Nel 1964, un'adolescente in cerca della verità sulla madre fugge in una piccola cittadina della Carolina del Sud dove trova una famiglia di donne indipendenti che possono rimetterla in conta... Leggi tuttoNel 1964, un'adolescente in cerca della verità sulla madre fugge in una piccola cittadina della Carolina del Sud dove trova una famiglia di donne indipendenti che possono rimetterla in contatto col suo passato.Nel 1964, un'adolescente in cerca della verità sulla madre fugge in una piccola cittadina della Carolina del Sud dove trova una famiglia di donne indipendenti che possono rimetterla in contatto col suo passato.
- Regia
- Sceneggiatura
- Star
- Premi
- 11 vittorie e 17 candidature totali
- Deborah Owens
- (as Hilarie Burton)
- Zach Taylor
- (as Tristan Wilds)
- Doll
- (as Renée Clark)
- Violet
- (as a different name)
Recensioni in evidenza
I'm not a woman, much less a Black woman. Still, I found this movie to be a uniformly fine creation. It has everything I want in a movie: clearly defined and well-developed characters played by actors - or, in this case, actresses - who know how to deliver carefully modulated and developed performances. The story is about how a young white girl learns to stand on her own feet, but the most interesting parts of the movie are definitely those that develop the various black characters.
I never looked at my watch once during this movie, much less went out to refill my popcorn. This is what movies are supposed to be - presentations of interesting characters participating in an interesting and involving story - but too seldom are.
Even if you're a white guy, this movie has a lot to offer.
In the midst of the civil rights movement, Rosaleen finds herself in some trouble with the locals, inspiring Lily to flee with her to a South Carolina town that she believes holds the secret to her mother's past. In this town, they find refuge with the Boatwright sisters (Queen Latifah, Alicia Keys and Sophie Okonedo), who take them in on the strength of a story concocted by Lily. Through their cultured world, filled with beekeeping, a lucrative honey business, religious beliefs and love, Lily finds the security she has longed for and finds the answers to questions that haunted her for years.
The director (Prince-Brythewood) did a great job at making us care about the characters, even the miserable father played excellently by Paul Bettany. Alicia Keys shows that some R&B singers can actually perform well in a movie, playing the snooty June Boatwright. However, the best performances has to be between Fanning and Okonedo, who played the gentle, simple minded, manic depressive May Boatwright. If Okonedo reminded me less of Thandie Newton's character in "Beloved," I would've predicted an Oscar nomination depending on this year's competition. Maybe there's one in store for Bettany? Its all left to be seen.
The film has its flaws. It dragged for a good portion of the first thirty minutes as we watch Lily and Rosaleen mill about, doing mundane things in their pitiful lives. But then it really picks up when they meet the Boatwright sisters. The characters were balancing on a thin line between empathetic and sympathetic. You never want to be in the latter. And the filmmakers couldn't resist being a bit schmaltzy on occasion, making most of it play like a good after school special with nothing beyond two dimensionality. And my biggest problem with the film... anti-climatic.
Overall, its a solid film and definitely worth the time in seeing.
1964, South Carolina. Lily Owens (played with open-eyed honestly by Dakota Fanning) is raised in a loveless home by her cruel, distant father. Fourteen year old Lily longs for a mother she never knew. When her only friend, their black maid Rosaleen, is assaulted in a racist incident, the girls are forced to go on the run.
Lily and Rosaleen end up on the doorstep of the Boatwrights, the black sisters who own a successful honey farm. Lily concocts an elaborate lie to persuade the maternal August Boatwright (played with warm dignity by Queen Latifah) to temporarily take them in. They are met with some resistance from the guarded June (Alicia Keys), a classical cellist and civil rights activist. But they are welcomed enthusiastically by the open-hearted May (played with touching vulnerability by Sophie Okonedo). They soon find that hyper-sensitive May is moved to tears by the mention of anything sad.
August teaches Lily how to tend the bees, and May whole heartedly embraces both girls. They are soon accepted as part of the family. But Lily still needs to find the truth of why her mother left her.
This is a coming of age story and parable about how to cope with the painful truth and find forgiveness. As Lily's young love interest puts it, "It's not just about the truth. It's about what you do with it." The two sisters illustrate different ways to deal with the hard truths of life. June has closed her heart and built a protective wall to keep out hurtful emotions. While May has completely opened her heart and feels everyone's pain. Her heart is open to joy but it is also an open wound.
I loved being in this world and a part of this loving family - so much that I stayed for a second screening. This is due in part to Gina Prince-Bythewood's excellent adaptation and the wonderful acting of Dakota Fanning, Queen Latifah, and especially Sophie Okonedo - who is literally the heart of the film.
If you're looking for a sweet way to spend the afternoon, "The Secret Life of Bees" will supply the honey.
Movie blessings! Jana Segal reel inspiration dot blogspot dot com
Lo sapevi?
- QuizAlicia Keys learned to play the cello in 4 weeks for this part.
- BlooperThe story takes place in 1964. Throughout the story, June wears a silk-screen NAACP t-shirt. Silk-screened t-shirts did not exist until the issuance of a patent for the garment screen printing machine in 1969.
- Citazioni
Lily Owens: If your favorite color is blue, why did you paint the house pink?
August Boatwright: [chuckles] That was May's doing. When we went to the paint shop, she latched on to a color called, "Caribbean Pink." She said it made her feel like dancing a Spanish Flamenco. I personally thought it was the tackiest color I had ever seen, but I figured if it could lift May's heart, it was good enough to live in.
Lily Owens: That was awfully nice of you.
August Boatwright: Well, I don't know. Some things in life, like the color of a house, don't really matter. But lifting someone's heart? Now, that matters.
- Versioni alternativeHome video versions (DVD and Blu-ray) include both the original theatrical version and the extended director's cut of 114 minutes.
- ConnessioniFeatured in The 35th Annual People's Choice Awards (2009)
- Colonne sonoreHippy Hippy Shake
Written by Chan Romero (as Robert L. Romero)
Performed by The Swinging Blue Jeans
Courtesy of EMI Records Ltd.
Under license from EMI Film & Television Music
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Sabor a miel
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 11.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 37.770.162 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.527.799 USD
- 19 ott 2008
- Lordo in tutto il mondo
- 39.952.437 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1