La guerra dei mondi

'War of the Worlds' had a lot going for it, considering the story, that it was directed by Steven Spielberg and a decent cast on paper. It turned however to be a frustratingly uneven film, with a good first half and a pretty lousy second half.

Starting with what's good, the film looks fabulous, the atmosphere that the cinematography and lighting evoked is just incredible and the special effects are without complaint too. John Williams can be relied upon to compose a good score and he does here, being both rousing and spooky. Spielberg does an impeccable job directing the first half of the film, giving a lot of the first half thrills, suspense and genuine scares.

Tom Cruise does a good job in the lead and Tim Robbins is eerily eccentric. As said, the first half has many great moments and is filled with unnerving suspense and scary chills. Truly imaginative details like the burning train, the birds/tripod scene and the river of the dead bodies burn in the memory for a long while after.

However, the human drama was not as transfixing as it should have been, being hurt by the dysfunctional family subplot being rammed down the throat with no subtlety at all with nothing relatable at all and especially by the kids.

Spielberg has demonstrated before that he is capable of directing great child performances, prime examples being Haley Joel Osment in 'AI' and Christian Bale in 'Empire of the Sun', but the performances of both Dakota Fanning and Justin Chatwin are incredibly irritating. Not sure which is more so, Fanning's constant screaming or brattiness or Chatwin made to act throughout the film but especially the second half like an indecisively written character who makes stupid decisions and acts rebellious in the most insufferable of ways. The dialogue is often insipid.

After a lot of promise in the first half, 'War of the Worlds' is let down significantly by the second half where the pace slackens (a notable example being that overlong scene in the basement) and the suspense dramatically wilts (such as when the aliens are introduced, and they are not menacing in the slightest) and is replaced by ridiculousness, frustrating character decisions and sentimentality. The Hollywood schmaltz kicks in and keeps assaulting the viewer at full throttle, while the ending is up there as one of film's most false, cloying and anti-climactic.

In conclusion, a frustratingly uneven film that starts off quite well and then completely falls apart. 5/10 Bethany Cox

I love the book and overall theme of the movie but Tom Cruise acting is annoying which is probably because he had to work with 2 most annoying kid actors ever seen on the film. I mean almost every scene is ruined by hysterical yelling of the 3 main characters. Little girl is the worst but Tom and his movie son are not far behind.

I mean it's watchable but by the middle of the movie I was hoping aliens will take them down so we don't have to suffer this atrocity of acting

This movie had huge potential. Everything to make this a science-fiction classic masterpiece were present; Spielberg's directing, a great concept, ILM special effects, Tom Cruise as the main character and lots of other professionals involved both in front and behind the cameras. Then where did it go wrong? The answer to that is the script. The story is very simple and lacks a real clear plot line. Basically the movie is only about Tom Cruise and his two children running and driving from city to city, from the aliens and their destructive Tripod-machines. Exactly why are we, out of all the people, following these persons? The character development is lacking, just as much as the story does. Both lack development and depth.

Of course the movie is by no means an horrible movie but it's just that the movie is a bit disappointing because of the fact that it had so much more potential. It still is a good and certainly spectacular movie to watch but it's not a movie people will still talk about in 5 or 10 years from now. The story makes this movie a bit of an easily forgettable movie that doesn't leave an huge impression afterward, even though the movie itself is pure eye-candy to watch.

There is no doubt about it that Spielberg is a great director. He directs his actors in this movie very well and everyone in the movie gives an amazing performance, especially Tom Cruise and Dakota Fanning. Tom Cruise for once again doesn't play the action hero. He is an average Joe instead and I think he did this in a very good and convincing. Spielberg also uses the special effects very well. He doesn't use the special effects to impress the audience as much as possible, with lots of spectacular and action filled sequences, which he could had easily had done, he uses them as a tool to tell the story with instead. The movie is purely told from Tom Cruise and his family's perspective, because of this the movie gets a very realistic feeling. We don't get to see any close-ups of the Tripods and how they destroy entire cities and fight off the American army. I like this approach. It makes "War of the Worlds" different from many other alien-invasion movies. It because of this certainly is one of the most believable and realistic alien-invasion movies, along with "Signs".

Visually there also is absolutely nothing wrong with this movie. The special effects from ILM are very impressive and look extremely convincing. The cinematography by Janusz Kaminski is also simply phenomenal at times and is typically gritty, which certainly adds to the tense and realistic atmosphere of the movie.

Unlike others, to me the ending didn't came really abrupt. But perhaps this was because to me the ending was already spoiled, thanks to the movie it's soundtrack, which featured the final narration of Morgan Freeman explaining how the movie ended. So I already knew what to expect. To be perfectly honest I liked the ending and I couldn't think of any other, or better way to end this movie, without losing any of its realism and credibility. I can understand how it might seem lame and sudden to most though but for me it was satisfying enough.

It certainly is a movie that will receive one or two, most likely, technical Acedemy Awards. And it deserves to. There isn't an awful lot wrong with this movie but it truly is the simple story that prevents this movie from being a classic or masterpiece. I still regard this movie as one of the must sees of 2005 simply because of the movie its look and acting. You can tell by watching this movie that there was lots of talent involved, both in front and behind the cameras. Especially Spielberg's touch still makes this movie better than just the average alien-invasion movie but still not even he can prevent this movie from being a bit of a disappointment. Not his or anybody else his/her fault, simply blame it on the script.

7/10

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What Spielberg, Cruise, and Koepp accomplish here in the first two acts is nothing short of revolutionary. They've made a big-budget summer blockbuster about massive destruction and action that manages to studiously avoid every cliché and expectation of such films. It stays resolutely on the characters' points of view, showing us almost nothing they don't see, even to the point of coming tantalizingly close to a raging battle, then avoiding showing it. It keeps its focus on character instead of spectacle. The "hero" of the piece remains decidedly unheroic, wanting only to escape, and trying to talk others out of fighting back. The purpose of every piece of action is to frighten and disturb rather than thrill, making ingenious use of familiar 9/11 imagery. At the end of the second act, it is hands-down the best alien invasion film ever made, and perhaps one of the best sci-films of all time.

Then something strange happens. The filmmakers lose their nerve, and remember that this is an extremely expensive summer film financed by two studios. Or perhaps it was the fact that it stars Tom Cruise, who up to this point has spent almost two hours doing nothing but run for his life. Suddenly, and tragically, the film changes, violating not only its carefully established tone, but its own internal logic. Suddenly, Cruise begins to act like a hero, and summer action clichés force their way into the story like a worm into an apple. The transition is jarring, and it creates a serious disconnect from the story.

While it's true that Wells' original ending creates a problem for a movie, here they try to remain faithful to it, while still shoehorning moments of triumph into the conclusion. Unfortunately, these moments come off as alternately false, unbelievable, and meaningless, since it isn't mankind that defeats the invaders in the end.

Is it recommendable? Well, I suppose that depends on what kind of viewer you are. If you feel that 75% brilliant material overshadows the 25% that falls apart, then you'll enjoy it. If, however, you're the kind of viewer who feels that the final impression a movie makes is its ultimate stamp on your memory, you may be in for a crushing disappointment. On the other hand, if you're the kind of viewer who just likes the cliché of the boom-boom summer action spectacle, you're likely to be bored and frustrated with the first two acts, and only engage in the end. It is confused about what audience it's trying to reach, and consequently, isn't likely to satisfy any of them.

Stephen Spielberg took the 1953 classic War Of The Worlds and remade it for modern times and the modern techniques of special effects. A lot of things that could not be done back in the 50s are done now to show the havoc that the invaders reek upon the world.

He also did something else that possibly might have offended science fiction purists but I think gave the audience a better identification with the protagonists of the story. Instead of having his protagonists be scientists as Gene Barry and Ann Robinson were in 1953, Tom Cruise is a blue collar divorced father who has his kids visiting him, but custody is with their mother Miranda Otto.

The kids are no prizes and are played by Justin Chatwyn and Dakota Fanning. And Cruise himself is no bargain either. But when danger develops it's his idea to take them from New York to Boston where their mother and maternal grandparents are. The film as it was in 1953 is mostly concerned with their efforts to avoid the terrible tripod machines that the aliens use in their destructive path.

The film does follow the Barry/Robinson escape scenario closely. The two had a scene avoiding the aliens while they were trapped in a cellar. To that Spielberg adds survivalist Tim Robbins. I think Stephen Spielberg feels the way I do that a lot of these survivalists pray for their doomsday fantasy to come true. That was sure the case with Tim Robbins who is quite mad on the subject of the invaders.

Cruise himself centers and anchors the film with his portrayal of blue collar America who just wants for him and his family to survive the holocaust. This classic may yet see a remake or three in the future.