Ab Tak Chhappan

An excellent movie and a definite must see. Great plot, screenplay, direction and cast - with just the right amount of Nana. Goes to show that Bollywood can produce movies of cinematic brilliance second to none. I saw shades of Training Day in the beginning of this movie (corrupt cop showing the ropes to a rookie cop), but the similarities ended there. IMHO, Nana did a way more credible job than Denzel's overhyped and overrated Oscar winning performance. A very serious and realistic movie, but not very dark and it did not treat the subject with a heavy-hand. I think this was why the movie moved along at a good pace, and always kept the viewer involved. Gets bonus points for having a white person on screen that can actually speak English [if you've heard white people speak English in Hindi movies, you know what I'm talking about]. A very solid 9/10.

No music. No stupid masala. A reasonably realistic portrayal of the police system in India and based on a real "encounter" specialist in India, Daya Nayak. That is Ab Tak 56 (56 symbolises how many criminals the lead "Sadhu Agashe" has killed" - well you already know that bit)Brilliance exudes Nan Patekar in the role as a relaxed and calculating Indian cop. THe one liners are just hilarious. The plot though slightly predictable on review, is intriguing all the same. Another one of the films from Ram Gopal Vermas The Factory. Movies which are either decent or really good, Ab Tak CHappan meanders close to very good. But yet remains one of the Top 70 films released from India, commercial and artsy included.

What is great is the story telling is relaxed and showcases finally (in an Indian flick) how the police network works. The cast is really damn good but seriously the one liners are funny as hell (though i dont know if the subtitled version will appear as funny) The producers are trying for a Cannes release, which is interesting. Made by debut director Shamit Aman (i think thats his name).

Again 55 y.o. Nana Patekar is brilliant away from his silly shouting roles of the past, just shows what a good director can do with a good actor. Really good stuff. If you are interested in Indian movies and are disgusted by the nonsense some of our guys dish out then this is definitely a relief.

Again Patekar is the guy who happilly carries the movie on his shoulders and epitomises the style of the movie- relaxed, funny, intelligent and calculating. Good dialoges, good acting, nice direction all in all Great stuff. Recommendations: Gangaajal, Ram Gopal Verma's Company (both Indian flicks)

I love the way he experiments. Ab Tak Chappan was a thrill to watch just as much Satya and company was. Jatin the new comer also lived up to his role and Nana Patekar was at his best. Suchak was really irritating but I think he fit the character he was playing - he had really ugly teeth. The story has a great progress and no songs in the movie makes it better. I only wish he signs up Urmila for his other up coming movies. I think they are the best director and actress combination I have seen. I have not seen Naach as yet but I am looking forward for it. I for some reason don't find Antra Maali that exciting to watch on the screen - unlike Urmila.

Nana Patekar once again proves that he is the best actor working in Bombay without a doubt. His recent movies involved shouting his lines that does not bode well for the theater trained thespian. One wonders why he is always not given his accolades during awards season.

"Shakti-The Power" was one of his flicks that was an utter disapointment along with Kohram (a missed oppurtunity to create screen magic with Amitabh Bachchan).

But Patekar exudes a cool calm in this film playing a cop on a sort of social justice journey. Ridding the streets of Bombay of underworld dons in fake encounters, Patekars character takes control of the screen (and the viewers attention) and never lets go. The editing is tightly paced and there are no annoying songs to distract from the story.

Along the same lines as the modern day cult classic "Company", the movie is well acted, directed and should have a long shelf life on DVD.

The final ten minutes that see Nana and the main villain talk at his offshore haven are bound to be part of Hindi cinema classics. Won't be dissapointed with this cops and robbers flick.

Shimit amin, the new grad,drop out or student of the so called RGV school of film making has done a commendable job with this movie.His direction has been absolutely immaculate.The director had succesfully managed to keep the tempo of the movie very gripping without diluting it with songs,or offtracking the movie as we had seen happening umpteen number of times in BOLLYWOOD.It has been quite a favorite situation for BOLLYWOOD to provide the cop an unforgetting moment like losing his lady love and the protagonist is made to avenge out of that emotional setback.This is where this movie stands out from the rest of the BOLLYWOOD COP MOVIES.The conversation between sadhu and the main bad guy living overseas ends up being the best scene reflecting the plottings and counter psychological plottings that get weaved between the cops and the underworld for gaining their respective supremacy .The lighter moments shared amongst the cops(like commenting on shoaib akhtar)were dealt with utmost aplomb.all in all a very good movie to be watched.i definitely recommend this for international viewers.