Æon Flux

Science fiction movies are an odd thing. They and "detective" movies depend more heavily on literary conventions than other types of films.

But you know, where detective movies have swallowed the form and adapted in rich ways, science fiction hasn't settled gently into film. Its an odd, unintuitive truth, despite the flood of science fiction movies.

Some of these are mere action movies in excusably bent settings to make them seem less ridiculous.

The "real" science fiction movies seem to be of two types, and both of those are concerned first with building an alternative universe. One path is through elaborate alternative cosmologies: Matrix, Star Wars, Ring. If you get this right, if it is sufficiently powerful, all else comes along for the ride.

The other path isn't appreciated as much by the kiddies, but in a way it is more pure. That's when the alternative world is first a visual presentation. If you choose this path young jediniles, its all about the eye. Plots, characters, attitude... all these only have to be acceptable and not get in the way.

With that preface, i have to say I liked this movie, as trashed as it has been.

Sure, the story is stupid. Name more than three science fiction movies that aren't.

The action scenes are ordinary. The acting lame. That hasn't prevented hosannas for other films.

But this one has terrific art direction. No, nothing radical, but what we see in just about every scene is magical. And it all hangs together to imply just exactly the world we inhabit for that hour and a half.

Imagination often shows in these things. But rarely does it show as a coherent vision in all the elements of the thing. "Sin City" even had problems with this. I'll ask you to watch this just for the visual impact. The camera isn't great: some "Van Helsing" eye-adventure would have helped.

I'll rate this worth watching. Yes, with an emphasis on the watching, down to the redheaded "handler" and the rebirthing craft.

Ted's Evaluation -- 3 of 3: Worth watching.

It's a bit unnerving when a studio declines to screen a film for the press before it goes into wide release. That many movies suck is no surprise, but when a studio itself admits as much ahead of time, the process of movie-going becomes a passion play of sorts. Consider it an early Christmas gift from Hollywood, then, that "Aeon Flux" isn't nearly the affront to taste and decency one might expect, given the above. Though ultimately overwhelmed by its flaws, it at least has (sort of) an idea with which to toy around. Too bad director Karyn Kusama seems to have little clue how to execute it all.

It's the future. There's been a plague. There is a dictatorship, and there are rebels. The latter are known as the Monicans, and far from being a cult of beret or tennis racket worshipers, they're into attempts to overthrow the former, called the Goodchild regime. The regime is occasionally mean to the citizenry, which is more than Aeon Flux (Charlize Theron) and her pals can stand. Through some sort of biochemical virtual reality technology, the Monicans receive orders from their dear leader (Frances McDormand), a mystical priestess-type who appears to have been cross-bred with a carrot. It falls to Aeon to strap on some form-fitting, futuristic spandex get-ups to carry out the High Carrot's orders, which are of course some version of "destroy the regime." Having years earlier watched her sister get liquidated by the Goodchilds, she needs little convincing.

Not surprisingly, things get complicated. The Goodchilds might not be quite what they seem, and Aeon herself might have an unexpected history with them. Though occasionally muddled, the film's central conceit (of which I won't reveal more) contains some neat notions about the nature of human existence and survival. There's room for much more examination of which the film doesn't take advantage, but the ideas are there, at least. The big problems of "Aeon Flux" are technical. Kusama has made the baffling decision to film nearly all the action so close that we can rarely follow what's going on. To make matters worse, it's edited in a flurry of jump cuts that leave us completely lost. The result is some serious spacial disorientation that takes over the film. "Aeon Flux"'s aesthetic is one of sleek costume, oddly-angled architecture, and nimble characters. Much of the action occurs in minimalist, open spaces that beg for some unbroken long shots that might convey the grace and athleticism implied by the above. Instead, we get split seconds of flying limbs, breaking glass, and accompanying sound effects.

There is a pretty good movie trying to get out of the morass of "Aeon Flux." Put this stuff in the hands of the Wachowski brothers, say, and the results could be quite different. As it is, though, I felt like "Aeon Flux" was willfully pushing me away from a movie I wanted to enjoy. This film is unattuned to its own strengths. Like a novice poker player dealt a royal flush, it somehow finds a way to lose in spite of its potential.

'Aeon Flux' is visually and stylistically dazzling. The CGI and set designs look great and the the futuristic world that is presented is impressive. I haven't watched the original but having read other comments I would like to watch that. However, regarding this movie, it is the screenplay that is a big letdown. It is very obviously predictable and contrived. It lacks depth. It's more like just another forgettable Hollywood entertainer. Some scenes seem to be there only to show the special effects (which are great) and stunts as they don't seem to have any relevance for the main plot.

In my opinion, the love story is the weakest link. It's very unconvincing and the 'romantic' lead lack chemistry. Furthermore, apart from Theron, McDormand, Okonedo and Postlethwaite, the acting is terrible. Theron looks the part and acts well. She is beautiful but deadly. She does a lot of crawling around and arse kicking but manages to stay in character and looks absolutely sizzling. Okonedo doesn't have a great role to speak of but she does well. McDormand and Postlethwaite are effective in their small roles. Miller is very bad and Csokas is wooden.

Having said that, I'd say it's not a horrendous film. Just something to watch if you don't have anything better. I really enjoyed the visuals and the style and of course just looking at the beautiful Theron. Other than that, the plot might appeal to the average movie watcher if they want something with no depth, but just an action, sci-fi, romantic flick.

We just got home from seeing Aeon Flux, and for my money, it turned out to be far better than I had expected. Ready for an action movie with lots of leaping, jumping and hero stuff, it was all of that - but more. It actually had a story line! And it was that story line that kept things moving nicely along.

I think that it's relatively short length (97 minutes) also helped it from being bogged down with minutiae and having a plot that had to be mercilessly stretched beyond its limits. The scenes were crisply photographed, the special effects were enough to give the film its character WITHOUT making it a special-effects movie, per se.

Although a little thin in some parts, the dialogue was fair. The only thing I thought might have made it better was the development of some of the peripheral characters.

Charlize Theron is very versatile, and now I fully intend to see the anime of Aeon Flux.

For those people already familiar with the animated series please forgive me for giving a brief introduction to those people who have not experienced Aeon Flux before. The franchise is based in a future world, and the series focused on Aeon and her arch nemesis/love-of-her-life Trevor Goodchild who is the leader/dictator of this future world. The series was very much a freaky, psychedelic, mind-bending collection of odd stories, some of which the plot is verging on impossible to follow closely. Thankfully the film, in an attempt to become more mainstream has gone for a easier-to-follow more Americanized plot, so if you're hoping for more from the giant baby from the series or the creatures that make mind-erasing pills then you may be disappointed. That is not to say that the film is not without its odd gadgets or odd scenes, such as the conversations that Aeon has inside her mind with her boss, or the woman with hands for feet.

For those people already familiar with the animated series please forgive me for giving a brief introduction to those people who have not experienced Aeon Flux before. The franchise is based in a future world, and the series focused on Aeon and her arch nemesis/love-of-her-life Trevor Goodchild who is the leader/dictator of this future world. The series was very much a freaky, psychedelic, mind-bending collection of odd stories, some of which the plot is verging on impossible to follow closely. Thank fully the film, in an attempt to become more mainstream has gone for a easier-to-follow more Americanized plot, so if you're hoping for more from the giant baby from the series or the creatures that make mind-erasing pills then you may be disappointed. That is not to say that the film is not without its odd gadgets or odd scenes, such as the conversations that Aeon has inside her mind with her boss, or the woman with hands for feet (also featured in the series) but the extent of the "oddness" has been greatly diminished. Die-hard fans of the series will notice certain similarities or homages to the shorts and episodes, such as transferring a message in a kiss, or as I mentioned above certain characters, but even so the film does act a stand-alone piece and no prior knowledge is needed to understand or follow the plot.

Probably the film's strongest asset is the plot. To begin with it may seem very similar to the millions of other future-world films out there, but once the plot has been fully revealed it makes for a very interesting film, investigating grounds I have not seen any other films touch upon before. I won't say anymore with regards to the plot as I may give-away something that could ruin it, but let me just say that if you do like this area of cinema and are looking for something a little different, buy it now! Otherwise nothing else in the film is of massive merit or poses any cause-for-concern, the acting is good, the music and sound effects are fine, the stunts are nothing amazingly new, but are adequate and the locales and settings are believable and well-constructed. If it sounds like your sort of film so far then you will find its freshness welcome in a somewhat stagnant pool of dictator/future/sci-fi/post-apocalyptic films. For those who are fans of the series again it is well-worth a look, it doesn't fit in continuity with the series in any place but serves as both a good introduction and final conclusion to the series. And for those people who don't fit into either of the above categories it can serve as gentle introduction to this area of cinema, or however could sour you to any further films of this genre in the future. So I guess for you its your choice good film....!