Tickets

Tickets deals with three different visions on a train journey, following three different stories that in fact interact with each other. The first part of the movie could be quite boring if you consider that there are too many symbols, too many voice-over, and not enough action. But the whole story is well-written and has a real narrative force. The second story is also full of symbols...this old woman seems to carrie a burden...we feel her despair and sadness. The young man who accompanies her, does not say much...but rather show his feeling through his acts...and this will explain his final decision... I especially liked the third story, dealing with the three Scottish Guys and the refugee family...i won't tell too much.

This is a good movie.

An overnight Trenitalia Intercity train from Innsbruck to Rome is the venue for three short stories that happen on the same journey.

(1) An Italian bio-pharma professor returning from a day-long meeting in Austria is unable to use airline tickets to fly back to Rome and instead is forced to return by train. It's night and the train leaves Innsbruck. A scrambled time-line, surreal elements and the most exaggerated caricature.

(2) A young man and a general's wife -- an impertinent woman -- travel in first class with second class tickets. Straight narrative, filled with little episodes, and the most humorous.

(3) Three Scottish lads clad in white-green soccer fan T-shirts en route to Rome to attend a game are faced with the loss of one of their train tickets. Straight narrative and a view on the multi-cultural crosscurrents of Europe. It's daytime and the film closes with the train's arrival at Rome's Termini station.

In the confined and crowded linear space of passenger trains, secondary characters bump into each other and that helps stitch the stories loosely together. Of those, members of an Albanian immigrant family --Roma gypsies? -- play parts in the first and third.

Don't go looking for a strong narrative backbone. Instead take this film for what it really is, a caricature of train travel in Europe. Think in terms of vignettes: examples of the myriad situations that one may observe when travelling by train in the EU. The film is a sampler of those situations, but a concentrated one. Take it is a primer if you have not visited there. Buy your ticket and enjoy the ride.

Throughout the twentieth century, critics and filmmakers alike have often commented upon the interactive relationship between transit and cinema, interpreting train travel as a visual metaphor which fuses these notions together. In "Tickets", a film which unites three famous 'auteurs' of contemporary cinema- Abbas Kiarostami, Ermanno Olmi and Ken Loach- three narratives of differing cultural sensibilities are intertwined within a single journey aboard a train from Eastern Europe to Rome. Although there are noticeable shifts between the narratives of each of the directors, particularly if you have already seen some of their previous films, the individual signatures of each director create a unique tripartite and structure that breathes life into the complex human interactions experienced whilst on the journey.

It can be said that aesthetically trains provide confined moving spaces, which Einstein would suggest, are only relative to our perceptions. While the relationships between the characters in "Tickets" are often utterly separate, from a lonely professor dreaming of love to three Celtic soccer fans on their way to a Champions League game, by occupying the same social space the characters are intrinsically linked to one another. In this vein, the film adopts a particularly European sentiment that is closely associated with the emergence of the European Union. Yet, to imply that this theme resonates in a dominant manner throughout the film is incorrect. Rather, this an intensely beautiful film bound by a shared ability of the directors to convey the emotional subtleties and internal perceptions of the various characters, all of which are, whilst aboard the same train, ultimately traveling in different directions. For this reason, "Tickets" is a rewarding film that allows you to think outside the exaggerated and distorted realities imposed by many films today. It certainly is worth a ticket!

9/10

Seems like Ticket didn't quite turn up to be quite a hell of a ride for me. If a Cinephile wants to see a good Journey film there are better options than this. I was awaiting to see this for a very long time and when i eventually viewed it was a disappointing watch. The settings and the characters are quite believable but the dialogues i mean common we do expect a lot especially when an Kiarostami, Olmi and a Loach is directing a film. There are far superior films than (Tickets) which involves Train Journey's that has been made by film directors and the one film that immediately stuck my mind is Nayak (1966) one just have to look for it.

The image of trains come to mind when one is talking about the most annoying means of transport.This has a lot to do with the fact that one cannot travel in trains without being disturbed by other passengers.This can be true about other means of transport such as airplane,bus or ship.However,there are enough damage control mechanisms on these modes of transport which enable passengers to face minimum amount of disturbance.No mechanism for eliminating disturbance can be found on trains as they are the cheapest means of transport.For this reason, traveling by trains is like inviting trouble before,during and after the journey.Trouble is also something one can find in abundance in 'Tickets' directed by three giants of three different film producing countries.They have directed three stories where viewers can experience longing for love,compassion and indifference.Lastly,'Tickets' would turn out to be a good learning experience for all those viewers who combine entertainment with a serious message.