Simon

This film is extremely well elaborated. Without spoiling the movie for you, basically, Simon is a sad story between a drug-dealing, "living la vida loca" young man, and a gay man he unexpectedly met.

14 years later, they meet again, but this time, the situation is totally different.

The filmmakers do an excellent job at the beginning of the movie, that is, making people dive deep into the story, the characters and the general atmosphere. This has as consequence, later after the middle of the movie, that the filmmakers start playing with the audience's emotions, leveraging on all the details presented during the beginning to force the audience into the main topic of the movie.

The second half of the movie is the sad part of it. There, the lives of all the people involved are bound together by an unexpected tragedy. The film has an obvious ending, but during that time, the audience's feelings and emotions are constantly touched and moved. This emotional play is perfect for the deep meanings of the movie: a reflexion and the presenting of different perspectives of homosexuality, drugs, sex and eutanasia.

Extraordinary film with great humor and witty conversations. I was swept of my feet before the first 5 minutes were over. Yes, the movie is very funny - I had tears in my eyes from laughing - but sometimes the tears that had started from laughter, remained to be there because of the sadness of Simon's illness...

It's pace is quite fast, it's very difficult to get bored in viewing it. The play of lead actor Cees Geel is excellent, as viewer you fall in love with this guy from the start and won't be disappointed about him as the movie proceeds. He plays a very humorous and positive guy, who's a bit macho, but also very sweet. People around him are regularly been given a big smile on their faces.

But also Marcel Hensema is playing very convincingly as the gay Camiel who's studying to become a dentist. He's a bit more introvert than Simon, but he and Simon fit well together in both fun and conversations on life's issues and become very close friends.

I guess the movie is filled with typically Dutch issues. The nudeness and joints are all over the screen, but also the way conversations are held on being gay (Camiel) and how to deal with Cancer (Simon) could be seen as open-minded (or controversial?) Dutch.

All and all I found this movie highly entertaining while it touched some heavy emotions at the same time.

I've read the reviews here, most of them from people living in the Netherlands. This movie seems to polarize these folk in ways that must be unique to the Dutch. I'd like to comment on it from a different cultural perspective.

Reviewers here make the point repeatedly that this is a quintessentially Dutch movie, and more or less insist that you have to be Dutch to comprehend it in toto. That may be true. I know a little German, enough to have heard the cadences and staccato rhythms in the dialog. And I could tell that the English translation, although working hard, was probably not able to do justice to the actual words. This is an instance where a dubbed version might be an improvement for non-Dutch speakers.

As an American, and a gay man, I found this movie totally accessible. The subject of euthanasia was not especially controversial to me, having known many gay men who chose that route in the 80s. Nor did the interaction between the two friends seem that unusual. I've had close friends who were straight and we could talk to each other in the same blunt, joking way Simon and Camiel do. I think this story could have been set in many other urban communities around the world, not just Amsterdam.

So I guess I'm saying I don't think this story is uniquely Dutch by any means. That it has an extra dimension for the Dutch because of the language, however, seems likely.

I liked the structure of the film, I liked the close and choppy editing, and I liked the progression of the story. In many ways the film's style is as unsentimental as the story, and that seemed appropriate.

This movie is about an unlikely friendship. Right at the start of it you learn that one of them is gay and polite, and the other is an outspoken, humorous heterosexual that has cancer, and might die sometime soon. The movie then goes back and forth along some fourteen years, starting with the day these guys met.

Sounds simple? You are in for some surprises. This is not just a film about a guy that is quite obnoxious and irresistibly lovely at the same time. It is also about being yourself, shy or not, and living in a country that has more tolerance to cultural diversity. But mostly about this man that always tries to do the right thing, and enjoy his life, and have a laugh with his friends, even as it looks like death might come sooner than expected. I love this guy. And the Netherlands never looked that much beautiful on film.

SIMON is a little jewel of a film. In a manner more typically Dutch than most it is an exploration of the interaction of two men, opposites in almost every way except in their potential power of friendship.

Camiel is a gay, tender, polite, dental student while Simon is straight, seemingly critical of gay aspects (though always with tongue in cheek), noisy, outspoken, crafty, boisterous and a bit crude café owner. The two collide in an accident, an act that bonds them inextricably, and the film shows the two polar opposites reconnecting fourteen years later when Simon is dying of cancer and calls upon all his resources and involves Camiel in the difficult process of life's ending. Simon's strength of character (despite his previous outwardly bombastic and crude manner) gives Camiel much to learn - and gives the audience some touching and tender thoughts on which to dwell. The film is a fun, at times naughty, smart, and ultimately life-affirming tale about the importance of friendship and family...and a strong sense of humor...that are the stuff that allow us to survive even the most difficult of moments in life.

The entire cast is excellent but the performances by Cees Geel as Simon and Marcel Hensema as Camiel Vrolijk are worthy of awards. This is an extravagantly fun film, completely open and honest about its sexuality, that results in a memorable emotional experience for the viewer. In Dutch with English subtitles. Grady Harp