The Bonesetter

I don't want to say this movie is bad, merely poorly classified. "The Bonesetter" is not a good horror film (Its hard to make anything good when you appear to have shot entirely on a camcorder) but if you accept it as part of the genre I like to call "Borchardts"* it becomes not only a perfect example of the form, but one of the best I have seen.

A Borchardt is a Low budget film, usually horror, that has been produced, written, directed, and (this is critical) stars the same person. This is made painfully obvious through out the film. The star is decent at acting and is often convincing; but the rest of the cast (pulled from friends 9 times out of 10) is well, cardboard. Video production and effects are crude at best, and the importance, sex appeal, and intelligence of the lead are extremely overstressed.

The Bonesetter is a great example of a Borchardt, but the full on elongated french kiss between Kelly and the female lead puts it over the top. Also note the film makes reference to Kelly being involved in a relationship with a "party girl" resulting in a child, and he is fawned over by his co-worker in the film. Extremely overstressed.

But, before we damn the film, please remember that the important thing is that despite funding and equipment and all the other tough things it takes to make a movie, Kelly at least got it done, and out there. Granted, out there in a four volume collection selling for $6, but how many of your movies are on the shelf at Best Buy?

*Named after the film "American Movie"

This "MOVIE" adds nothing to the genre, looks horrible,is bland, slow and boring. It's not scary at all. The acting is terrible. The "effects" and makeup are blah. I give any filmmaker credit for doing the work and getting their stuff out for people to see. I've never made a movie but damn, man this is really no good. Don't waist any time or money on this. I wish my review was more enlightening and in-depth but I don't have much to work with here.

I think I got this from a Brentwood collection for like a couple of bucks, and I'm still angry that I spent money on it. I am even struggling to write more about the movie. I am at a loss.

Words cannot begin to describe how blandly terrible this movie is. I wish it were "so bad it's good," but it's not. It's just dull, lifeless, and boring. It's so bad I couldn't even laugh at it.

In response to other posters, Anne-Marie Frigon is not the highlight of the movie. The only person less charismatic is the director Brett Kelly, who as a true statement on vanity, cast himself as the male lead. They both look like inbreeds, sister and brother.

The gal, Sherry Thurig, is a looker. The complete opposite of Anne-Marie - attractive. This girl is tall and willowy, and can act. Although you can tell she's holding back.

All the actors seem to be holding back, especially the supporting male, Mark. I've seen less wood in a rain forest, but he's still better than Kelly. Why would Kelly keep his actors from acting? Is he really that bad a director? Everyone else has summed the story up perfectly - there isn't one. Kids are kidnapped and Kelly steps in poo to solve the crime. I know how he felt stepping in the poo, it's how I felt after watching his movie.

Yes, I tried to get my money back from the rental store. This is a home movie best left to be seen by the friends of the director (and if you search them out, you'll see those same friends were the one who gave the movie positive marks).

I was reading back through some of my reviews recently and realized that I tend to do a lot of tearing down. But of course, I also have a penchant for the worst of movies, so I guess that would make sense. It can be hard to say good things about a film that is just really bad.

As for "The Bonesetter," it's a very amateur work. You are going to see a fair bit of work put into it, but ultimately everything is very poor in quality. The camera work in the opening sequence is very rough, and occasionally so shaky you can't even make out the picture. The acting is wooden (more oak than hickory, if yew follow me..), the characters appear to be attempting to play parts that require younger actors at times, the makeup somewhat silly, and the flow of the story is plugged full of holes.

And as always with amateur horror, garage band grind for the music. This time with at least one player who hasn't quite finished getting his guitar tuned up. To be fair, while the music did have a certain "casio" sound to it, some of the themes were fairly nice. I enjoyed some of it this time.

I think the villain was a little over planned. His attire may have fit the decade, but he still just seemed a little to circus-ee to me. I think that they would have done better by keeping him off camera and not allowing him to speak. Oftentimes what the audience doesn't get to see is more interesting than what they do get to see.

Only one asset was half-way tolerable and that was attractive Sherry Thurig who at least tries to give her character some personality. Everything else fails and not in a small way, we're talking colossal failure here.

The Bonesetter is a cheap-looking movie, camcorder video taping is much more professional-looking than the slipshod photography here, the lighting is often too dim and drab in colour, editing is all over the place in the parts that are supposed to be scary and the special effects are all very half-hearted. The music has some occasional mildly effective parts but that's far outweighed by the majority of the time that it's loud, repetitive and over-bearing.

When it comes to the story, that's where The Bonesetter falls down massively. The whole story-telling is literally a load of tired clichés re-hashed with pedestrian pacing and complete lack of scares or suspense to boot(because the whole movie is so predictable), making the relatively scant 72-minute length feel longer by seemingly twice as long. None of the characters are interesting and some are annoying, the villain is also far too obvious and just a walking cliché with no development or menace. The acting is terrible from all but Thurig, with Lloyd Kaufmann underused and going through the motions, Mark Courneyea making a near-broken marionette less wooden and Anne-Marie Frigon showing very little emotion.

A vast majority of the blame for the colossal failure of The Bonesetter lies with Brett Kelly, who stars, directs and writes and he fails at all three. His lead performance is stiff and whiny with the character making stupid decisions that don't fit within the situation. His direction makes past-prime action stars less flabby, and the script throughout The Bonesetter is so senseless and awkward-sounding that it feels like there wasn't one written for the movie at all until literally at final stages. Overall, a terrible movie with only Thurig as a redeeming merit. 1/10 Bethany Cox