The Eye 2

I generally don't go into sequels expecting much. This movie isn't really a sequel, in the traditional sense, as it has nothing at all to do with the original. But it is a very effective little thriller, with some disturbingly good special effects and a decently conceived story. Better than a lot of the fashionable J-horror films currently being imported, and a worthwhile evening's entertainment. Hsu Qi is great as the lead character, a suicidal woman who finds herself unexpectedly pregnant by a former lover. If you fell in love with her in Jackie Chan's "Gorgeous," you will probably enjoy seeing a different depth of her talents here.

After a failed suicide attempt, a pregnant young woman, Joey, begins seeing some not-so-benign spirits. She learns that to find answers, she must dig into the past of her ex-boyfriend—and father of her unborn child. This sequel to the 2002 film "The Eye", plot-wise, is unrelated, though much of the original's crew has returned, including the Pang Bros. Directing and Jo Jo Yuet-chun Hui penning the script. The story line has little to do with the title (it may have been better marketed as an unrelated film) but the story itself offers enough twists, turns and red herrings—some of which I didn't see coming—to keep things interesting and often exciting. While the ghosts in the original were mostly creepy-looking, the ones here tended to lean more towards the gory end of the spectrum, the best scene involving a VERY realistic depiction of what happens to one's body after falling from the top of the building. Qi Shu makes a very strong lead, and all the other actors were fine as well, but for some reason the first quarter or so of the film is spoken primarily in English, perhaps to cash in on the overseas market (?). My biggest complaint is the fact that the film can often be laugh-out-loud cheesy. *SPOILER* for example, when Joey jumps from the top-story of a building, twice, are we really supposed to believe she's in good enough physical health afterwards to deliver an infant!?!?!? Come on, give me a break…

Still, it's worth checking out if you like Asian horror. It's inferior to the original, as sequels often are, but it's an interesting film nonetheless.

5.5/10.

While not as intense and emotionally involving as the original Jian Gui, this sequel still provides some interesting ideas about life after death...and life before birth.

Mentally fragile Joey, suffering from a recent break up with her boyfriend, makes yet another suicide attempt. As consciousness fades away, she glimpses shadowy figures gathered around her bedside. Once her stomach is pumped and she makes a full recovery, Joey realizes she is pregnant. As the pregnancy progresses, Joey begins seeing ghosts. They're in taxi cabs, falling off of rooftops and hanging around elevators. They seem particularly interested in the pregnant women that now surround Joey in her everyday activities. One in particular, the ghost of a sorrowful young woman, seems determined to keep Joey from harm, preventing further suicide attempts and even viciously attacking a would-be rapist. Joey realizes that the ghost was once the wife of the man Joey was having an affair with, and who is now the father of her unborn baby. But is it revenge the ghost wants, or something else entirely?

This film lacks some of the scares that the first one provided quite well and moves along rather slowly, but it is by no means a bad movie at all. Its ideas about the dead and the unborn are quite intriguing and the film, much like the first one, proves to be an uplifting experience. The performances are all excellent and the story quite intelligent. A scary scene in a taxi cab with a Ringu- ish ghost is especially tense and worth the wait.

I much prefer the original Jian Gui, but this one is a worthy effort. Fans of the genre shouldn't miss it.

I feel that this movie should not have really been called the eye 2 because it really does not have to do with anything about the eye. But also the director said in the making that he decided to call it the eye 2 because it consists some of the same ghosts. So all in all This is a Spin Off.

The story itself is a bit hard to understand for Westerners because this movies Chinese Religion and Sayings play an important role in this movie.

The drama is good but the movie Lost a lot of it's horrific impact near the end. At the beginning you'll see some interesting things going on and a twist in the middle but it doesn't last. The Drama is mostly the cause and effect for what is happening in the movie and they did a pretty good job in a way and it's a movie to watch if your girl wants to watch a horror movie.

I have mixed feelings about this movie and there are some things i did not understand therefore i need to watch it again.

This movie feels like a mix between 6th sense and Rosemary's baby. It's a very unusual story mixed in with drama

7/10 for now.

The Pang Brothers return with a very bizarre sequel to "The Eye". Bizarre, not only due to The Eye 2 not following on from the original film in any way, but also due to the fact that this film almost represents a change of genre. The Eye 2 is more of a supernatural thriller than a typical horror film; the tension arises from mysterious events rather than carnage or bloodshed. The result is an unusual and disturbing entry into one of the best Asian horror franchises.

The Eye 2 introduces us to a new heroine, Joey, who indulges in a shopping spree before swallowing a bottle of pills in a very weak suicide attempt (she asks hotel staff to check in on her before doing the deed). Joey is revived in hospital but her near death experience gives her the ability to see spirits. This new gift only becomes stronger when Joey discovers that she is unexpectedly pregnant. There should be something exploitative about a horror movie that chooses a suicidal, pregnant woman as its subject matter. And to a certain extent, there is a mean spirited edge to The Eye 2. However, this scenario also allows the Pang Brothers to create an intensely disturbing atmosphere and display much of the visual virtuosity that has found them an international following.

The film's sense of tension builds rapidly after a slow first half. Joey begins to see more dead people and after consulting with Buddhists, comes to believe that a spirit is intent on possessing her unborn child. The Pang Brothers explore this set up with a number of memorably set pieces. The image of the falling corpses in the bus-stop scene lingers, the ghost under the table at the restaurant is unnerving and the creepy, womb raiding ghosts would turn anyone off having children.

The Pang Brothers are such masters at creating tension and suspense through their eerie visuals and excellent use of sound that you almost forget that this is all window dressing for a paper thin plot. For example, one of the film's major failings is that Joey's suicidal behaviour is never explained. This makes Joey's incredibly self-destructive behaviour difficult to gage. It's hard to tell if Joey is suicidal or completely psychotic. The reasoning behind this may well have been that Joey's ambiguous mental state increases the sense of hysteria. And to a certain extent it does, but it also makes it difficult to connect with Joey and her plight. The re-incarnation sub-plot is also barely explained and Joey's relationship with her ex-boyfriend remains a mystery.

The film's flaws are more than compensated for by the impressive visual effects, creepy atmosphere and brutality. The Pang Brothers' unique sense of visual style, which could best be described as film noir on hallucinogenic drugs, remains intact. In many ways, this is the only real connection with the first film. The Eye 2 is more derivative than its predecessor. For example, imagery such as the floating ghosts, owe a debt to Japanese horror. However, there is more than enough originality on display here to demonstrate the huge potential of these filmmakers. The visual effects are polished and the Pang Brothers' direction is as hyper as ever.

The film also displays a mean streak that differentiates it from many other movies of its genre. Joey, played with great skill by Taiwanese star Qi Shu, is not your typical scream queen; she's not represented as a fighter or survivor but the victim of circumstance. Joey attempts to commit suicide, is rejected by her boyfriend, finds out she's unexpectedly pregnant, almost raped, asks for an abortion, tries to kill herself at home and then twice more for good measure, in an extended and admirably tasteless scene, in hospital. The imagery may be surreal but the canvas on which it is placed is relentlessly grim and gritty.

The Eye 2 is suspenseful and wonderfully atmospheric but there is little depth to the proceedings. However, this is unlikely to turn off too many genre fans. My only reservation is that the Pang Brothers are clearly capable of more.