Ricky Bobby - La storia di un uomo che sapeva contare fino a uno
Titolo originale: Talladega Nights: The Ballad of Ricky Bobby
Il pilota numero uno della NASCAR Ricky Bobby resta campione grazie a un patto con il suo migliore amico e compagno di squadra. Ma quando arriva un pilota francese di Formula 1, il talento e... Leggi tuttoIl pilota numero uno della NASCAR Ricky Bobby resta campione grazie a un patto con il suo migliore amico e compagno di squadra. Ma quando arriva un pilota francese di Formula 1, il talento e la devozione di Ricky vengono messi alla prova.Il pilota numero uno della NASCAR Ricky Bobby resta campione grazie a un patto con il suo migliore amico e compagno di squadra. Ma quando arriva un pilota francese di Formula 1, il talento e la devozione di Ricky vengono messi alla prova.
- Premi
- 8 vittorie e 9 candidature totali
Recensioni in evidenza
Talladega Nights: The Ballad of Rikcy Bobby is an incredible comedy that's gleefully stupid whilst also cleverly mocking the tropes and conventions of racing dramas. Will Ferrell and John C. Reilly are both incredible and have fantastic chemistry. Sacha Baron Cohen, Jane Lynch, Gary Cole and Michael Clarke Duncan are all great. It's consistently extremely funny even if a few jokes don't land. It's also well paced and Adam McKay's direction is excellent. Both the music by Alex Wurman and the soundtrack are really good.
Ricky Bobby grows up to become a big-time race car driver. With the conflict of having no father to raise him, life was not always easy. And now, as an adult, he is finally ready to meet his match: a French driver from the Formula Un series. Can Ricky make him surrender? Shake and bake! I really don't want to like this film, because I think Will Ferrell is past his prime already and on his way out. The bigger a role he receives, the less likely he is to make a good movie, because he is just such a dumb actor. Popping in for a brief time ("Wedding Crashers") is alright, but a full movie ("Elf")? I don't know. Yet, he took the whole film here and ran with it.
The help came from John C. Reilly, who was fantastic as Cal Naughton, Jr. While he is not the usual co-star of Ferrell (such as Vince Vaughn, or one of the Wilson brothers) he was a dominant force. Seeing some new faces was very good, although having "Crash" from "Anchorman" was a nice touch, as I would consider "Anchorman" to be Ferrell's best film.
Stealing the show was Sacha Baron Cohen as Jean Girard. I did not even recognize him until the movie was almost over. Cohen is a master of disguise ("Alig G", "Borat", "Bruno") and I would say this was his best performance yet. All the French references were great (Albert Camus, Perrier, crepes) and this character was so much more than just a simple parody of French culture. Why he was hanging out with Elvis Costello and Mos Def is unknown to me.
This film has the comedy that other films by these creators have, with constant pop culture references that pay off if you get it. And heck, if you don't, there's a good amount of really stupid humor, too (such as the imaginary fire). My favorite scene might be where they try to figure out how to pry out a knife from a man's leg.
If you want a cheese fountain at your wedding with nachos and seven different kinds of cheese, you need to see this movie.
The help came from John C. Reilly, who was fantastic as Cal Naughton, Jr. While he is not the usual co-star of Ferrell (such as Vince Vaughn, or one of the Wilson brothers) he was a dominant force. Seeing some new faces was very good, although having "Crash" from "Anchorman" was a nice touch, as I would consider "Anchorman" to be Ferrell's best film.
Stealing the show was Sacha Baron Cohen as Jean Girard. I did not even recognize him until the movie was almost over. Cohen is a master of disguise ("Alig G", "Borat", "Bruno") and I would say this was his best performance yet. All the French references were great (Albert Camus, Perrier, crepes) and this character was so much more than just a simple parody of French culture. Why he was hanging out with Elvis Costello and Mos Def is unknown to me.
This film has the comedy that other films by these creators have, with constant pop culture references that pay off if you get it. And heck, if you don't, there's a good amount of really stupid humor, too (such as the imaginary fire). My favorite scene might be where they try to figure out how to pry out a knife from a man's leg.
If you want a cheese fountain at your wedding with nachos and seven different kinds of cheese, you need to see this movie.
If you're in the right mood, Talladega Nights: The Ballad of Ricky Bobby is absolutely hilarious. This NASCAR parody takes plenty of laps around the track of ridiculousness in order to get some laughs. It's obvious that Adam McKay just let the actors do and say whatever they wanted take after take until he found something he thought was funny. And there are plenty of quotable moments from this movie. That being said, this movie is an acquired taste, and the outlandish story & acting are sure to annoy some. I was glad to ride with Ricky Bobby once again, but I didn't find it as funny as I used to.
This movie does something that is rarely done successfully done, pokes fun at the modern NASCAR circuit. Without detailing all the gags, this is pure fun which doesn't offend the tastes too often. Will Farrell is patently absurd as Ricky Bobby & the support he receives in this film from the entire cast is excellent. Gary Cole is very solid as Ricky's dad, & so is Jane Lynch as his mom. Amy Adams is solid too. In fact, the entire cast including John C. Reilly seems to have been fit into their roles like gloves.
Sasha Cohen comes off better in this as Ricky Bobbys French nemesis than he does in even Borat. He is used perfectly & fits his role really well. The story line works really well as the evolution from speed too shake & bake too magic man & me helps keep the film focused on something besides the jokes. There is just enough plot to hang the jokes on.
The script is lots of fun with references to lots of things besides NASCAR & Sex (which is all too often the only thing done as comedy today). This film proves that outrageous is much better than sex when done right as comedy. Thank goodness this is much better than the ill conceived BETWITCHED Farrell did in 2005. This film is really an excellent showcase for everyone involved. If your a NASCAR fan, you should even get some extra fun out of this one.
Get ready for the checkered flag Ricky Booby, this film is a winner all the way.
Sasha Cohen comes off better in this as Ricky Bobbys French nemesis than he does in even Borat. He is used perfectly & fits his role really well. The story line works really well as the evolution from speed too shake & bake too magic man & me helps keep the film focused on something besides the jokes. There is just enough plot to hang the jokes on.
The script is lots of fun with references to lots of things besides NASCAR & Sex (which is all too often the only thing done as comedy today). This film proves that outrageous is much better than sex when done right as comedy. Thank goodness this is much better than the ill conceived BETWITCHED Farrell did in 2005. This film is really an excellent showcase for everyone involved. If your a NASCAR fan, you should even get some extra fun out of this one.
Get ready for the checkered flag Ricky Booby, this film is a winner all the way.
One of Ferrell's stronger, fearlessly idiotic films, with the style his career is built on: comedy surrounding moronic characters doing stupid stuff.
Ricky Bobby, showcasing all the stereotypical characteristics of a redneck, is a loudmouth NASCAR driver of immense talent, who either wins or crashes trying. When a sophisticated but snooty French Formula One driver encroaches on Bobby's territory, he goes all out to stay number one.
Ferrell has a great chemistry with Reilly, a connection to be visited later in their careers. In general, it is a fairly star-studded cast, Adams thrown in with a fairly minor impact role for most of the film. Cohen is recruited to lean into a daft foreign stereotype, his speciality, but with no need for subtlety on this one, blunt jokes revolving around how the character's supposed superiority and often his homosexuality is responded to by the world of NASCAR.
Much like Anchorman and Step Brothers, the film is really ridiculous, loud and brash. Something Ferrell's fans will love, and that others would hate. Honestly though, the bloopers at the end are probably the funniest part.
Ricky Bobby, showcasing all the stereotypical characteristics of a redneck, is a loudmouth NASCAR driver of immense talent, who either wins or crashes trying. When a sophisticated but snooty French Formula One driver encroaches on Bobby's territory, he goes all out to stay number one.
Ferrell has a great chemistry with Reilly, a connection to be visited later in their careers. In general, it is a fairly star-studded cast, Adams thrown in with a fairly minor impact role for most of the film. Cohen is recruited to lean into a daft foreign stereotype, his speciality, but with no need for subtlety on this one, blunt jokes revolving around how the character's supposed superiority and often his homosexuality is responded to by the world of NASCAR.
Much like Anchorman and Step Brothers, the film is really ridiculous, loud and brash. Something Ferrell's fans will love, and that others would hate. Honestly though, the bloopers at the end are probably the funniest part.
Lo sapevi?
- QuizCal, Ricky, and Girard were all introduced during driver introductions at the 2005 UAW Ford 500 at Talladega. Ricky and Cal were cheered, but when Girard was introduced as a driver from France driving the Perrier car, the entire crowd started booing without any prompting.
- BlooperIn one of the races, Ricky Bobby has a "Fig Newton" sticker on his windshield, taking up practically the entire windshield. During his crash sequence, there is no sticker on his windshield.
- Citazioni
Ricky Bobby: If you ain't first, you're last.
- Curiosità sui creditiAfter the credits, there is a scene where "Walker" and "Texas Ranger" are reading with Ricky Bobby's mom and discussing symbolism in William Faulkner's "The Bear".
- Versioni alternativeIn the DVD version of the film the scene where young Ricky steals his mother's station wagon (as seen in the theatrical version) is missing.
- Colonne sonoreKing of the Road
Written and Performed by Roger Miller
Published by Sony/ATV Tree Publishing
Courtesy of Mercury Records
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Ricky Bobby: Loco por la velocidad
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 72.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 148.213.377 USD
- Fine settimana di apertura Stati Uniti e Canada
- 47.042.215 USD
- 6 ago 2006
- Lordo in tutto il mondo
- 163.369.464 USD
- Tempo di esecuzione
- 1h 48min(108 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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