Lackawanna Blues

The main reason for watching this picture is to savor the brilliant performance of S. Ephata Merkerson. Ms. Merkerson dominates this film with her tremendous presence as Nanny, the woman who believes in doing good, no matter to whom, with no strings attached. This actress clearly shows a range that is amazing.

Thanks to director George Wolf for bringing this distinguished cast of some of the best Black Americans actors together. This ensemble group under his tight direction help create the right atmosphere in which the action takes place.

Of course, none of this would have been possible if Ruben Santiago Hudson hadn't written his wonderful play. Working with Mr. Wolf, perhaps the best theater director of this generation, they have opened the play in a way that it evokes that not too distant past where a child lives under the influence of Ms. Crosby, when his own parents are not around to take care of him. Ms. Crosby becomes the adoring mother of little Ruben; in a way, he represents her reward for having lost her own daughter.

Unfortunately, there is no time to develop some of the characters, as the action solely concentrates in enhancing the relationship between Nanny and the young Ruben, played with such charm by the young Marcus Carl Franklin, who is a natural. The only thing that could have been done differently was the voice over narration that is at times intrusive, as it doesn't clarify, or justify what one is seeing. Frankly, just by watching the interaction of the players, is self explanatory.

In the background there is always music. No matter what hard times these people are going through, but Nanny's house is full of laughter and that glorious music that takes us back to that era.

Aside from Ms. Merkerson, other notable performances are given by Terrence Dashon Howard, one of the rising stars of the moment. Mos Def, Jeffrey Wright, Marcy Gray, Louis Gossett Jr.,Delroy Lindo, Rosie Perez, Carmen Ejogo, Jimmy Smits and the rest.

Ms. S. Ephata Merkerson deserves to be seen by a wider audience. In "Lackawanna Blues", she clearly demonstrates she can do anything she wants because of her enormous talent and charisma.

I always felt that Ms. Merkerson had never gotten a role fitting her skills. Familiar to millions as the Lt. on Law and Order, she has been seen in a number of theatrical releases, always in a supporting role. HBO's Lackawanna Blues changes that and allows this talented actress to shine as Nanny, successful entrepreneur in a world changing from segregation to integration. But the story is really about the colorful array of characters that she and her adopted son meet in a boarding house in Lackawanna, New York, a suburb of Buffalo.

The story could be set in any major African-American community of the 50's and 60's from Atlanta's Sweet Auburn to New York's Harlem. But the segregation-integration angle is only a subtle undercurrent in the colorful lives of the folks at Nanny's boarding house. The story revolves around Nanny's relationships with all kinds of people, played by some of the best actors in the business (I purposely did not say black actors--this ensemble is a stunning array of talent who happen to be black, except for Jimmy Smits, of course) I recommend this film as a fun and colorful look at a bygone day.

This is a wonderful film, and is very nostalgic to those of us who remember the years. The editing is exceptional. The music and soundtrack is worthy of a Grammy. The fashions and furnishings were correct to the most minute detail. It brought back memories of family and neighbors and how the politics of the 50's and 60's truly affected black communities, both personally and as the cultural group that the attention was focused on. Mos Def has once again added to what we know of his talent. Now he will also known as a singer and an entertainer, as well as a talented actor and rap artist. My only disappointment is that IMDb did not list HILL HARPER in the credits. He is one of the most talented actors in the business and played a major part in Lackawanna Blues. How could you forget him?

The centerpiece of Lackawanna Blues is the character Rachel "Nanny" Crosby, who runs a boardinghouse and provides unflagging support to a young boy, Ruben, the narrator of the film. Based upon the experiences of writer-actor Ruben Santiago-Hudson, the film lovingly recreates the upstate New York boardinghouse and evokes the cultural climate of a world in transition in the 1960s.

The first half of the film is virtually non-stop music. The second half addresses more completely the various characters in the boardinghouse. Nanny's ability "to take fragments and make them whole" affects everyone within her sphere. An especially vivid scene is when she confronts an abusive husband, telling him firmly, "If you ever touch that child again, we're going to dance!" As delivered by actress S. Epatha Merkerson, that line is so steely and filled with such resolve that the husband with the hair-trigger temper is frozen in his tracks.

From start to finish, Merkerson delivers a commanding presence Her character binds together the disparate lives of the borders in her home. This was a touching, heartfelt film with a wonderful cast. As played by Merkerson, the character of Nanny simply radiates love. This is a film experience that I will remember for a long time to come.

S.Eptha Merkenson...what can I say, with a slump of her shoulders, or a look in her eye, this woman conveyed a range of emotions without opening her mouth! I hope to see her in many more leading lady roles. The movie world shouldn't let talent like hers go to waste.

Another stand out actor was the gentleman who showed young Ruben his scrapbook. His storytelling went from hilarious to sorrowful. An unforgettable 5 min soliloquy.

I wished the movie could have been longer to allow more depth into some of the other characters, but the story was Ruben's relationship with Nanny, and a wonderful relationship it was.

The music, costumes, sets, and characters all came together to make one truly enjoyable movie. Thank You Mr Santiago Hudson for allowing us to view a small slice of your life.