Charlie Jade

This 21 episode television series, a joint South African and Candadian effort, is less like a traditional TV show (where episodes have a beginning, middle, and end) and plays more like a very long mini-series. Watch Charlie Jade like you are reading a book; each episode is a chapter. Influenced by Sci-fi noir films like Blade Runner, creator Robert Wertheimer was determined to make a science fiction series like nothing that has ever been made before, and he has. Throw away any preconceptions you might have, especially if you're an American. This is nothing like American TV programming. Shot in Cape Town, South Africa, the show, despite it's futuristic and science-fiction edge, is both stylish and surreal and yet also firmly rooted in reality, dealing with real issues like terrorism and the abuses of power by massive conglomerates. It is filled with real people, not pretty models of perfect people. It starts off with a slow, patient pace, which some might find frustrating or boring, but hang in there! By the end of the pilot and the start of the third episode you will be hooked and utterly captivated.

More solid S.F. (as Asimov defined it) than pop Sci-Fi, this series which has scrambled to find audiences on three continents will probably always frustrate fans while it fascinates them until there can be a DVD release to appreciate its many stately paced virtues without the incessant, mood destroying commercial breaks.

Imagine the dark, fascist ruled world like that of Blade Runner (like Blade Runner, built around a hot but well roughed up film-noir detective - Colorado native Jeffrey Pierce - later seen or heard Stateside in quality work from NCIS to Eli Stone and The Bourne Conspiracy); toss in parallel universes of lighter but similar complexity (the lightest could have been borrowed from the lush but potentially threatening island of Lost) and a classic "Mars Needs Women/Water" umbrella plot. Now draw it out like a 21st Charles Dickens spreading his intricate plot and character descriptions over as many YEARS as possible of serial publication (pausing every hour or so to blow something up in as scenic and non-sensational way as possible), and you have the look, feel and details of CHARLIE JADE.

It's heady stuff for discerning ADULT viewers, and not remotely for the short attention-span set (which may be why it has failed to take off in television which this style of story telling is not ideal for), but the quality of the work is first rate in almost every aspect from acting to cinematography to scoring - even if all are almost too self consciously trying to recapture the aura of Blade Runner. On DVD or DVR, this is close to addictive caviar which any self respecting S.F. or film noir fan owes it to themselves to try for a couple hours - but *live* on commercial television, it will probably always remain difficult to get into.

It seems as if there were only a handful of viewers watching this show in the U.S., but as one of them I'm sad to see it go, especially knowing that I'll likely never see another season-- or, for that matter, a Region 1 DVD. And even though it's been a bit tough following such a complex, and often brilliant, program with no one to discuss it with (none of my friends or family were interesting in keeping up on a show that airs at 1 AM on Monday morning here), I'm glad I did. It was a rewarding experience; and you don't get many of those from a TV show.

It has a remarkable visual style, excellent dialogue, an unapologetically complex (if sometimes confusing) plot line, a dense mythology, and some of the most fascinating character development I've ever seen (someone could write a thesis on 01 Boxer's behavior and motivations alone).

If you do get a chance to check the show out, stick with it. It can be difficult to follow at times, but it's worth it. I was a few episodes in before I had a good grasp of what was going on, and by then I was hooked, as I think most will be who give this series a proper chance.

It really is quite an amazing show, and I just think it's a shame that there's room enough on television for 3 incarnations of "CSI" but no audience for something as novel and thought-provoking as "Charlie Jade."

This is a tale, a mystery if you will, of 3 Universes. It rests lightly on popular theories from physics, so that its relationship to "SciFi" can be acknowledged. But any Science which, along with technology, it's often wayward daughter, is wielded by totally amoral handlers, ends up biting, and biting down hard within the human dimension of things. Still, it is by is the amazingly human characterizations in this epic that this tale will succeed in engaging and captivating you.

Charlie Jade: "...I thought it was cool," is his reply when asked why he chose "Jade" for a surname; is the confident metropolitan male of our own age: into appearances, the beautiful girlfriend, the car the clothes, the apartment, the slight stubble. Mildly hedonistic, he is yet the likable and sympathetic hero of this film, and although the style of narration is "limited omniscient," most of what the viewer is allowed to understand of the story, that process of discovery, comes from viewing events through his eyes. Still with all of that, Charlie is for the most part, a two-dimensional character. It's kind of like having a really good friend, then suddenly realizing he has this serious character defect. You still like him, but you wonder if he'll ever get it.

Then, there's "01 Boxer," (sounds like "Owen.") Something about the way the film introduces him, gave me the impression that the two men were siblings. (They aren't, but their fates are linked.) Without 01, the film would be a narrative about a reed (Charlie) tossed by the wind. This character, 01, is about motivation, and deep self-awareness, and actions which spring from these things. He is about knowing better, and still failing. He becomes more and more three dimensional as the movie unfolds; apparently totally depraved, he is both a catalyst, and a foil for the Charlie character. 01 is able to feel true remorse for his failures, Charlie, merely guilt. Amazingly acted this is the dilemma of the moral man released into a place of absolute power, and that without restraint.

Set in Capetown, the cinematography is a treat, would've been worth while to have seen this on a big screen. There are dark scenes that have a sense of brooding ambivalence to them, perhaps reflective of a very old city with lots of history. I am always amazed how differently people who've lived in other cultures, other places on this planet frame and compose shots. Unique ways of visualizing special places, that help to communicate that intangible sense of time and place. (Some violence, and scenes not suitable for the easily offended.)

If you like the mainstream television sci fi series all with similar production styles and values then it is not likely that you will like this. I have watched many such series and films and enjoyed them as well as more unusual examples of the genre into which this falls. The unusual cinematography employing lots of hand held footage does start to jar after a while but the series is new and different and I really enjoyed it immensely. I recognised none of the actors but they all turned in believable performances and I would be happy to see them again in different roles. A good debut from a budding media industry and I look forward to more new projects from the region.