Gong woo

I find this movie to be very cleverly written and directed. IMDb has the wrong names however. Jacky Cheung's character is called Mr. Left not Left Hand and Shawn Yue's characters name is Yik. All that aside, I really liked this movie. It's not your typical triad movie with lots of fighting and no character development. Don't get me wrong there is some action in this movie but unlike most triad movies you actually care what happens to the characters. I loved the dinner scene where Hung and Lefty are talking and the room behind them seems to be moving in an odd fashion, maybe it was a play off their emotions but I thought it looked really cool.

I was a bit surprised by what this movie really was about. Because as you are watching it you think you know exactly what the movie is about and where its going, but the last 15-20 minutes gets you. You realize that you don't really know anything, everything you thought you knew is wrong.

Before getting a copy of this, I looked into the details. Gangster movie? Cool. A hit on a mob boss? Interesting. Andy Lau? Even better. Jacky Cheung, Edison Chen, Eric Tsang, Wu Chien Lien, and Shawn Yu? Awesome.

I almost thought, "What is this, Infernal Affairs all over again?"

So I had pretty high expectations. I started the movie. I was pretty impressed throughout with the camera work. There was a definite style in this movie. But the movie seemed to head nowhere. I was more eager to see what happens in each scene rather than in the movie as a whole.

So it follows two punks about to kill and a mob boss trying to find his traitor. Big Deal. For an 85 minute movie it seemed to take forever to get there. And throughout most of the movie all I could think was, "So what? What does that have to do with anything?"

Then the ending hits. If you've read any of the other reviews, you'll know that it completely changes the whole movie. I have to admit, it was genuinely cool.

But should a movie completely hinge on a single plot twist? I think not, though I admit I can't really see how they could have done it any other way.

THE BOTTOM LINE: Despite the smart twist at the end, you will probably feel a little dissatisfied. However, if you want to see some stylish film-making, great acting, and find out what the plot twist is, definitely check it out. The movie is definitely made for the experience.

Style, class, intensity, mystery - loyalty?/betrayal? love for the art of film ...Jiang Hu is without a doubt a Simply TERRIFIC and ORIGINAL film! For those who have not seen this I will just say.. be Not critical of the film until you have reached the MAGNIFICENT ending!! At first the acting might seem poor from a few characters but it is the correct method to enhance the plot! You Will understand after - Promise!! Second of all this has to be one of the few rare movies to create such Depth in a single film, that will make you enjoy re-watching the film ..Straight after!! Even the credits show more depth to the film! Thirdly this shows the revival of consistency in great Hong Kong films! Like Infernal Affairs, there has not been a movie like Gong Wu (Cantonese title!) There is a SUPERB Twist at the end of this film, Andy Lau is Class! (The triads mole in Infernal Affairs!) In fact the whole cast is BRILLIANT! From the new talent to the veterans. I almost did not see this film because of the poor reviews given to it.. This is why i feel the need to have registered on this site (yes i'm a IMDb virgin) and tell the world how JIANG HU is simply another Amazing, Original/Anti Hollywood Triad film! I can Easily turn this review into a thesaurus of Compliments .... WATCH IT!

There was much hype about the latest crime underworld movie called Jiang Hu. Sad to say it didn't do so well in the Hong Kong Box office and it was repeatedly slammed by Critics. Ironic though is that I find most non-official Critics such as fellow IMDb users, Internet users, and myself giving this film anywhere from thumbs in the middle to thumbs up. I'm probably not going to go much into the film since most reviewers have already elaborated on it. I am going to say though that it was sort of a waste to pit most of the "Infernal affairs" cast into this movie and yet you walk out not necessary caring for one of the characters. Andy Lau and Jacky Cheung are the highlights of the film though. Their dinner conversations on playing "Triad-chess" ignites the fuse on this film. Edison Chen and Shawn Yue surprisingly have improved on their acting on a margin of 80%. The last thing(s) that captivated me on this movie was the Musical Score, the wonderful lady- sung ballad in the opening and closing credits, and Chapman To's rendered Jiang Hu theme. For those who are looking for an abundance of Triad fight(s), look elsewhere. Sure this movie still has some violence, greed, lust, and full-on betrayals, but it is rather jelly-filled dialogue instead. Jiang Hu isn't a terrible movie but it isn't a best I've seen either. I give it a 7/10.

The general consensus among HK cinema followers is that Jiang Hu suffers from this and that, so I expected it to be mediocre. Truth is, it turned out to be the most delightful surprise in many years. Right from the start, the bar scenes are filled with energy and dazzling lighting effects, maximizing the cinematic excitement. The film's retrospective score and set design evoke the old Chinese city which was previous achieved to perfection only by Wong Kar Wai's IN THE MOOD FOR LOVE. Jiang Hu's director seems to have learned more than a few tricks from Kar Wai, from utilizing well-placed retrospective songs to capturing the moment for maximum mood. This is to say, Jiang Hu is an outstanding work of art that captures the essence of triad life-cycle and blood brotherhood.

Watching Jiang Hu is like experiencing the 21th century Chinese update of The Godfather or any number of European and Italian American gangster classics in the 60s/70s. In our jiang hu, Loyalty is at stake. Andy Lau and Jacky Cheung, two of HK's finest, reprise their boss-follower roles from AS TEARS GO BY, complete with Jacky's impulsiveness and Andy's more calm personality. Their pure friendship from years ago is turning pale as Jacky's ambition pull him towards the dark side.

While Jacky favors violence as primary resort, Andy Lau's character is more of a pacifist. I find his peaceful resolution approach representative of Buddhist ideology in some manner. When warned that Jacky may turn against him, Andy responds: "I am not worried. If my death is what it takes to make Jacky realize the meaning of blood brothers, then so be it." Andy has reached the top of the game, where money and fame have lost their meaning. He only wishes to change his old friend for the better before time runs out. But Andy does not shove this idea down Jacky's throat; he shows Jacky the way through demonstrations of sophistication and wit, instead of blood and force. In the end, after leaving his words, Andy walks away from the table. Whether Jacky accepts his invitation to recover their brotherly bonding is up to Jacky.

Some viewers have pointed out the lack of brutality/blood. This ties back to Andy's philosophy that success can be achieved without blood, as he expresses many times in the movie. It is a central theme to the story.

Another criticism is about the two intertwined story lines - some think it's confusing. However, let's not forget this kind of narrative structure is featured prominently in Godfather Part II, considered a classic. In that movie, 2 parallel story lines, involving the present day Michael and previous accounts of Vito Corleone, switch back and forth throughout the movie -- very similar to the style of Jiang Hu. I personally think Jiang Hu's approach is even superior to Coppola's classic, since here the parallelism is much stronger (and perhaps more meaningful).

Jiang Hu is the third masterpiece I saw in 2004 (the other two being GONG FU and 2046), a fairly kind year for HK cinema. The film is a bit showy at times, but above all, Jiang Hu is more than a standard gangster flick; its artistic passion yields a touch of timelessness which I suspect will outendure many genre classics. As I write this review in October 2005, no HK film I have seen this year comes close to exhibiting Jiang Hu's rare quality to honor the integrity of the medium.