Un anno dopo

Not bad but not so great either, "The Great New Wonderful" suffers from IIS: Insufferable Indie Syndrome. In trying to serve up a few slices of life in post 9/11 New York, the director of the truly wonderful comedies "Dude, Where's My Car?" and "Harold and Kumar" tries awful hard to be Subtle, Tasteful, and Artistic. The problem is, the results are way TOO Subtle, Tasteful, and Artistic. So much so that there are practically no emotions, no connections, no dramatic effect. Even a handful of very good performances can't save the underwritten script and lackluster direction.

Memo to the Director: GO BACK TO COMEDY! (It actually takes a lot more skill and creativity to produce a clever comedy than to churn out another clichéd indie drama.)

The title is a comment made by Sandie (Jim Gaffigan), a patient of Dr. Trabulous (Tony Shaloub), who is trying to deal with his life's problems. It perfectly describes the feeling I had when I watched this film, which is supposed to be four stories about New Yorkers dealing with the trauma brought on by 9/11.

What trauma? Emme (Maggie Gyllenhaal) is trying to get a cake order, and her main competitor (Edie Falco) is not happy that she is the Queen of Cake at the moment.

David (Thomas McCarthy) and Allison (Judy Greer) are so distraught over their monster of a kid that they haven't had sex in 27 days.

Judy (Olympia Dukakis) has a boring life taking care of a husband that just watches TV.

Avi (Naseeruddin Shah) cheated on his wife for the first time.

Are we supposed to believe that all this came about as a result of 9/11. Give me a break! We are watching normal stories about normal lives that would go on regardless of tragedy or trauma.

The lives we see are really not that interesting.

Everyone does a stellar job of being ordinary and boring. The movie hangs together well enough, its just not the slice of life I would want to view for any length of time. Shaloub was the motivation for watching the film, and he doesn't disappoint. Tony's "Monk" character is starting to capture his face and makes it hard not to think of Adrian. He might want to dump that part soon so he doesn't end up pigeon holed. There isn't enough Shaloub in the movie to redeem it for me. It was just a little uninteresting.

The couple with the psychotic son were unbelievable at best. I suppose its better than some. Decide for yourself. If you don't want to bounce between stories use the DVD special bonus feature that lets you watch each story individually.

Decent, if not altogether powerful ensemble dramady is a subtle ode to the struggling inhabitants of NYC one year after 9/11, and is being released onto video five years later for the rest of the country to collectively grieve with. Though the film subtly uses the tragedy as a psychological backdrop to tell of these five eclectic character's personal dilemmas, the writer smartly abstains from any preaching of blatant and exploitive content when exploring this aftermath through his different voices, allowing for each conflict to become it's own theme. While the movie does take some time to build speed, eventually the lighthearted catharsis it was going for does spill forth, no doubt helped in part by the strong supporting cast. This is the perfect film for people who are still convinced they are too traumatized to watch anything clearly depicting September 11th, but by now feel the need to witness some sort of emotional connection, creatively, with that day.

It's admirable that director Danny Leiner and screenwriter Sam Catlin have attempted to tackle the inarticulate emotional toll that 9/11 has taken on a group of New Yorkers rather than tell a more visceral story directly related to the tragedy (like Paul Greengrass' "United 93" or Oliver Stone's "World Trade Center"). Unfortunately, the filmmakers' intended cathartic exercise falls significantly short due to a too-subtle patchwork narrative and the film's relentlessly enervating pace. Five unconnected stories begin a year after 9/11, and we are taken through the characters' paces in dealing with some form of emotional denial. The most pertinent thread is initially the most comic one in which a seemingly well-adjusted office worker named Sandie talks to a sardonic psychologist, Dr. Trabulous, about the impact of the tragedy.

The other episodes are somewhat more removed from the events of that day - Avi and Satish, a couple of bickering Indian security agents overseeing the speaking engagement of a foreign diplomat; a married couple, David and Allison, whose overweight adolescent son Charlie has become socially dysfunctional; Judie, an older woman in Brooklyn quietly seething about her tedious marriage as she seeks the company of Jerry, an old schoolmate; and an upscale cake designer named Emme who is trying to land a big client at the expense of her famous rival, Safarah. None of the stories really connect with each other except for a rather contrived scene in an elevator, though that seems to be the filmmakers' point, that the scope of 9/11 affected each of their immediate situations in idiosyncratic ways. The movie only runs 87 minutes, but it takes at least an hour for the stories to take shape toward some common dramatic point. Even then, it still feels too nebulous to make a resonant emotional impact, and consequently, the opportunity for catharsis feels frittered away.

It's not for the lack of a good cast. Stand-up comic Jim Gaffigan brings out Sandie's inner torment palpably as Tony Shalhoub listens with oblique bemusement; Maggie Gyllenhaal displays the steely shallowness of Emme as she faces an unexpected turn; Naseeruddin Shah and Sharat Saxena dexterously show their characters' opposing views on life and what secrets may lie beneath; Judy Greer and Tom McCarthy bring surprising depth to a couple confounded by their son's eruptive violence; and Olympia Dukakis is stoic strength personified as Judie. Edie Falco has nothing more than a cameo as Safarah, but her moments count. New York City is captured crisply by cinematographer Harlan Bosmajian on high-definition video. The DVD has a rather informal but somewhat interesting commentary track by Leiner and Catlin, as well as several deleted scenes and unused footage of the city. An intriguing extra is the ability to watch each of the five episodes separately as individual shorts. There is also the theatrical trailer, a gallery of stills accompanied by the soundtrack, and a helpful blurb about the outreach program organized to deal with post-9/11 trauma.