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IMDbPro

Le vite degli altri

Titolo originale: Das Leben der Anderen
  • 2006
  • T
  • 2h 17min
VALUTAZIONE IMDb
8,4/10
429.621
LA TUA VALUTAZIONE
POPOLARITÀ
508
179
Martina Gedeck, Sebastian Koch, and Ulrich Mühe in Le vite degli altri (2006)
Political ThrillerPsychological DramaSpyDramaMysteryThriller

Nella Berlino Est del 1984, un agente della polizia segreta che conduce intercettazioni su uno scrittore e la sua amante, si ritrova sempre più coinvolto dalle loro vite.Nella Berlino Est del 1984, un agente della polizia segreta che conduce intercettazioni su uno scrittore e la sua amante, si ritrova sempre più coinvolto dalle loro vite.Nella Berlino Est del 1984, un agente della polizia segreta che conduce intercettazioni su uno scrittore e la sua amante, si ritrova sempre più coinvolto dalle loro vite.

  • Regia
    • Florian Henckel von Donnersmarck
  • Sceneggiatura
    • Florian Henckel von Donnersmarck
  • Star
    • Ulrich Mühe
    • Martina Gedeck
    • Sebastian Koch
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,4/10
    429.621
    LA TUA VALUTAZIONE
    POPOLARITÀ
    508
    179
    • Regia
      • Florian Henckel von Donnersmarck
    • Sceneggiatura
      • Florian Henckel von Donnersmarck
    • Star
      • Ulrich Mühe
      • Martina Gedeck
      • Sebastian Koch
    • 603Recensioni degli utenti
    • 142Recensioni della critica
    • 89Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #60
    • Vincitore di 1 Oscar
      • 80 vittorie e 38 candidature totali

    Foto85

    Visualizza poster
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    Interpreti principali40

    Modifica
    Ulrich Mühe
    Ulrich Mühe
    • Hauptmann Gerd Wiesler
    Martina Gedeck
    Martina Gedeck
    • Christa-Maria Sieland
    Sebastian Koch
    Sebastian Koch
    • Georg Dreyman
    Ulrich Tukur
    Ulrich Tukur
    • Oberstleutnant Anton Grubitz
    Thomas Thieme
    • Minister Bruno Hempf
    Hans-Uwe Bauer
    • Paul Hauser
    Volkmar Kleinert
    Volkmar Kleinert
    • Albert Jerska
    Matthias Brenner
    Matthias Brenner
    • Karl Wallner
    Charly Hübner
    Charly Hübner
    • Udo
    Herbert Knaup
    Herbert Knaup
    • Gregor Hessenstein
    Bastian Trost
    • Häftling 227
    Marie Gruber
    Marie Gruber
    • Frau Meineke
    Volker Zack
    Volker Zack
    • Schriftexperte
    • (as Zack Volker Michalowski)
    Werner Daehn
    Werner Daehn
    • Einsatzleiter in Uniform
    Martin Brambach
    Martin Brambach
    • Einsatzleiter Meyer
    Hubertus Hartmann
    • Egon Schwalber
    Thomas Arnold
    Thomas Arnold
    • Nowack
    Hinnerk Schönemann
    Hinnerk Schönemann
    • Unterleutnant Axel Stigler
    • Regia
      • Florian Henckel von Donnersmarck
    • Sceneggiatura
      • Florian Henckel von Donnersmarck
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti603

    8,4429.6K
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    Riepilogo

    Reviewers say 'The Lives of Others' is acclaimed for its intense depiction of life under Stasi surveillance in East Germany, highlighting themes of privacy and power abuse. Ulrich Mühe's performance as the conflicted officer is outstanding, and the film's pacing and tension are masterful. Critics value its deep exploration of humanity and ethics. However, some find it slow, with predictable twists, and critique its Hollywood-like approach. Despite this, it is widely seen as powerful and thought-provoking.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    10anastasia_smile

    Intelligent and moving dealing with GDR history

    East Berlin, November 1984. Five years before its downfall the GDR seeks to maintain its power with the help of a merciless system of control and observation. When Oberstleutnant Anton Grubitz puts loyal Stasi-Hauptmann Gerd Wiesler on to the famous writer Georg Dreymann and his girlfriend Christa Maria Sieland who is a famous actress herself, he expects career advancement for himself. For most important politicians are responsible for this "operative act".

    What Wiesler did not expect: the intimate view on the world of the ones he's observing changes the snitch as well. Looking at "the life of the others" makes him aware of the beggarliness in his own life and enables access to a so far unknown world of love, free thinking and speaking he is hardly able to elude. But the system can't be stopped anymore and a dangerous game, which destroys the love of Christa Maria Sieland and Georg Dreymann and Wieslers present existence begins.

    Until the fall of the wall each of them has paid a big price. After that a whole new world begins.

    My personal opinion - though it doesn't count that much - is that this one a an absolute Must See. I can hardly remember such an intelligent and moving German movie especially not including the whole topic of GDR history and the dealing with it. I think this is the first German movie which shows this system as it used to be (which has been confirmed by several contemporary witnesses) and not turns it and its people into comedy though there have been several good ones, of course.
    10hareck

    Excellent

    I do agree with all the other positive comments, and just need to add that this is the very first movie about the former GDR I saw that is not something like a comedy. Flicks like "Sonnenallee" or "Good bye Lenin" definitely were great and funny, but unconsciously left myself (a West German) with the impression that the GDR has been a sort of "Mickey Mouse State" full of stupid but charming characters, not really to be taken seriously. After seeing "Das Leben der Anderen" this impression shifted quite a bit: there actually was suffering, killing desperation and a terribly claustrophobic atmosphere behind that wall. This might well be the most realistic depiction of the dark side of the former East Germany. Thanks to the Producers, actors and director for making this movie. 10 out of 10.
    10Hprog

    The ghost of authoritarian regimes

    I've been taking German lessons for about 2 months now, and since movies were great in helping me learn English language I'm always looking for German films to watch (as well as German music to listen to) in order to educate my ears.

    Anyway, I went to this place where I get all sort of rare movies and this one caught my attention... and I had no idea it got the Oscar for foreign language film this year! So I watched it without prejudice and... what did I find? A MASTERPIECE! This is the kind of movie that gets your attention from the first moment, and makes you interested in understanding the characters' psyche, which is very varied: you have the idealistic good guys, the idealistic bad guys, the people that broad their minds understanding that no political dogma is better than individual freedom, etc. And even though the movie has very tough moments it is all so well done and presented with such a good taste that in the end you feel some sort of relieved.

    In this present day, when the ghost of authoritarian regimes still fly over our heads (in my country we're getting closer and closer to that reality), this movie will make you think about how important love, life and freedom are.

    A must see!
    10ronsig

    I didn't fall for them.....

    Memories of the 70's and 80's visits in the German Democratic Republic (GDR) flood my mind while watching this film. Some are revolting, some comical and others are frightening. As a student of German, I visited the GDR several times to see pen pal friends. I remember one friend looking around and whispering to me in the S-Bahn - just in case one of the many "IM's" (unofficial workers of the Stasi) was listening in.

    I visited a representative of a magazine for western countries about the GDR and spent one memorable weekend sightseeing with her. Near the end of my visit, she asked me if I would work for them regularly by writing my opinion of "GDR Review" and its suitability for readers in the West. I would be paid in GDR money to use during further visits. After politely refusing this "offer" ("The police at home might not like it!"), I always had a sneaking suspicion that that was an attempt by the Stasi to recruit me.

    Years later I applied to see my "Stasi File". I will never forget the feeling deep inside me when I read in it: ".….is not suitable for our use due to his apparent connection to the police in his homeland." The beautiful, friendly lady in Dresden had been a Stasi informer all the time! All of my visits to the GDR and the people I visited were listed in that file. For me "The Lives of Others" is an authentic representation of that totalitarian state. I am glad that those times have ended.

    Congratulations on a well deserved Oscar!
    9Cloudmeister

    Every positive word written about this movie is absolutely true

    I am still quite speechless. Overwhelmed by how utterly compelling the story was and by how emotive the acting story was. Floored by the unbelievably great character development. This film is close to perfect. It is a spiritual cousin to 2004's magnificent Downfall and shares a lot of similarities with Paul Verhoeven's stunning Black Book from last year, not just because these films share two actors. This multi-faceted character driven masterpiece really is as good as it's hype says.

    Sebastian Koch in particular absolutely shines. He is one of the best international actors working today and he follows the brilliance of his role in Black Book with the lead here. With his bohemian, dishevelled good looks and brilliant charisma, he's the best German-speaking actor since Bruno Ganz. But he is far from the only good actor in this movie, Ulrich Mühe as the State Security (Stasi) agent whose task it is to monitor Koch's suspiciously free thinking playwright, brings another near perfect performance to the movie. Agent Wiesler initially appears to the audience as the polar opposite of Koch's character. With his grey button down clothing, closely cropped hair and consistently emotionless face he symbolises everything about the overbearing untrusting Socialist government of East Germany that is wrong. He could easily have remained that character throughout the whole film but he becomes the surprising emotional centre of the story and the line between heroes and villains is significantly shifted (something which extends to the supporting cast as well. Truth be told there are probably only two characters in this film whom I didn't have to rethink my opinion of). Weisler reveals himself as a lonely, isolated man who risks his entire career as his attitude to his subject changes from one of mistrust to one of near-adoration. There is an undeniable link between the two characters even though they never share a single scene and Georg Dreyman (Koch) doesn't even find about Wiesler until the last 10 minutes of the movie, which leads us up to what should go down as one of the greatest endings in cinema history. Just thinking about the final spoken lines brings the tears to my eyes.

    As I said, without a doubt one of the greatest movies I have ever seen. And as much as I adore Pan's Labyrinth, this one really did deserve it's Academy Award for Best Foreign Language Film of the Year. An absolute masterpiece.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      All the listening/recording props in the film are actual Stasi equipment on loan from museums and collectors. The props master had spent two years in a Stasi prison, and insisted upon absolute authenticity, down to the machine used to steam-open up to 600 letters per hour.
    • Blooper
      Secretary Hempf's car is a 1980s stretch version of a Volvo 264. But all the interior scenes are shot using a Mercedes Benz S-Class Pullmann from the time of the film production. In a short clip the Mercedes is also used for an exterior shot, when Grubitz enters the car outside the ministry building.
    • Citazioni

      [last lines]

      Buchverkäufer: 29.80. Would you like it gift wrapped?

      Hauptmann Gerd Wiesler: No. It's for me.

    • Versioni alternative
      The US version features a written prologue in English, explaining the historical context of the film.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Best Films of 2006 (2006)
    • Colonne sonore
      Ich Wurde Wenn Ich Wusste, Dass Ich Konnte
      Performed by 4PS

      Lyrics By Kurt Demmler

      Music By Joachim-Franz Bartzsch

      Published By Edition Air Franz

      (P) 2007 Colosseum Music Entertainment GmbH, Licensed From Sony BMG Music Entertainment (Germany) GmbH

    I più visti

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    Domande frequenti24

    • How long is The Lives of Others?Powered by Alexa
    • What sort of pharmaceuticals did Christa-Maria Sieland take?
    • Is this movie based on a book?
    • I do not understand the "telephone joke" that Grubitz tells in the MfS cafeteria

    Dettagli

    Modifica
    • Data di uscita
      • 6 aprile 2007 (Italia)
    • Paesi di origine
      • Germania
      • Francia
    • Sito ufficiale
      • Official site (United States)
    • Lingua
      • Tedesco
    • Celebre anche come
      • La vida de los otros
    • Luoghi delle riprese
      • Gedenkstätte Hohenschönhausen, Hohenschönhausen, Berlino, Germania
    • Aziende produttrici
      • Wiedemann & Berg Filmproduktion
      • Bayerischer Rundfunk (BR)
      • ARTE
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 2.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 11.286.112 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 223.000 USD
      • 11 feb 2007
    • Lordo in tutto il mondo
      • 77.672.685 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 17 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.39 : 1

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