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Based on the novel by Claire Cook, the plot centers around a kindergarten teacher named Sarah Nolan (Lane), a divorcée who swears off men after a devastating divorce. However, her close-knit Irish-American family decides to 'help' her along by signing her up for a number of online dating programs. She then finds herself caught between two men, as she starts seeing the father of one her students (Mulroney) and a man who she meets through the dating service who seems far too perfect (Cusack).

Must Love Dogs is a familiar yet enjoyable romantic comedy that should keep you entertained for a while. The plot is nothing new and there are many clichés to be found here yet the film is still funny. The film works well because of its two stars John Cusack and Diane Lane. They both give good, funny performances and they have nice chemistry together. If you enjoy watching these actors on screen then you should like the film. The supporting cast is also strong except for Dermot Mulroney. The good thing is that Dermot is not in the film very much so he does not suck out too much from the picture. This is his third film from 2005 and he was horrible in every one of them yet he keeps getting hired. The rest of the supporting cast consists of Elizabeth Perkins, Christopher Plummer, Stockard Channing and Julie Gonzalo.

A few things are keeping me from rating the film higher. One of the reasons is of course Dermot Mulroney. The film also has a few annoying clichés that are hard to ignore. There were also a few bad stereotypes that were not needed and they were not funny at all. Even though the film does have its share of funny moments, it becomes dull from time to time. The film, for the most part, is safe and this movie could have easily been an episode of Friends or something. That does not mean it's a bad film, it's just a little sitcom-ish. If you do give the film a shot, don't take it too seriously and try to have a little fun with it. In the end, Must Love Dogs is a surprisingly enjoyable romantic comedy. Rating 7/10

I was surprised to find that this wasn't 'Must Love Dogs' director Gary David Goldberg's first attempt at film direction and feature screen writing. The steering of his own script adaptation was plodding at best, only made passable by the spirited and professional performances from the stars Diane Lane and John Cusack. Less surprising is the fact that much of Goldberg's experience comes from television comedy. The irregular cadence of the dialog almost leads the audience to listen for a canned laugh track, ironic given one of the character's penchant for poetry.

Additionally, Goldberg should return his directing credentials for allowing the flat and unflattering interior lighting especially inflicted on Lane. The technical direction would have been more appropriate on a three-camera TV set. Feature release of this film amplifies the shortcomings of the vision behind this work.

The sweetness in the film, no doubt, comes from Claire Cook's novel of the same name. Justice should have been paid to the book by assigning a true film director. There were many future-classic one-liners loosely strung together with flat dialog more appropriate to the legend of a map. I doubt this was the result that Lane and Cusack expected from the promising elements at the outset of this project, but no one can fault their admirable attempts to deliver a heart-warming film.

John Cusack and Diane Lane, two of the most interesting actors working today, make this somewhat predictable romantic comedy work. They flesh out characters from a pretty weak script, and make you want to know those characters better.

This film is not rocket science, but if you expect to enjoy a bit of romantic fluff, you will not be disappointed. The only frustrating thing is knowing how much more both of these fine actors is capable of. Given a strong script and inventive director, can you imagine what a great film they could make together?

For this viewer, the weakest part of the script was the two-dimensional nature of some the supporting characters. For example, why would a sensitive, romantic boat builder like Jake have a strip-club-loving sleazy lawyer friend as his only male pal? And while the long suffering younger brother character is amusing and well acted, his wife is non-existent. Also, why would the father become a Lothario upon the death of his wife? If he was really a great guy, wouldn't he continue to act that way?

Also, the script never seems sure whether it wants Diane Lane's character to be comical or touching. The montage showing her entering computer dating with a gusto seemed forced - it aimed for a Bridget Jones type breeziness, but missed - and the singalong to the Partridge Family theme song scene was downright embarrassing. Thankfully Cusack was not subjected to that scene!

All in all, a good one to see if you love the leads, but don't expect belly laughs. It might leave you a little wistful for a romantic comedy as fresh as "Say Anything".... (sigh)

This movie had all the ingredients necessary to be one of those romantic comedies that are also 'good' films. The cast is competent, the actors all likable. But unfortunately, the writing is sub par. It is almost embarrassing to watch Diane Lane (or any of the actresses playing her sisters) recite lines like '...boob shirt? Boob shirt?...I don't have any boob shirts..' or '...that is disturbing on so many levels...' and other trite and trendy phrases. While John Cusack escapes most of the embarrassment (he has the best lines, and the best performance), it is still a film beneath him.

The movie has too many false moments in it to be entirely enjoyed - the obligatory gay friend Diane has, and of course his drop dead gorgeous model-like boyfriend; the large Irish family that seems to drop their accents from scene to scene; the trailer-park girlfriend; Diane's scene where she just shows up at Cusack's home (how did she know where to go, and what was her hurry?); and of course the 'chase' scene at the end where of course she had to bring her dog. And for that matter, it wasn't even her dog so even the title does not entirely make sense.

It's a shame, because like I said, the cast is likable. Just goes to show you that without the right screenwriter, even strong players can come across as high school acting students.

Pairing attractive actors with cute dogs is something Hollywood loves to present, again, and again. This is a film that has that "cute factor" written all over it. Fortunately, we caught it in the form of a borrowed DVD, never having the stomach to spend full price on this formula comedy.

Director Gary David Goldberg's take on this situation doesn't bring anything new. The film is harmless enough not to offend anyone, but in retrospect, one has to wonder why was the film made in the first place? Poor Diane Lane, she keeps showing up in these inane comedies that don't do anything for her. She is a beautiful woman who could do better, but whoever is advising her keeps steering her in the wrong direction, unfortunately. Ditto for John Cusack. One wonders what attracted actors of the stature of Christopher Plummer and Stockard Channing to appear in a movie that will certainly not add anything in their C.V.s.

The cute Newfoundland puppies that were used in the movie should have been given more opportunities to show their talents.