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IMDbPro

Lo scafandro e la farfalla

Titolo originale: Le scaphandre et le papillon
  • 2007
  • T
  • 1h 52min
VALUTAZIONE IMDb
8,0/10
112.073
LA TUA VALUTAZIONE
POPOLARITÀ
4983
184
Lo scafandro e la farfalla (2007)
The official U.S. trailer for The Diving Bell and the Butterfly, directed by Julian Schnabel.
Riproduci trailer2:19
6 video
99+ foto
DocudramaDramma medicoDramma psicologicoBiografiaDramma

La vera storia di Jean-Dominique Bauby, giornalista che nel '95, in seguito ad un incidente, finisce in coma. Quando ne esce l'unico movimento che gli è consentito è quello di una delle palp... Leggi tuttoLa vera storia di Jean-Dominique Bauby, giornalista che nel '95, in seguito ad un incidente, finisce in coma. Quando ne esce l'unico movimento che gli è consentito è quello di una delle palpebre, con la quale riesce a comunicare ed a scrivere un libro 'Lo scafandro e la farfalla'... Leggi tuttoLa vera storia di Jean-Dominique Bauby, giornalista che nel '95, in seguito ad un incidente, finisce in coma. Quando ne esce l'unico movimento che gli è consentito è quello di una delle palpebre, con la quale riesce a comunicare ed a scrivere un libro 'Lo scafandro e la farfalla'.

  • Regia
    • Julian Schnabel
  • Sceneggiatura
    • Ronald Harwood
    • Jean-Dominique Bauby
  • Star
    • Mathieu Amalric
    • Emmanuelle Seigner
    • Marie-Josée Croze
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,0/10
    112.073
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4983
    184
    • Regia
      • Julian Schnabel
    • Sceneggiatura
      • Ronald Harwood
      • Jean-Dominique Bauby
    • Star
      • Mathieu Amalric
      • Emmanuelle Seigner
      • Marie-Josée Croze
    • 217Recensioni degli utenti
    • 198Recensioni della critica
    • 92Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 4 Oscar
      • 68 vittorie e 107 candidature totali

    Video6

    Theatrical trailer: The Diving Bell and the Butterfly
    Trailer 2:19
    Theatrical trailer: The Diving Bell and the Butterfly
    The Diving Bell And The Butterfly: Clip 1
    Clip 1:26
    The Diving Bell And The Butterfly: Clip 1
    The Diving Bell And The Butterfly: Clip 1
    Clip 1:26
    The Diving Bell And The Butterfly: Clip 1
    The Diving Bell And The Butterfly: Clip 3
    Clip 1:08
    The Diving Bell And The Butterfly: Clip 3
    The Diving Bell And The Butterfly: Clip 5
    Clip 1:28
    The Diving Bell And The Butterfly: Clip 5
    The Diving Bell And The Butterfly: Clip 4
    Clip 1:05
    The Diving Bell And The Butterfly: Clip 4
    The Diving Bell And The Butterfly: Clip 2
    Clip 0:59
    The Diving Bell And The Butterfly: Clip 2

    Foto124

    Visualizza poster
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    + 117
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    Interpreti principali44

    Modifica
    Mathieu Amalric
    Mathieu Amalric
    • Jean-Do
    Emmanuelle Seigner
    Emmanuelle Seigner
    • Céline
    Marie-Josée Croze
    Marie-Josée Croze
    • Henriette Roi
    Anne Consigny
    Anne Consigny
    • Claude
    Patrick Chesnais
    Patrick Chesnais
    • Le Docteur Lepage
    Niels Arestrup
    Niels Arestrup
    • Roussin
    Olatz López Garmendia
    Olatz López Garmendia
    • Marie Lopez
    Jean-Pierre Cassel
    Jean-Pierre Cassel
    • Père Lucien et le Vendeur
    Marina Hands
    Marina Hands
    • Joséphine
    Max von Sydow
    Max von Sydow
    • Papinou
    Gérard Watkins
    Gérard Watkins
    • Le Docteur Cocheton
    Théo Sampaio
    • Théophile
    Fiorella Campanella
    • Céleste
    Talina Boyaci
    • Hortense
    Isaach De Bankolé
    Isaach De Bankolé
    • Laurent
    Emma de Caunes
    Emma de Caunes
    • L'Impératrice Eugénie
    Jean-Philippe Écoffey
    Jean-Philippe Écoffey
    • Le Docteur Mercier et Nortier de Villefort
    Nicolas Le Riche
    • Nijinski
    • Regia
      • Julian Schnabel
    • Sceneggiatura
      • Ronald Harwood
      • Jean-Dominique Bauby
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti217

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    Recensioni in evidenza

    Benedict_Cumberbatch

    Somewhere beyond the sea, somewhere waiting for me...

    American painter turned director Julian Schnabel loves biopics of extraordinary artists. His feature debut, "Basquiat" (1996), was an interesting portrait of the troubled painter (played by Jeffrey Wright). His second film, "Before Night Falls" (2000), was even better, and told the story of Cuban poet/novelist Reinaldo Arenas (the magnificent Javier Bardem). His new film, "The Diving Bell and the Butterfly", surpasses his previous efforts and is nothing short of a masterpiece, for lack of a better word. This time, though, his "artist" is a successful 43 year-old man, Elle magazine editor Jean-Dominique Bauby (Mathieu Amalric), a bon-vivant who becomes a victim of the so-called "locked-in syndrome" after a sudden stroke. His mental faculties are intact, but he can't move anything but his left eyelid. With the help of a speech therapist, he struggles to write his memoirs, by blinking letter by letter and letting her write what he wants to say.

    Saying more about the plot would spoil the wonderful experience of watching "The Diving Bell and the Butterfly". The camera angles/visuals are breathtaking (courtesy of two-time Oscar winning cinematographer Janusz Kaminski), and in some moments he makes us see everything from Bauby's point of view. In spite of Bauby's disability, the film is never overly melodramatic, being similar to (but even better than) "The Sea Inside" and "My Left Foot". The cast is fantastic, from Amalric to screen legend Max von Sydow, and the beautiful women in Jean-Do's life (Marie-Josée Croze, Anne Consigny and Emmanuelle Seigner, among others). The soundtrack is also memorable, including Charles Trenet's wondrous "La Mer" (which was recorded by Bobby Darin in English as "Beyond the Sea"). "The Diving Bell and the Butterfly" won the Golden Globes for best director and foreign film, and got four Oscar nominations (director, adapted screenplay, editing and cinematography - but NOT Best Foreign Film). France made the mistake of submitting the (fantastic) animation "Persepolis" instead of "Diving Bell", but they should know the Academy would never give Best Foreign Film for an animated movie, as good as it might be, and therefore neither of them got the nomination. But that's actually the Academy's fault for their stupid rules, since France should've been allowed to submit both movies. What if two of the best foreign movies of the year were from the same country? In a perfect world, there would be only a Best Picture category and films from any country and any language would be nominated, but since most people still ignore subtitles, this 'segregation' has to exist. Oh well. Oscar blunders apart, this is a film that will make you see and value the beauty of life. Bravo, Mr. Schnabel! Bravo, Monsieur Bauby! 10/10.
    9Chris_Docker

    One of the best films I've seen for a while

    How much do we really communicate? Can you tell me what you're thinking? What you're feeling? Not an approximation, but exactly? To find a common language, a window of trust, and to communicate experience! To see inside the mind of an artist. Or for the artist, ours. If we find that common wavelength, can we dive in? Let the 'butterfly' take flight from its dark chrysalis? The interior world of another. The inscrutable depth of another person's individuality.

    The first movie I saw by neo-expressionist painter Julian Schnabel was Before Night Falls. In that film, the artist was trapped in prison, quite literally. Which presented great communication difficulties for him (in giving life to his novel in the world). In this film, we have examples of people trapped or imprisoned in different ways. A man who had been taken hostage in Beirut. An ailing father who has difficulty climbing stairs to and from his apartment. Both are trying to reach out to the main protagonist. Bauby. An amazing and successful socialite who's in his very own 'prison.' Bauby has secured a publishing contract when tragedy hits. A stroke causes 'locked in' syndrome and he reviews his options as an author. The book he writes, and on which this film is based, is the one he is remembered for. I haven't read it. But his powers of expression, glimpsed in the film, make me want to buy it. The book he nearly wrote - a re-write of the Count of Monte Cristo - would probably be pulped. (But I wonder if that was poetic embellishment - Dumas was the first person to describe locked in syndrome in the person of Monsieur Noirtier de Villeforte, a Cristo character).

    How many people know of Jean-Dominique Bauby, former editor of Elle fashion magazine? It doesn't matter. But what does matter is experiencing his ability to discern, his articulate vision of beauty. Not as science, but as an education of the senses (and this is a sensuous and evocative film).

    Why is The Diving Bell and the Butterfly so successful? A French language film picking up four Oscar nominations is remarkable. (The American director insisted on authenticity and made it in France and in French.) I suspect the consummate vocabulary of metaphor it uses is partly responsible. It makes the challenge facing Bauby a global one and relevant to everyone's life. None of us communicates perfectly, after all. Words left unsaid, to friends, to lovers, because we didn't find the 'right' words.

    The speech therapist who breaks through Bauby's barrier is excellent. Her motivation is, here is a man she respects and admires. It is also the biggest challenge of her career. Bauby's sense of humour, voiced as interior dialogue, is scathing. His lecherous thoughts about the therapist are tempered with good taste and his incorrect jokes about his own condition.

    Bauby starts to write his novel and his sense of poetry bursts through. We feel a glimmer of a mental rush associated with artists, explorers and adventurers. The Diving Bell and the Butterfly is the adventure of life and death. Not in Hollywood terms with big explosions. But with sensitivities, with meanings. It has a 'reach out and touch' quality. A Laughing Buddha whose joke we've missed (but might catch on another occasion). It is the most awesomely beautiful film I have seen for a long while.

    Schnabel's thing might be helping us taste something we might otherwise let go unnoticed. In Basquiat, he introduced many people to the artist Basquiat, but also to the revered and misunderstood Warhol. (And if you want to understand someone as weird as Warhol, understanding the contemporaneous – and only slightly weird - Basquiat is maybe a good place to start.) Here, his insight is transcendent. The film is a work of art. About a work of art. The use of visual metaphor and an excellent script lets us use Bauby's condition symbolically. Ingenious editing keeps us on the edge of our seat, especially towards the resolution, as we race to work out how a drive in the countryside will end.

    The only scene I could find a flaw in was where he shaves his father. The sound of the rasping blade as he shaved his dad troubled me – if it was added afterwards I think it was overdone and distracting. But the scene was an emotional building block. And much of our story is told like this, through flashbacks. With his beautiful ex-wife. With his children. With his lover. And with his father. People with whom, like most of us, he still has one or two little unresolved issues. They made me wonder if we make too little effort to communicate when it seems easy to do so.

    The film successfully mixes a down-to-earth style, great special effects to see through Bauby's one remaining eye, and jaw-dropping montage. As we observe mundane details of our hero's life falling apart or reaching fulfilment, the camera cuts to ice fields collapsing into the sea or winding back in reverse motion. Or there will be a sudden switch to sensuality as he guzzles wine and oysters in a swank restaurant, feeding and being fed by his lover. Janusz Kaminski, the cinematographer for countless Steven Spielberg's, excels, as does Oscar-winning screenwriter Ronald Harwood.

    It should perhaps be noted that the film has not been immune to attempted high-jacks by groups with their own agendas. The Catholic News Service hailed its 'life-affirming qualities' compared to another great film it denigrates, The Sea Inside. Although locked-in state is a rare condition, few individuals experiencing it are likely to have the wealth and resources, public acclaim and reason to live that Bauby had. The situation of Ramon Sanpedro (The Sea Inside) might be a more common one.
    9forindcine

    The films places you inside the author's head and keeps you there.

    Earlier this year, a good friend, avid reader and film buff informed me that one of her favorite books was the basis for a film which recently won awards at the 2007 Cannes Film Festival. I knew nothing of the novel or the film so she offered me the book to read. I enjoyed the story but didn't completely appreciate its depth until I recently got a sneak peek at the film.

    The Diving Bell and the Butterfly is about Jean-Dominique Bauby, (Mathieu Amalric) a popular editor of the French fashion magazine 'Elle.' At age 43 he is stricken with a stroke leaving him with lock-in syndrome, a medical condition that, except for his left eye, rendered him completely immobile. In fear of his right eye becoming "septic" doctors quickly stitched the eye shut.

    This sealing of that eye is an early scene, which is so perfectly shot that it places you inside Bauby's head and body, and keeps you there for the entire film. You see the world as he views it while desiring to be free of the paralyzing feeling of a sinking diving bell. At other times, with his imagination, you find yourself fluttering as free as a butterfly.

    Bauby wrote his story with the use of a unique sequence of letters specifically designed so he could blink his eye to communicate as he created every single word of his story.

    This film is in no way depressing. The cinematography is brilliantly captured. Everyone was completely captivated by the screenplay as we experienced life deep inside Bauby's body, mind and soul. For the entire 2+ hours, you won't want to be anyplace else.
    8mistarkus

    Inspiration

    The immersion into the life of a man that is a part of a horrific event, where just about all seems lost and where he becomes literally trapped with in his own body can be heart-achingly depressing, however, it was actually, due to poetic direction, a mesmerizing, stylistic and somewhat uplifting story. The air was a little sweeter, after the viewing since life becomes more appreciated. This movie helps you appreciate the finer things in life and realize all that we take for granted.

    Giving the film a surreal feel as though in a dream we witness a collage of memories, imaginations and actual dreams. From this, along with actual visits from loved ones we get an understanding of the man's life before the accident. It is filmed from the stroke victim's point of view. You see exactly what he sees, such as when his eye gets weak and things get blurry. We are also exposed to the man's thoughts as we hear him talking to the people about his feelings and what he wants to say despite being mute, and not being heard by the people. His thoughts give realness to the character and show us that he is still human. He even finds humor in his situation and says, to the nurse that doesn't hear him, "you need to get a sense of humor".

    Overall a message about life. At the peak of this mans life an extremely severe paralysis befalls him. At first understandably pitying himself he is able to find some humor in his situation, (and parts of the movie actually make you laugh) and then inspiration. Inspiration stemming from realization that his imagination and memory are in tact. He can feel good using his mind and can even be creative and productive.
    9bbrown8870

    Do yourself a favor

    The inadequacies of the descriptions of this movie emphasize the gulf between the written (or spoken) word and the work of art itself. I could write all the spoilers and it wouldn't make a difference, because the riveting quality here doesn't depend on plot surprises. It is the improbable story, a story that will touch you and then executed by actors who seem like their lives depend on being true to the story.

    This is an anti-Hollywood, anti-formula movie. Those have their place, but this is a great antidote to the silly decisions made by inappropriately powerful studio execs.

    See it. You'll be thankful you did.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      To familiarize himself with Bauby's sheltered existence, director Julian Schnabel made the movie in the same hospital where Bauby was treated, meeting many of the orderlies who had treated him. He also shot scenes on the same balcony where Bauby relaxed, and on the same nearby beach to which his family had taken him.
    • Blooper
      When Jean-Dominique goes on a boat ride, a 'Speedferries' vessel can be seen in the background. Speedferries started business in 2004, years after the movie was set.
    • Citazioni

      Jean-Dominique Bauby: I decided to stop pitying myself. Other than my eye, two things aren't paralyzed, my imagination and my memory.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Juno/Starting Out in the Evening/The Savages/Hitman/The Diving Bell and the Butterfly/Redacted (2007)
    • Colonne sonore
      Theme for The Diving-Bell and the Butterfly
      Composed by Paul Cantelon

      Studio recording The University of Victoria

      Engineer / Producer Russell Dawkin

    I più visti

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    Domande frequenti25

    • How long is The Diving Bell and the Butterfly?Powered by Alexa
    • Is 'The Diving Bell and the Butterfly' based on a book?
    • How closely does the film follow the book?
    • What caused Bauby's stroke?

    Dettagli

    Modifica
    • Data di uscita
      • 8 febbraio 2008 (Italia)
    • Paesi di origine
      • Francia
      • Stati Uniti
    • Sito ufficiale
      • Official site
    • Lingua
      • Francese
    • Celebre anche come
      • El llanto de la mariposa
    • Luoghi delle riprese
      • Berck, Pas-de-Calais, Francia
    • Aziende produttrici
      • Pathé
      • Renn Productions
      • France 3 Cinéma
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 6.003.227 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 75.721 USD
      • 2 dic 2007
    • Lordo in tutto il mondo
      • 19.780.116 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 52min(112 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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