Orgoglio e pregiudizio

Pride and Prejudice (2005)

I began my "Pride and Prejudice" attempt with the well regarded 1995 five hour classic with Colin Firth, a BBC mini-series. And it is so poorly filmed (visually) and so utterly about recreating the text (the Austen original), it ends up being awkward and sort of awful. As a movie.

I know that is sacriledge to some. But I switched after an hour to this one, which I had seen before. And in two minutes I was sucked in. I think the biggest first point is this: to be true to Austen, you must find a way to put us there, to make us feel it. It's not about the text, the facts, the truth of the translation to film. It's about the effect and the final "truth" that this movie manages in a short two hours.

So, yes, this is a filmic film. It's gorgeous and thoughtful for how it handles the scenes and the light, the movement of camera and the capturing of space. It's a wonderful film on a physical level. (There are particular scenes, in the middle especially at a party, where the camera follows the action from character to character through several rooms for a glorious long take that just fills the sensation of being there beautifully.)

You might say this is Keira Knightly's movie, since she is Elizabeth. And she's kind of great (I've always had a reservation about her sincerity on screen). The cast around her is terrific--even the somewhat troublesome casting of Matthew Macfadyen as Mr. Darcy. I know that Mr Darcy is meant to be unpleasant, but he comes off as somewhat wooden for too long here...as he does in Colin Firth's hands, too, in fact.

But I warm to him by the end, so maybe it's perfect. And the other cast, including stars like Sutherland and Dench, is great.

The director, Joe Wright, is basically unknown to me, though I see he did the more excessive Knightley vehicle, "Atonement." So the tendancy for dramatic ambiance is a given, not to mention Anna Karenina (also starring Knightley). It all works. It's a kind of dramatization that purists probably hate, but for me it makes an original take on a classic that has its own dignity and beauty.

And I'll add that Knightly is just 18 for this filming, and shows amazing depth for a young actress.

Recommended!

Back in 1995, the definitive version of "Pride and Prejudice" was brought out--and everyone I know who saw that one agrees with me that it is simply the best. Much of it is the acting (having Colin Firth as Darcy isn't bad) but the biggest reason to adore the made for TV version is that it's long--very, very long. This allows the story to unfold slowly and is never rushed. Unfortunately, every movie version I've seen is just too rushed--and it's hard to shove this wonderful story into a two-hour time slot. So, no matter how good the 2005 movie is (and it's quite good), it cannot hope to equal the mini-series. It's a shame, actually, as there's so much to like about this Keira Knightly version. The music is great, the locations top-notch and the Bennett girls actually look their proper ages! For example, in the 1940 MGM version, the actual ages of the actresses was their mid-20s to almost 40! And, the Bennetts are supposed to be teenagers (there about)!

My advice is go ahead and watch this 2005 film--it's really very lovely. But then do yourself a favor--find the 1995 version. You'll be thankful, believe me.

A "modernised" version of Jane Austen's classic novel that should not be compared unfavourably with 1940 Hollywood Olivier / Garson version nor several BBC serials culminating in the most acclaimed TV series version from 1995 with Colin Firth & Jennifer Ehle-a personal favourite.

This 2005 film clocks in 127 minutes (UK / Europe)& 135 minutes (USA & Canada) -the extended version allowing audiences to share more of the timeless love story with the main characters -Elizabeth Bennet & Mr Darcy.

Director Joe Wright plus his screenwriters ( Oscar winner Emma Thompson contributed to the final screenplay) have chosen to emphasise Elizabeth Bennet / Mr Darcy plus Jane Bennet/ Mr Bingley story lines & reduce Mr Wickman, Charlotte & Mr Collins to supporting characters.

Austen's famous wit,satire & humour that forms the basis for her enduring appeal (Pride & Prejudice was finally published in 1813 & continues as an annual bestseller)is sidelined to open up this version as more emotional drama for modern audiences.

If you are open to a newer interpretation, can avoid comparisons to the nearly 5 hour 1995 TV version which allowed for greater depth & detail in telling all the characters story lines & accept some of the new film's rushed story lines-you are in for a treat .....

New British star Keira Knightley (Elizabeth Bennet))excels in her first real leading actress role ably supported by fellow Brit Rosamund Pike (Jane Bennet) as the sisters supportive of each other's & their Bennett family problems.Knightley at 20 is the right age for her character,this allows Elizabeth's girlish personality plus her character's pride, misjudgements & loving nature to shine through....

Great star turns from Brenda Blethyn as their mother Mrs Bennet plus Oscar winner Judi Dench as fearsome Lady De Bourgh (Mr Darcy's aunt)add depth to this film version.Claudie Blakley as Elizabeths's wise friend Charlotte Lucas & Simon Wood's amusing Mr Bingley are delightful supporting performers.

One major surprise is Canadian actor Donald Sutherland's touching performance as Mr Bennet -capturing both the humour of living in an all female household & five daughters to look after with the poignancy of seeing his eldest children's difficult relationships develop -easily his best acting performance in years.

In the difficult role of Mr Darcy rising British star Matthew Macfadyen (BBC's Spy series Spooks & Award winning New Zealand film "In My Father's Den" rises to the occasion.With the short running time, there is not enough time to allow Darcy's repressed & prejudiced personality to be fully represented -Macfadyen perfectly displays Darcy's social & class problems, his unfortunate attempts at gaining Eliabeth Bennet's interest & his painful adjustments to achieve their personal love story.Macfayden & Knightley's objectionable first dance,their embarrassingly moving Collins House meeting,the unexpected Pemberley encounter plus their two proposal scenes are highlights of this film.

Engaging acting performances with wondrous film photography,film locations at some of United Kingdom's most famous stately homes, marvellous film sets & costumes plus one of 2005's best original music scores add greatly to this new film version.

All in all one of the better films of 2005 -not perfect film making and not intended to be as subtle as Austen's novel -but a wonderful surprise with some changes to present a modern version of Pride & Prejudice for current audiences -do see this film as & when it is released worldwide....

And after seeing the film or re-visiting 1995 BBC TV series -read the original novel for its classic storyline, memorable characters & Austen's brilliant writing style,wit & humour.....

9 Out Of 10 for this different interpretation of an enduring classic

I really hated this - it is OK to modify scenes from the book, but to change the spirit of it completely is too much. And to change Jane Austen's witty dialogue for some of the dross, especially early on in the piece was definitely not an improvement.

This loud, grubby group were not my idea of the Bennetts or their friends. The Bennetts may have been poor and may well have lived in a shabby house, but they had more class than this lot.

As for the proposition that Darcy's aloofness was because he shy and not confident, he just seemed pathetic to me and Darcy should certainly not be pathetic.

Except for the scene where he gave a lovely smile - Mathew MacFadyen wore the same expression pretty much throughout, (which was not surprising as this Darcy was such a boring character), and Kiera Knightly just seemed much to flighty for Lizzy, she seemed more like Lydia.

To me - it is the Benny Hill version of P&P - no subtlety, little wit, almost just slapstick.

Thank God for the BBC.

Pride and Prejudice has always been one of my favourite books, so any screen incarnation has to live up to certain personal expectations of character, style etc. And of course, there is the gold standard of the 1995 BBC series, which, as other reviewers have pointed out, had the luxury of several episodes to cover a story that here takes just two hours. So I was truly delighted to enjoy this movie so much. It had a lot to live up to.

The first thing I must say is that it is exquisitely photographed. The atmosphere set by the beautiful cinematography, is perfect. The film deserves to be nominated for an Oscar on that basis alone. I am in awe of the technical crew and director who could find such unspoiled vistas and such perfect weather in England, and I say that as a Brit who used to live very close to some of the eastern England locations! I sat right through to the end of the credits to see where it was shot, because I assumed it must have been filmed in some remote, rural, continental European locale. I felt quite ashamed that I had doubted the ability of my native land to still provide such delightful scenery! The mist rising off early morning fields, geese on a perfect farm pond, magnificent country estates and enormous trees more usually associated with California than England. Also perfect were the interiors. The air of genteel poverty in which the Bennets lived was well captured. The slightly down at heel scruffiness of the Bennet's farm and house, and the general dirtiness of 18th century life for most people, contrasted well with the ridiculous, rich fussiness of Lady Catherine de Bourg's house and the stark, museum-like beauty of Darcy's home.

The cast were excellent. I thought Rosamunde Pike as Jane Bennet was perfect, Simon Woods as Mr Bingley was charming although perhaps a little too puppyish, I enjoyed Donald Sutherland and Brenda Blethyn as Mr and Mrs Bennet and I'm one who thinks Matthew MacFadyen did a very good job as Mr Darcy, a characterization which was slightly more user-friendly than Colin Firth's 1995 Darcy. Also outstanding were Claudie Blakley as plain Charlotte Lucas, rescued from a life of unmarried oblivion by pompous Mr Collins (a very good Tom Hollander) and Kelly Reilly, as the bitchy Miss Bingley. Is Rupert Friend (Mr Wickham) destined to play Orlando Bloom's brother? Am I alone in seeing a similarity? Of course, Keira Knightley plays the title role of Elizabeth. I have followed her career closely since Bend it Like Beckham, and I thought this easily her best acting performance so far. She captured the playfulness and wit of Lizzie's bright mind wonderfully well, and made me think long and hard how truly frustrating it must have been to be an intelligent young woman in a world that expected nothing more of her than an ability to choose ribbon and to capture a husband possessed of money. The only possible slight criticism I might make, is that Keira Knightley is perhaps a little too waif-like to pull off the 18th century characterization entirely convincingly. She is stunningly beautiful, but her stick thin appearance alongside her more robust looking screen sisters, made her look as if Mr Bennet might well have doubted her parentage!