is mostly interesting and well structured, with contributions cutting over each other to good effect. In terms of bias though, it is clear that we are not on the side of the moral crusaders here. We get chances to hear them speak, which is fair enough if you take it as read that the film is not meant to be a debate of the right and wrong of pornography so much as it is a discussion starter on the subject. Hopper's narration is solid and the couple of celebrities who pop up are wisely hardly used in favour of those who were directly involved.
Overall this is an interesting documentary that is lively and interesting. Not the place to come to for a debate on the morality of pornography but it does a reasonable job of looking at the impact the film had at the time and, to some degree, the wider impact it had on society. However the potted focus on the film itself makes for an interesting and accessible film.
This film opens in an energetic fashion with lots of editing, cool music and animated effects, I like this style but I did wonder how the hell it was going to keep it up for 90 minutes or indeed how I was going to keep up with it. Fortunately the film only uses this approach until the title card and from then on it is comparatively more traditional, but still quite pacey. The story itself is interesting but perhaps is stronger for the link it makes to the wider impact of pornography on society as well as the impact on those involved in the specific film itself. It is not 100% successful at this because it seems to want to have its feet in several different camps. As a result it fudges the bits on modern society and relies heavily on Norman Mailer telling us how porn is different not because it is all about money and how the interest in artistic expression has been lost which is all very good while he says it in his unique, booming style but not when you think about 1970's pornography and wonder how much artistic creativity was involved versus the desire to make whacking material.
Despite this fudge though the film is mostly interesting and well structured, with contributions cutting over each other to good effect. In terms of bias though, it is clear that we are not on the side of the moral crusaders here. We get chances to hear them speak, which is fair enough if you take it as read that the film is not meant to be a debate of the right and wrong of pornography so much as it is a discussion starter on the subject. Hopper's narration is solid and the couple of celebrities who pop up are wisely hardly used in favour of those who were directly involved.
Overall this is an interesting documentary that is lively and interesting. Not the place to come to for a debate on the morality of pornography but it does a reasonable job of looking at the impact the film had at the time and, to some degree, the wider impact it had on society. However the potted focus on the film itself makes for an interesting and accessible film.
Deep Throat changed America. It legitimized porn, creating a billion dollar industry in the process, and sent the sexual revolution to dizzying heights. Love it or hate it, Deep Throat was an historical event.
Inside Deep Throat looks back at that amazing phenomenon, it's causes and effects, and how it changed America and the lives of those who made it.
Interviews with Throat director Gerard Damiano & male lead Harry Reems give much insight into the porn biz of those bygone days, a dark world of sex & drug addiction, fly by night productions, and mafia money men. Sexperts Erica Jong, Dr. Ruth & Helen Gurley Brown offer their takes on how society reacted to and was affected by this new sexual openness, while 70s porn queens Georgina Spelvin & Andrea True offer quick sound bites that explain what drew people to the business.
The film covers many bases & covers them well. We see the hypocrisy of Jesus-inspired DAs, who waste millions of taxpayer dollars on frivolous prosecutions of actors, theater managers, and anyone else they see as an easy target in their crusade to "clean up America".
Censorship and free speech issues are discussed by the likes of Norman Mailer, John Waters, Dick Cavett and others, while Gloria Steinen & Susan Brownmiller offer their views on how porn degrades women. Both sides are eloquent and make valid points.
We see the tragedy of Linda Lovelace's wasted life. Unable to escape the stigma of being the film's star, she joined forces with the Women's Movement in denouncing porn. Shortly before her death in a traffic accident, Lovelace briefly returned to the biz because she was flat broke.
Inside Deep Throat is a brilliant film. It takes a time, place and event, a cultural phenomenon of it's day, and puts it under a microscope. Future generations may look at Deep Throat the film and wonder what the big deal was.
Inside Deep Throat explains it all to them.
Inside Deep Throat looks back at that amazing phenomenon, it's causes and effects, and how it changed America and the lives of those who made it.
Interviews with Throat director Gerard Damiano & male lead Harry Reems give much insight into the porn biz of those bygone days, a dark world of sex & drug addiction, fly by night productions, and mafia money men. Sexperts Erica Jong, Dr. Ruth & Helen Gurley Brown offer their takes on how society reacted to and was affected by this new sexual openness, while 70s porn queens Georgina Spelvin & Andrea True offer quick sound bites that explain what drew people to the business.
The film covers many bases & covers them well. We see the hypocrisy of Jesus-inspired DAs, who waste millions of taxpayer dollars on frivolous prosecutions of actors, theater managers, and anyone else they see as an easy target in their crusade to "clean up America".
Censorship and free speech issues are discussed by the likes of Norman Mailer, John Waters, Dick Cavett and others, while Gloria Steinen & Susan Brownmiller offer their views on how porn degrades women. Both sides are eloquent and make valid points.
We see the tragedy of Linda Lovelace's wasted life. Unable to escape the stigma of being the film's star, she joined forces with the Women's Movement in denouncing porn. Shortly before her death in a traffic accident, Lovelace briefly returned to the biz because she was flat broke.
Inside Deep Throat is a brilliant film. It takes a time, place and event, a cultural phenomenon of it's day, and puts it under a microscope. Future generations may look at Deep Throat the film and wonder what the big deal was.
Inside Deep Throat explains it all to them.
Lo sapevi?
- QuizThe film discusses how La vera gola profonda (1972) was actually distributed to theaters. Prints would be hand-delivered and employees would count heads of moviegoers and then collect the cash profits from the theaters. This process was known as sending "checkers and sweepers."
- BlooperEarly in the film, an unseen projectionist starts the film and we can see the projected image through the projection room window. He carelessly allows the leader to show on the screen. A frame marked "FOOT" is shown. Unless he is running the film backwards, this is wrong. The beginning of a film is marked "HEAD".
- Citazioni
Herself - Linda's Sister: [about Chuck Trainor] I curse the day she ever met Chuck Trainor. Unfortunately, he died before I could kill him. Lucky for him.
- Curiosità sui creditiDeep Throat Was Made For Just $25,000 It Grossed More Than $600 Million
- ConnessioniFeatured in At the Movies: Episodio #2.38 (2005)
- Colonne sonoreCrime of the Century
Performed by Supertramp
Written by Rick Davies and Roger Hodgson
Courtesy of A&M Records
Under license from Universal Music Enterprises
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Inside Deep Throat
- Luoghi delle riprese
- Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, Stati Uniti(exterior shot of the famous Paramount Studios arch over the entrance to the studio lot)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 691.880 USD
- Fine settimana di apertura Stati Uniti e Canada
- 88.709 USD
- 13 feb 2005
- Lordo in tutto il mondo
- 709.832 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti