Riprendendo direttamente dal film precedente, il guerriero vampiro Selene e il mezzo lupo mannaro Michael cercano indizi per rivelare la storia delle loro razze e la guerra tra loro.Riprendendo direttamente dal film precedente, il guerriero vampiro Selene e il mezzo lupo mannaro Michael cercano indizi per rivelare la storia delle loro razze e la guerra tra loro.Riprendendo direttamente dal film precedente, il guerriero vampiro Selene e il mezzo lupo mannaro Michael cercano indizi per rivelare la storia delle loro razze e la guerra tra loro.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 6 candidature totali
Derek Jacobi
- Corvinus
- (as Sir Derek Jacobi)
Zita Görög
- Amelia
- (as Zita Gorog)
Sophia Myles
- Erika
- (as Sophia Miles)
Richard Cetrone
- Pierce
- (as Rich Cetrone)
Krsy Fox
- Tanis Vamp #1
- (as Christine Danielle)
Recensioni in evidenza
Selene (Kate Beckinsale) wishes to expose the truth about the death of Viktor to the first true vampire Marcus (Tony Curran) that is hibernating. However, Marcus has already awakened and wants to release his savage Lycan brother William (Brian Steele), who has been imprisoned for centuries. When Marcus tries to get the medal possessed by Lucian from the hybrid Michael (Scott Speedman), Selene decides to visit Andreas Tanis (Steven Mackintosh), the exiled official historian of the covens, to understand his interest. When Selene and Michael meet Tanis, they disclose the truth about their bloodlines, and later with the support of Alexander Corvinus (Sir Derek Jacobi), Selene faces the powerful and evil Marcus as the last hope left for the mankind.
It is very difficult to see good sequels, but "Underworld – Evolution" gave me the sensation that together with "Underworld", they are one good movie split in two parts. The viewers like me that enjoyed "Underworld" will certainly like this sequel very much. My vote is eight.
Title (Brazil): "Anjos da Noite – A Evolução" ("Angels of the Night - The Evolution")
Note; On 28 January 2017, I saw this film again.
It is very difficult to see good sequels, but "Underworld – Evolution" gave me the sensation that together with "Underworld", they are one good movie split in two parts. The viewers like me that enjoyed "Underworld" will certainly like this sequel very much. My vote is eight.
Title (Brazil): "Anjos da Noite – A Evolução" ("Angels of the Night - The Evolution")
Note; On 28 January 2017, I saw this film again.
Let's face it. If you're going to see this movie, you probably enjoyed the original and are looking for more. You want high doses of fight scenes, vampire and lycan lore, blood, violence, and Kate Beckinsale wearing leather or less. In short, this movie delivers all of the above in great excess, so if you liked Underworld, you're going to like Underworld: Evolution as much or more.
On the other hand, if you don't like blood, violence, action, mythology, or using a sword in a world full of guns, this movie is not for you, and it's NOT MEANT to be for you, so don't complain about it.
This movie surpasses the original as far as story development. We learn a good bit about each character's past, which helps justify all the extreme violence they engage themselves in. We're also introduced to some new characters and plot lines that add interest and new twists, rather than just rehashing all the familiar faces from Underworld.
This movie fails to get a 10 rating from me for the following reasons:
1) Not quite enough "stuff" to fill the time. Too many shots of Kate Beckinsale "looking intense". The movie could have been 10 minutes shorter if the number of these shots had been reduced from seemingly infinite down to 10 or so. Minor problem.
2) A few glaring continuity errors.
3) Too many flashback/explanation shots from the original Underworld. I suppose this is necessary so as not to alienate viewers who didn't see the original or who forgot it. However, this movie is obviously targeted to people who liked the original and want more, so give us a quick refresher and then hit us with new stuff. No need to keep providing Cliff's notes throughout the movie. Make us think a little!
4) There wasn't a standout power move comparable to the spinning/shooting through the floor in the original Underworld. Let's face it, half the people that went to that movie did so because that shot was in the trailer. This movie had lots of power moves, but none that stood out as the winner.
On the other hand, if you don't like blood, violence, action, mythology, or using a sword in a world full of guns, this movie is not for you, and it's NOT MEANT to be for you, so don't complain about it.
This movie surpasses the original as far as story development. We learn a good bit about each character's past, which helps justify all the extreme violence they engage themselves in. We're also introduced to some new characters and plot lines that add interest and new twists, rather than just rehashing all the familiar faces from Underworld.
This movie fails to get a 10 rating from me for the following reasons:
1) Not quite enough "stuff" to fill the time. Too many shots of Kate Beckinsale "looking intense". The movie could have been 10 minutes shorter if the number of these shots had been reduced from seemingly infinite down to 10 or so. Minor problem.
2) A few glaring continuity errors.
3) Too many flashback/explanation shots from the original Underworld. I suppose this is necessary so as not to alienate viewers who didn't see the original or who forgot it. However, this movie is obviously targeted to people who liked the original and want more, so give us a quick refresher and then hit us with new stuff. No need to keep providing Cliff's notes throughout the movie. Make us think a little!
4) There wasn't a standout power move comparable to the spinning/shooting through the floor in the original Underworld. Let's face it, half the people that went to that movie did so because that shot was in the trailer. This movie had lots of power moves, but none that stood out as the winner.
Kate Beckinsale and Scott Speedman reprise their roles as leather-clad, ass-kicking vampire warrior Selene and vampire / werewolf hybrid Michael in this decent sequel. The story picks up where the original movie ended; now Selene and Michael are on the lam and determined to obtain exposition regarding the centuries-old war between blood suckers and bloodthirsty canines. Relentlessly pursuing them is thoroughly evil bad guy vampire Marcus (Tony Curran); Selene and Michael attempt to get some help from the legendary Alexander Corvinus (Sir Derek Jacobi), the man who got the ball rolling on this conflict so many years ago.
"Underworld: Evolution" is okay as far as this kind of entertainment goes. It depicts a bleak, stylized environment that refrains from many primary colours, going for the gusto in terms of action and gore, and trying to deliver a poignant moment here and there. The CGI can be ropey at times - as we all come to expect from this sort of thing - but there is fortunately some practical work as well (like Brian Steele in costume as the fearsome werewolf William, who's been imprisoned for centuries).
It really helps to have a largely British cast with such a tale; they lend gravitas where it might not have been delivered otherwise, and the actors all give it their best effort. Curran is a vivid villain, and it's a real treat to have Jacobi in a pivotal role in a modern genre crossover of a movie. Steven Mackintosh is a hoot as a seedy beast who's been the historian for the two clans, but was forced into exile. Some cast members from the original film, like Bill Nighy as Viktor, Shane Brolly as Kraven, and Michael Sheen as Lucian, appear briefly.
Director and co-writer Len Wiseman keeps the story moving forward adequately, spices it up with a bit of sex, and gives us a finale where Selene and Michael are fighting their adversaries side by side.
Not bad overall, but if one is NOT a fan of the first "Underworld", this sequel probably won't get them to change their minds about this series.
Filmed in Vancouver.
Six out of 10.
"Underworld: Evolution" is okay as far as this kind of entertainment goes. It depicts a bleak, stylized environment that refrains from many primary colours, going for the gusto in terms of action and gore, and trying to deliver a poignant moment here and there. The CGI can be ropey at times - as we all come to expect from this sort of thing - but there is fortunately some practical work as well (like Brian Steele in costume as the fearsome werewolf William, who's been imprisoned for centuries).
It really helps to have a largely British cast with such a tale; they lend gravitas where it might not have been delivered otherwise, and the actors all give it their best effort. Curran is a vivid villain, and it's a real treat to have Jacobi in a pivotal role in a modern genre crossover of a movie. Steven Mackintosh is a hoot as a seedy beast who's been the historian for the two clans, but was forced into exile. Some cast members from the original film, like Bill Nighy as Viktor, Shane Brolly as Kraven, and Michael Sheen as Lucian, appear briefly.
Director and co-writer Len Wiseman keeps the story moving forward adequately, spices it up with a bit of sex, and gives us a finale where Selene and Michael are fighting their adversaries side by side.
Not bad overall, but if one is NOT a fan of the first "Underworld", this sequel probably won't get them to change their minds about this series.
Filmed in Vancouver.
Six out of 10.
Just imagine if your brother was lupine, while you devoured blood, like it was claret wine, he loved to howl and bark, you just loved being in the dark, a psychotic and neurotic frater line.
Selene is being hunted for her blood, batty Marcus needs to find where William's stood, he wants to build the family, there's some new anthropology, to explain why they enjoyed their childhood.
It's only downhill from now on, as the franchise ruptures, the bloods gone, not quite knowing when to stop, perpetually draining a good plot, leaving a husk, a shallow spectre of what was.
Be nice to know what the point of it all is too, aside from megalomania.
Selene is being hunted for her blood, batty Marcus needs to find where William's stood, he wants to build the family, there's some new anthropology, to explain why they enjoyed their childhood.
It's only downhill from now on, as the franchise ruptures, the bloods gone, not quite knowing when to stop, perpetually draining a good plot, leaving a husk, a shallow spectre of what was.
Be nice to know what the point of it all is too, aside from megalomania.
More gory and more enjoyable, this opus is much more action oriented than the first one. Obviously, the scenario is less interesting although quite correct. The special effects are better than the first, the actors play well and the action scenes are much more watchable. On the other hand, the film is a little short but it's still a very good continuation of a good saga.
Lo sapevi?
- QuizThe little girl that plays young Selene is Lily Mo Sheen, the daughter of Kate Beckinsale and Michael Sheen.
- Blooper(at around 1h 17 mins) When Marcus is entering the area after the movable wall unlocked with the key, where William's prison is, you can see a hole in the ceiling where light is entering the room. There would no purpose for a unmovable wall if you could enter the room through a hole in the ceiling.
- Versioni alternativeOriginal workprint of the film had much longer and more graphic sex scene between Michael and Selene, which included more nudity from Kate Beckinsale. Blink-and-you-miss- it shot of her butt and other extra shots from the original scene are still in the film and can be seen during part when Marcus drinks Selene's blood if the scene is slowed down.
- ConnessioniFeatured in Underworld: Evolution - Inside the Action (2006)
- Colonne sonoreThe Undertaker
(Renholder Mix)
Written by Puscifer and Danny Lohner
Performed by Puscifer
Courtesy of Tool Dissectional LLC/Volcano Entertainment II
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Inframundo: Evolución
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 62.318.875 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.857.181 USD
- 22 gen 2006
- Lordo in tutto il mondo
- 111.476.513 USD
- Tempo di esecuzione
- 1h 46min(106 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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