Ricky Bobby - La storia di un uomo che sapeva contare fino a uno
Titolo originale: Talladega Nights: The Ballad of Ricky Bobby
Il pilota numero uno della NASCAR Ricky Bobby resta campione grazie a un patto con il suo migliore amico e compagno di squadra. Ma quando arriva un pilota francese di Formula 1, il talento e... Leggi tuttoIl pilota numero uno della NASCAR Ricky Bobby resta campione grazie a un patto con il suo migliore amico e compagno di squadra. Ma quando arriva un pilota francese di Formula 1, il talento e la devozione di Ricky vengono messi alla prova.Il pilota numero uno della NASCAR Ricky Bobby resta campione grazie a un patto con il suo migliore amico e compagno di squadra. Ma quando arriva un pilota francese di Formula 1, il talento e la devozione di Ricky vengono messi alla prova.
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Recensioni in evidenza
Talladega Nights is one of those movies I was rather shocked I hadn't seen, it was high profile, I don't mind Ferrell's work and you see it referenced all time yet it's taken me this long to get around to it.
I expected generic Hollywood drivel and it is, but thanks to some decent writing (In places) I'd say it's an above par effort (Just).
With a vast who's who cast and co-written by Ferrell himself this tells the story of Nascar driver Ricky Bobby as he reaches the pinnacle of the industry only to lose it all when a rival turns up and takes his spot.
With Greg Germann playing the same character he always does, namely the really easy to hate villainous type and Sacha Baron Cohen whom I simply cannot abide for some reason. Regarding him I have to say I admire his work and him as a human being, I just can't stand him in anything I've seen thus far!
The film adopts all the usual tropes you'd expect and is hugely paint by numbers, it's incredible cast feel rather wasted though it was really nice to see Gary Cole as it always is.
Some of the writing caught me off guard with how good it was, sadly that only happened 3-4 times and the rest is really generic stuff.
If you like standard Hollywood comedy you can do worse, if you want something you haven't seen a hundred times before then hop, skip and jump over it.
The Good:
Gary Cole
Some surprisingly good humor
Some great songs on the soundtrack
The Bad:
Sacha Baron Cohen
Usual formula
I expected generic Hollywood drivel and it is, but thanks to some decent writing (In places) I'd say it's an above par effort (Just).
With a vast who's who cast and co-written by Ferrell himself this tells the story of Nascar driver Ricky Bobby as he reaches the pinnacle of the industry only to lose it all when a rival turns up and takes his spot.
With Greg Germann playing the same character he always does, namely the really easy to hate villainous type and Sacha Baron Cohen whom I simply cannot abide for some reason. Regarding him I have to say I admire his work and him as a human being, I just can't stand him in anything I've seen thus far!
The film adopts all the usual tropes you'd expect and is hugely paint by numbers, it's incredible cast feel rather wasted though it was really nice to see Gary Cole as it always is.
Some of the writing caught me off guard with how good it was, sadly that only happened 3-4 times and the rest is really generic stuff.
If you like standard Hollywood comedy you can do worse, if you want something you haven't seen a hundred times before then hop, skip and jump over it.
The Good:
Gary Cole
Some surprisingly good humor
Some great songs on the soundtrack
The Bad:
Sacha Baron Cohen
Usual formula
When looking at the merits of a movie and decide whether it is good or not, one must think of the goal of the picture. Is it a serious film, designed to comment on society, or is the movie's job to merely entertain? I think we all know the answer to this one when it comes to Talladega Nights: The Ballad of Ricky Bobby. This movie's goal is to entertain the audience, make them laugh, make them spend an hour and a half rejoicing in talented comedians doing their job well. And this movie reached its goal. Not only is this movie an above-average sports movie (it even concludes with a big race and a warm and fuzzy winner!), but is also a very funny movie. All I had to do was listen to the reaction of the sold out theater I was in and I knew that most people will find this movie to be very funny. Will Ferrell is Ricky Bobby, a NASCAR driver who makes up one half of "Shake and Bake," with John C. Reilly's Cal Naughton, Jr. being the "Bake" half of the duo. They are childhood friends who have now become teammates on the top NASCAR level, where Cal sets up the play that lets Ricky win almost every race--that is, unless Ricky has already crashed out of it. Talladega Nights follows the same story arc that Days of Thunder did, but is far more entertaining, as Ferrell and Reilly work together to bring humor to all parts of the racer's lives, including a bizarre dinner ritual that includes corporate sponsorship. Sure, the movie slows down for about 20 minutes in the middle to develop plot, but that may have been designed to give us, the audience, a break, allowing us to get ready for the final scenes of the movie. Sacha Baron Cohen (aka Ali G, Borat) plays the French Formula 1 driver who threatens to oust Ricky Bobby as the best driver on the track, perhaps the funniest overall character in the movie. There is not one scene with Cohen in it that isn't funny. After watching this movie, it is clear why Will Ferrell takes his comedies so seriously (watch the extras on the Elf DVD to see Ferrell between scenes, he's not always "on" playing the clown on set)--he gets the results he's looking for. This movie is laugh-out-loud funny pretty much from start to finish, and seeing Gary Cole return to comedy as Ricky Bobby's father will bring back memories of Office Space for a moment, then this new character will win you over.
In Talladega Nights, Will Farrell and Jon C. Reilly head a nicely assembled cast (without a lot of star power) in a story about a fool who happens to be a race car driver and who has based his entire life philosophy around a phrase uttered by his alcoholic father during a drunk - "If you ain't first, you're last". Ricky Bobby rides high in his largely unexamined life until, predictably, he eventually crashes hard when confronted with a gay French intellectual who just might be a better driver than he is, and a boss who does not appreciate his arrogance.
Talladega Nights uses a narrative and editing style reminiscent of the brilliant Deathrace 2000 to create an entirely different effect - unlike Deathrace 2000's intellectually challenging political and social commentary, Talladega Nights is a simple absurdist comedy played out by several stereotypes in the contemporary racing entertainment industry. The film is successful largely because of it's careful plotting and occasional substitution of slap-stick for (dumb) dialogue driven comedy. The script is nothing special, but was probably well edited in the final construction of the film in order to emphasize its occasional moments of brilliance. If you go into this without much in the way of expectations, you just might enjoy it.
Talladega Nights uses a narrative and editing style reminiscent of the brilliant Deathrace 2000 to create an entirely different effect - unlike Deathrace 2000's intellectually challenging political and social commentary, Talladega Nights is a simple absurdist comedy played out by several stereotypes in the contemporary racing entertainment industry. The film is successful largely because of it's careful plotting and occasional substitution of slap-stick for (dumb) dialogue driven comedy. The script is nothing special, but was probably well edited in the final construction of the film in order to emphasize its occasional moments of brilliance. If you go into this without much in the way of expectations, you just might enjoy it.
Ricky Bobby grows up to become a big-time race car driver. With the conflict of having no father to raise him, life was not always easy. And now, as an adult, he is finally ready to meet his match: a French driver from the Formula Un series. Can Ricky make him surrender? Shake and bake! I really don't want to like this film, because I think Will Ferrell is past his prime already and on his way out. The bigger a role he receives, the less likely he is to make a good movie, because he is just such a dumb actor. Popping in for a brief time ("Wedding Crashers") is alright, but a full movie ("Elf")? I don't know. Yet, he took the whole film here and ran with it.
The help came from John C. Reilly, who was fantastic as Cal Naughton, Jr. While he is not the usual co-star of Ferrell (such as Vince Vaughn, or one of the Wilson brothers) he was a dominant force. Seeing some new faces was very good, although having "Crash" from "Anchorman" was a nice touch, as I would consider "Anchorman" to be Ferrell's best film.
Stealing the show was Sacha Baron Cohen as Jean Girard. I did not even recognize him until the movie was almost over. Cohen is a master of disguise ("Alig G", "Borat", "Bruno") and I would say this was his best performance yet. All the French references were great (Albert Camus, Perrier, crepes) and this character was so much more than just a simple parody of French culture. Why he was hanging out with Elvis Costello and Mos Def is unknown to me.
This film has the comedy that other films by these creators have, with constant pop culture references that pay off if you get it. And heck, if you don't, there's a good amount of really stupid humor, too (such as the imaginary fire). My favorite scene might be where they try to figure out how to pry out a knife from a man's leg.
If you want a cheese fountain at your wedding with nachos and seven different kinds of cheese, you need to see this movie.
The help came from John C. Reilly, who was fantastic as Cal Naughton, Jr. While he is not the usual co-star of Ferrell (such as Vince Vaughn, or one of the Wilson brothers) he was a dominant force. Seeing some new faces was very good, although having "Crash" from "Anchorman" was a nice touch, as I would consider "Anchorman" to be Ferrell's best film.
Stealing the show was Sacha Baron Cohen as Jean Girard. I did not even recognize him until the movie was almost over. Cohen is a master of disguise ("Alig G", "Borat", "Bruno") and I would say this was his best performance yet. All the French references were great (Albert Camus, Perrier, crepes) and this character was so much more than just a simple parody of French culture. Why he was hanging out with Elvis Costello and Mos Def is unknown to me.
This film has the comedy that other films by these creators have, with constant pop culture references that pay off if you get it. And heck, if you don't, there's a good amount of really stupid humor, too (such as the imaginary fire). My favorite scene might be where they try to figure out how to pry out a knife from a man's leg.
If you want a cheese fountain at your wedding with nachos and seven different kinds of cheese, you need to see this movie.
Talladega Nights: The Ballad of Ricky Bobby is rather significant. Why? Because it is the first team up of Will Farrell and John C. Reily on the big screen. Released in 2006, Talladega Nights was released at a great time. Back when Will Farrell was at his height in the film industry and back when NASCAR was pretty popular. It only seemed that a movie should be made in hopes of making lots of money. And it did. Talladega Nights had a budget of $72.5 million and made back over double that amount. For the longest time I thought that Step Brothers was the better team up but since my opinion has slightly changed over that film alone, will Talladega Nights see a change in opinion?
Ricky Bobby has lived his whole life by the motto of "If you ain't first, you're last". Ricky Bobby is also a NASCAR driver and possibly the best there is. When a new race driver named Jean Girard comes to race, it seems that Ricky has met his match. A wreck occurs and Ricky is thought to be done with racing, but the Talladega race is coming around the corner, and Ricky wants to race. But most importantly, win.....
Again, for the longest time, I always saw Step Brothers as the better Reily and Ferrell film. But that has changed. I am not saying that this is leaps and bounds better than Step Brothers. I like Step Brothers and I like this film. But this film is not really a piece of art. The acting is fine. The actors feel right in their respective roles and to a point that I honestly forgot that Will Ferrell does not have a southern accent. Oscar worthy? No, considering the tough competition and what not, but still good. The characters themselves are fine too. They mostly follow the typical sterotypes which is something that some people say made NASCAR look bad. But, they all have chemistry and are loads of fun to watch. Especially Reily and Ferrell which is great that they did Step Brothers together. The story is considerably better in this film than Step Brothers as it is more complex and has an actual plot and what not. The comedy is good. Whereas Step Brothers took the really potty mouth approach, Talladega Nights is not quite as potty mouth with it's humor. Again, it is that dumb smart humor which actually works best in this film. Almost because it is a sort of satire in a way. I found myself laughing more than in Step Brothers which was the big deal about me changing my mind about how this film compares to Step Brothers. Not nearly as quotable as Step Brothers, but just the scenes by themselves are memorable.
Talladega Nights is a funny film. Some prefer Step Brothers over this film which is fine. If you are a fan of Will Ferrell and/or racing, this film should entertain you.
Ricky Bobby has lived his whole life by the motto of "If you ain't first, you're last". Ricky Bobby is also a NASCAR driver and possibly the best there is. When a new race driver named Jean Girard comes to race, it seems that Ricky has met his match. A wreck occurs and Ricky is thought to be done with racing, but the Talladega race is coming around the corner, and Ricky wants to race. But most importantly, win.....
Again, for the longest time, I always saw Step Brothers as the better Reily and Ferrell film. But that has changed. I am not saying that this is leaps and bounds better than Step Brothers. I like Step Brothers and I like this film. But this film is not really a piece of art. The acting is fine. The actors feel right in their respective roles and to a point that I honestly forgot that Will Ferrell does not have a southern accent. Oscar worthy? No, considering the tough competition and what not, but still good. The characters themselves are fine too. They mostly follow the typical sterotypes which is something that some people say made NASCAR look bad. But, they all have chemistry and are loads of fun to watch. Especially Reily and Ferrell which is great that they did Step Brothers together. The story is considerably better in this film than Step Brothers as it is more complex and has an actual plot and what not. The comedy is good. Whereas Step Brothers took the really potty mouth approach, Talladega Nights is not quite as potty mouth with it's humor. Again, it is that dumb smart humor which actually works best in this film. Almost because it is a sort of satire in a way. I found myself laughing more than in Step Brothers which was the big deal about me changing my mind about how this film compares to Step Brothers. Not nearly as quotable as Step Brothers, but just the scenes by themselves are memorable.
Talladega Nights is a funny film. Some prefer Step Brothers over this film which is fine. If you are a fan of Will Ferrell and/or racing, this film should entertain you.
Lo sapevi?
- QuizCal, Ricky, and Girard were all introduced during driver introductions at the 2005 UAW Ford 500 at Talladega. Ricky and Cal were cheered, but when Girard was introduced as a driver from France driving the Perrier car, the entire crowd started booing without any prompting.
- BlooperIn one of the races, Ricky Bobby has a "Fig Newton" sticker on his windshield, taking up practically the entire windshield. During his crash sequence, there is no sticker on his windshield.
- Citazioni
Ricky Bobby: If you ain't first, you're last.
- Curiosità sui creditiAfter the credits, there is a scene where "Walker" and "Texas Ranger" are reading with Ricky Bobby's mom and discussing symbolism in William Faulkner's "The Bear".
- Versioni alternativeIn the DVD version of the film the scene where young Ricky steals his mother's station wagon (as seen in the theatrical version) is missing.
- Colonne sonoreKing of the Road
Written and Performed by Roger Miller
Published by Sony/ATV Tree Publishing
Courtesy of Mercury Records
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Ricky Bobby: Loco por la velocidad
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 72.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 148.213.377 USD
- Fine settimana di apertura Stati Uniti e Canada
- 47.042.215 USD
- 6 ago 2006
- Lordo in tutto il mondo
- 163.369.464 USD
- Tempo di esecuzione
- 1h 48min(108 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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