Quella svitata della mia ragazza

I usually do not like remakes of movies but this one wasn't half as bad as the ones I have seen in the past. I mean look how honest it was and remakes usually don't do that. I mean this remake really had me thinking how does one get over a great love. And yes her way was a little crazy but she also helped him in a way only it takes awhile to realize it.I think they tried to make it as honest as possible for Americans which I love. We like to censored our movies more than other countries but even so not that bad people. I know that us as Americans love movies we don't have to read, but sometimes reading subtitles is truly worth it. This movie was great but the first one was better because it was funnier and it had way more emotion. And I like how in the original the girl had no fear she did what she wanted when she wanted. Especially the train scene that they did not put in the remake. Maybe remake movies would be better if you make them exactly like the first one in our languages.

But I love the fact they picked Elisha because she has that whole sweet innocent crazy girl going on like her movie the girl next door. She is really growing as an actress.

It is common for people to console someone who is suffering for love or for never having really experienced it by saying that when you least expect it, a great passion can arise. Those who cling to such thinking inevitably start to idealize the moment of this meeting with all the pomp of a Hollywood movie, being able to even imagine themselves experiencing somewhat cliché situations and dialogues. Fueled by these fantasies, thousands of people go about their lives until the big day arrives, however, when the love of their lives is finally near, it can go unnoticed due to circumstances that do not resemble their dreams at all. This is how the love of the protagonist couple of "My Sassy Girl" begins, which invests in subtle humor to win over the viewer, but in the final stretch resorts to melodrama.

The film begins by introducing us to Charlie Bellow (Jesse Bradford), a young man who is alone in the middle of an autumnal landscape saying that to understand how he got there you need to know his story from the beginning. He grew up in a quiet town and his parents did everything to give him a good education so that he could enter a renowned university to study business and, who knows, follow in the same professional footsteps as his father. Raised in a traditionalist environment and with his future partially mapped out, there wasn't much for Bellow to worry about, but what about his personal life? He goes to live alone in New York dreaming of a better position in the job market, but unlike most singles he is not a flirtatious guy nor adept at casual sex, which sounds strange to many, like his friend Leo (Austin Basis) who tries to encourage the boy to have fun and be cooler. Once asked what kind of girl would make him lose his mind, Bellow randomly locks eyes with Jordan Roark (Elisha Cuthbert), a young woman who seems full of attitude and personality. She already says the popular saying that opposites attract, so she would be the perfect girl for a more peaceful and down to earth young man. This moment could be typical of cinema, but they don't exchange a single word, they don't even approach, but fate wanted the two to meet. Bellow finds the girl again at the subway station, screaming for someone and putting herself at risk near the tracks. After a bizarre fit of emotions, Jordan ends up taking her home. In the same way that she appeared in her life, the girl disappears the next day, but soon gets in touch asking, or rather demanding, a meeting with the one who extended her hand.

Bellow then notices that the girl is witty, always has a retort or joke on the tip of her tongue, but deep down she seems a little out of place. Probably the joy she shows is the way she found to deal with some frustration. Other encounters take place and so they start dating naturally, the young man no longer caring about the many losses of job opportunities to be able to stay with his girlfriend whose favorite hobby is writing stories that he believes have the potential to become movie scripts. Interestingly, her texts always take place in future times, yet another proof that she does everything to escape reality. In a fun sequence starring the couple themselves, she even reinvents the plot of the movie Titanic in the year 2037 with the famous Jack and Rose again separated by the collision of the ship with an iceberg, after all she is sure that man never learns from his mistakes. All of Jordan's madness, between moments of joy and outbursts of anger or sadness, ends up infecting the boyfriend who ends up exceeding himself in the fun and necessarily meets her father, Dr. Roark (Chris Sarandon), a doctor who ends up attending to the boy after he falls and hits his head. He exchanges medicine and exams for advice: he wants to see him away from his daughter, as he considers him a bad influence that makes her lose her sense of boundaries.

Until then we are left wondering what kind of novel is this? How can anyone fall in love with such a strange figure and such a fickle temper? Many may already be bored or confused, but romance fans may like the plot twists. There comes a moment when Bellow realizes that while Jordan does him good, she also seems inclined to destroy him, but even listing all her faults ends up coming to the conclusion that he is really in love with the crazy girl. Between encounters and disagreements, we will only know the real reason for the girl's behavior and her fixation on her current boyfriend when the narrative returns to the starting point, the park in which Bellow is at the foot of a tree with a peculiar image and of great importance to the couple. Such secrets are even more predictable when the girl's father looks for the possible son-in-law to apologize and assume that he treated him badly thinking he was just another one who took advantage of the weakness of his daughter who constantly returned home in the company of strangers for being drunk in an attempt to drown sorrows.

One of the film's greatest strengths is the chemistry between the leads, Elisha Cuthbert and Jesse Bradford. Her performance is endearing and entertaining, bringing the dynamic between Charlie and Jordan to life in an enchanting way. Cuthbert delivers a compelling portrayal of Jordan, an enigmatic and unpredictable young woman who keeps the viewer intrigued with her unexpected actions. She conveys the complexity of the character, switching between moments of vulnerability and defiance with ease. On the other hand, Bradford portrays Charlie with sensitivity and vulnerability, giving the film a solid emotional foundation. Her performance is moving, capturing the genuine emotions of someone discovering love and facing the ups and downs of an unusual relationship.

"My Sassy Girl" features several memorable and emotional scenes that contribute to the development of the plot and the evolution of the characters. Below, I detail some of the main scenes of the film: The Meeting on the Train, where the first meeting between Charlie and Jordan takes place on the train. Jordan is visibly drunk and behaves erratically and unpredictably. She ends up falling asleep on Charlie's shoulder, who is both confused and delighted by the situation. This scene is the starting point for the unusual relationship between the two, as it marks the beginning of their emotional connection.

The relationship between Charlie and Jordan is full of unusual and even crazy situations. In an iconic scene, Jordan dares Charlie to perform a series of awkward actions in public, such as awkwardly dancing in a subway station. The scene is funny and reveals Jordan's eccentric nature, as well as Charlie's willingness to accept her eccentricities. Another scene to stand out is Jordan's outburst, in which the girl in an emotionally powerful moment, Jordan finally reveals to Charlie the reason behind her unpredictable actions. She shares with him the painful story of her past and her emotional struggles. This scene is a crucial point in the development of their relationship, as it allows Charlie to better understand Jordan's complexity and help her face her own traumas. As the film nears its climax, Charlie is faced with a difficult decision that could determine the future of her relationship with Jordan. This scene is emotionally charged as Charlie faces his own insecurities and has to decide if he is willing to risk everything for true love. The film is a combination of funny, touching and emotional moments that reflect the complexity of human relationships and the transformative power of love.

The direction of Yann Samuell is another positive point of the film. The director embraces the vibrant and chaotic energy of the characters, creating a happy and unpredictable atmosphere that reflects the nature of the relationship between Charlie and Jordan. He skillfully balances moments of humor and romance, creating an engaging experience for audiences. In addition, even with nothing really innovative and with some plans that are super conventional and even without visual appeal, Samuell's direction offers a sensitive view of the emotional journey of the characters, allowing the viewer to connect with their experiences in an authentic way. The film's plot is a fun and exciting exploration of how a relationship can transform people and make them open to new possibilities. The plot addresses themes such as personal growth, the importance of authenticity and acceptance of oneself and others. The relationship between Charlie and Jordan builds gradually, and each stage of that development is sensitively handled by the script. Moments of humor and romance are balanced, avoiding making the story too light or too dramatic. Instead, the film presents a genuine journey of self-discovery, building empathy and emotional connection with the characters.

However, it is important to mention that the film can be overly sentimental and predictable at times. Some situations and plot twists can feel a bit forced, which can affect the film's emotional impact. Furthermore, while the central relationship is developed in an engaging way, some secondary characters are not given the same care and end up becoming stereotyped or underdeveloped. With a different third act, even if predictable and appealing, "My Sassy Girl" is a charming romantic comedy, which although it has some flaws, is a fun option for romantic comedy lovers looking for a captivating story about the transformative power of love and acceptance. The combination of the beautiful and charming Elisha Cuthbert and Jesse Bradford, Yann Samuell's sensitive direction and a genuine story of self-discovery make "My Sassy Girl" a pleasant and exciting cinematic experience, even if it does not deviate much from the formula of exemplars of the genre.

Yann Samuell's version of 'My Sassy Girl' is pretty much 95% a scene by scene copy of the beautiful Korean film. The hackneyed plot really lacks soul. It's not as bad as the trashy Indian version called 'Ugly Aur Pagli'. The friend character in this American version is annoying and one of the many Hollywood clichés including the Hollywood ending. The Americanized rewriting also makes the characters clichéd. For example the sequences of Charlie's and his friends discussion about relationships is something we have witnessed in numerous sitcoms and movies. No marks for creativity. Jesse Bradford tries to make the best of Charlie (despite the poor writing). Charlie comes across as whiny but remains tolerable because Bradford manages to make some of him likable. Elisha Cuthbert has never looked better but she fails to deliver in the comedic scenes. She's better during the more intense moments.

I loved Jae-young Kwak's 'Yeopgijeogin Geunyeo' which is one of my favourite romantic movies. So I was curious about this remake more so because I liked Bradford in his other movies and Cuthbert is quite pretty. This movie is no match for the original but it's not absolutely terrible (like the Indian one). Watch Kwak's movie if you haven't seen it yet and then give this one a try if you really want to.

This movie is an American adaptation of the Korean version of the same name. Cuthbert and Bradford both fail to recreate the integral chemistry of the characters from the original version. In comparison to Jun Ji-hyun's portrayal of the "sassy girl", Cuthbert's performance was uninspired and often times painful to watch. Jun Ji-hyun's organic performance of a lively yet complex girl becomes forced and unconvincing in Cuthbert's attempt. One is awkwardly aware throughout the film that Cuthbert is trying to mimic a character rather than becoming the character herself. Besides Bradford's "good boy" image, he contributes nothing to the role. He lacks the emotion and passion of the original character. As for the movie, it is a scene by scene copy of the original version, each more poorly executed than the next. Rather than a cute romantic comedy created by the natural interactions of the characters, this movie feels fake, choppy, and poorly made for budgeted movie. If you're going to watch both versions, make sure you see this one first before the original. To do the opposite would be akin to reading the book and then seeing the adapted movie.

Not seeing the original My Sassy Girl, a Korean film from 2001, I appreciated it more than I probably should've. Once in a while, on a weekday, I'll watch a romantic comedy for the hell of it. I'll usually wind up liking it, but sometimes I don't want to watch something very negative and I'll just turn on something uplifting and positive like this film. There isn't much really to hate on a film like this.

Basically, you know the story. Guy meets girl, they fall in love, they break up, they get back together. Movie is over. This one decides to tweak the formula just a bit to try and stand out. Charlie Bellow (Bradford) is a high strung up and coming businessman who just wants one thing; to succeed. One day he is in a subway and finds a girl (Cuthbert), drunk out of her mind, who is about to get struck by a train. He pulls her intoxicated self to safety, and chemistry begins.

He takes her back home to his friends apartment where they await her recovery. When she finally does, the relationship from the two is a bit rocky, but soon they become closer and closer. That is when both realize they are beginning to fall for each other. Of course the audience has known that since the beginning.

Jesse Bradford was also the guy who played the misogynistic jerk in I Hope They Serve Beer in Hell a year later. It's fun seeing him actually fond of girls. Especially after he played such a simple minded character acting on impulse. It's nice to see him appreciate women. Elisha Cuthbert is also a gorgeous, and wonderful add to the film. Neither her or Bradford do anything wrong and their chemistry is believable.

It's not hard to get me to like a romantic comedy. If the story is cute, the characters are believable, the dialog is realistic, and it doesn't seem forced it works for me. In the grand scheme My Sassy Girl doesn't stand out, but it's enough to keep you interested. Still, I will go ahead and assume the original is the one worth seeing.

Starring: Jesse Bradford and Elisha Cuthbert. Directed by: Yann Samuell.