Simon

Through an awkward accident, Camiel (Marcel Hensema) meets Simon (Cees Geel). Camiel is an intelligent, shy, insecure, gay student studying to become a dentist. Simon is close to his opposite: a true Amsterdam mythical hero - down-to-earth, liberal, dry humoured seducer ("Couldn't you just instantly turn into a naked chick?") who owns two cafés and lives in the Dutch paradox - he's in the semi-legal business of running a hash home delivery service. Both are true products of Dutch society, as it is dreamed to be, with their multilingual, easy, matter-of-fact approach to life. But the film is mostly about Simon. Well, about Camiel looking Simon, fascinated.

So what is it about Simon that so fascinates Camiel? To a certain extent, Camiel is an outsider, he is just someone who walks the streets. He is not extraordinary in any sense. Neither his love life, nor his profession can help him up, nor does he play an instrument or have any hidden talent. When he meets Simon, it seems as if Simon has his whole life organised around himself, to be able to live his life fully. He is surrounded by his oddball friends and has a loving family (in Thailand!). And that with a forgiving smile which allows him to boyishly do as he pleases.

The second half of the movie is darker than the first, when the weight on the looming tragedy starts to be felt (Simon's approaching death). The second half of the film is more emotional, building on the characters and relationships of the first half. Notice the remarkable difference in the treatment of the subject with Les Invasions Barbares, of death, friendship, love, sex and society. Perhaps the last is the most remarkable, because somewhere Simon is the society. There is no clash with an outer world which is different to him - because the difference between the individuals is what makes up the society in which he lives. Similarly there is no generational gap either, Simon's children will make something out of their lives as he did with his, nothing fundamental has changed. It is Western society at its (brief?) peak. 

If there is any weakness in the film, then it would have to be Simon's interest in Camiel, the reasons of which could have been more explicit (perhaps his stability, or his intelligence?). None the less, the audience takes on the role of Camiel, and is taken along into Simon's world. A world which is a rare glimpse into the liberal post-modern society which is (was?) The Netherlands. Camiel will not be the only one leaving impressed.

Extraordinary film with great humor and witty conversations. I was swept of my feet before the first 5 minutes were over. Yes, the movie is very funny - I had tears in my eyes from laughing - but sometimes the tears that had started from laughter, remained to be there because of the sadness of Simon's illness...

It's pace is quite fast, it's very difficult to get bored in viewing it. The play of lead actor Cees Geel is excellent, as viewer you fall in love with this guy from the start and won't be disappointed about him as the movie proceeds. He plays a very humorous and positive guy, who's a bit macho, but also very sweet. People around him are regularly been given a big smile on their faces.

But also Marcel Hensema is playing very convincingly as the gay Camiel who's studying to become a dentist. He's a bit more introvert than Simon, but he and Simon fit well together in both fun and conversations on life's issues and become very close friends.

I guess the movie is filled with typically Dutch issues. The nudeness and joints are all over the screen, but also the way conversations are held on being gay (Camiel) and how to deal with Cancer (Simon) could be seen as open-minded (or controversial?) Dutch.

All and all I found this movie highly entertaining while it touched some heavy emotions at the same time.

This movie is about a wide variety of emotions, topics and people. The dialogs are brilliant. Simon has a hilarious sense of humor, but his character, like the others in the movie, is still very well portrayed. All typical dutch subjects like gay-marriage, soft-drugs, euthanasia, etc., are handled in a way that it is still convincing. The last part, where euthanasia becomes the main topic, is where the movie rises above a good comedy and becomes a great comedy/drama instead. The acting in the last part is so brilliant that it almost feels like it is shot for real.

Certainly a movie to recommend, and I think that even when it is translated (with a possible loss of dialog)it is still a movie worth seeing! But see a subtitled version and not a synchronized voice-over version, for the latter will be terrible

We just saw this film at the Palm Springs International Film Festival. Yes, we are Americans and tend to be less evolved than others when it comes to certain things. But the audience - young, old, straight, gay - stood and cheered at the end of the film, and for good reason. This was one of the finest movies I have ever seen. I enjoyed the characters, especially Camiel and obviously Simon (how could you not like him?), and the conversational aspect of the movie was fantastic. It tackled some issues that we don't always feel comfortable with, but it certainly wasn't "in your face" material. I'm hoping to be able to see it again someday, maybe even find it somewhere on DVD.

This movie is about an unlikely friendship. Right at the start of it you learn that one of them is gay and polite, and the other is an outspoken, humorous heterosexual that has cancer, and might die sometime soon. The movie then goes back and forth along some fourteen years, starting with the day these guys met.

Sounds simple? You are in for some surprises. This is not just a film about a guy that is quite obnoxious and irresistibly lovely at the same time. It is also about being yourself, shy or not, and living in a country that has more tolerance to cultural diversity. But mostly about this man that always tries to do the right thing, and enjoy his life, and have a laugh with his friends, even as it looks like death might come sooner than expected. I love this guy. And the Netherlands never looked that much beautiful on film.