Aggiungi una trama nella tua linguaA Journalist of Jewish descent in Berlin feels that he is a loser of the political changes in Germany after 1989. When his mother dies, he has to meet his brother to whom he has not talked f... Leggi tuttoA Journalist of Jewish descent in Berlin feels that he is a loser of the political changes in Germany after 1989. When his mother dies, he has to meet his brother to whom he has not talked for years and to meet all his other family members. But during the preparations for the fun... Leggi tuttoA Journalist of Jewish descent in Berlin feels that he is a loser of the political changes in Germany after 1989. When his mother dies, he has to meet his brother to whom he has not talked for years and to meet all his other family members. But during the preparations for the funeral he plays a snooker-cup for paying his debts with the money for the victory, and many ... Leggi tutto
- Premi
- 8 vittorie e 10 candidature totali
- Janice
- (as Ghada Hammoudah)
- Ukrainer Matzjak
- (as Juri Rosstanlnji)
Recensioni in evidenza
There are two ways to approach making such a movie. Rely on character comics, but here you need to be quite careful as a movie dealing with Jewish characters risks to be considered as too offensive if they pedal too much on this line. Although a lot of stereotypes are present I did not find them offensive at all (yes, I am Jewish), actually it's more the gay and sexual allusions that some may find more visible and doubt there good taste. The other approach would be to deal more with the political theme, but here the film is just a pale social commentary, and it never gets even close to the subtlety and human dimension of a film like 'Good-bye, Lenin'.
Unfortunately by choosing the middle of the road the director condemned the film to mediocrity, and instead of good laughs it's mostly polite smiles all along. It's not that good comedy scenes are completely missing, but I could not escape the feeling that the premises of the movie are better than the outcome, and that if the authors had chosen a more definite line, or just dared to be more crazy the result would have been better.
Since the Shoah, there has been a perception among the majority of non-Jewish Germans that Jewish people in this country have to be treated with velvet gloves in every respect. This perception is strengthened further by the fact that due to the small number of Jewish communities in Germany, many non-Jewish Germans don't know Jewish people personally, thus creating an abstract image of easily offended Jews who have to be treated with utmost political correctness.
This movie by Dani Levy puts things into perspective again, demonstrating that despite the atrocities committed by Nazi Germany against the Jewish population, one nowadays is allowed to laugh about curiosities caused by Jewish rituals like problems in keeping the household going during Shabbat or about other Jewish/non-Jewish incompatibilities without breaking a taboo. Both Jewish and non-Jewish stereotypes are equally poked fun at in this movie, and with its intentional and charming political incorrectness and spot-on irony on this complex and sensitive matter, it is hilariously funny and an absolute must-see! I am convinced that this movie will help bring relations of Jewish/non-Jewish Germans to a more normal, more natural level, based on more mutual understanding. But even for those not looking so much for a movie with a message, but rather for an evening highlight of clever entertainment and big laughter, this is an ideal choice!
9/10
The set up in Alles Auf Zucker has been done many times before, bringing two mismatched parties together in order to reach a common goal. In this case, brothers Jaeckie and Samuel are forced to end their long running feud and strictly follow Jewish customs for 7 days after the funeral of their mother in order to accept her inheritance. The twist being that while Samuel's family live as orthodox Jews, Jaeckie has entirely forgotten his religion. Many of the laughs stem from Jaeckie's wife's last minute crash-course in Jewish culture and Jaeckie's general disinterest.
The film owes a lot of its charm to Henry Huebchen, who plays Jaeckie, and Hannelore Elsner, who plays his wife. Alles Auf Zucker is really built around Huebchen's performance and he is effortlessly convincing as an endearing loser. Elsner, in my opinion the best actress working in Germany at the moment, brings her usual skill and world weary charm to what is really little more than a supporting role. Udo Samel also deserves praise for his turn as Samuel, fleshing out a character that could have been little more than a stereotype in the hands of a lesser actor.
In addition to some fine performances, Alles Auf Zucker is also blessed with a witty script and stylish direction by Dani Levy. These qualities more than make-up for some lazy plotting, such as Samuel's Ecstasy experience, and the unnecessary touches of whimsy that have Jaeckie speak directly to the audience. I think the film could have also done without the creepy inter-cousin romance. Nevertheless, these are minor faults with what is a very funny and charming film.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Go for Zucker
- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Lordo Stati Uniti e Canada
- 87.490 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2130 USD
- 11 dic 2005
- Lordo in tutto il mondo
- 8.466.803 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1