Sballati d'amore

Probably the best romantic comedy my wife and I have seen in twenty years. Although we have always been a fan of Ashton Kutcher, this movie separates from his previous achievements. His chemistry with Amanda Peete is more believable than any other actress he has performed with. You actually fall into to the story as someone you might have known in life, whether it was a friend or someone that remains in your thoughts from years past.

To knick-pick the movie on plot or commercialization is to miss the writers passion for what he/she is trying to convey. Take the movie for what it is at face value and that is to travel through their relationship in all the what-if's, all the heart breaks and joys. If you let yourself do that you will enjoy a great story with someone you at one time shared the same passion with. -Curt & Tam

Gosh darn it, I liked it. Did I think it was a cinematic masterpiece - definitely not, but who really expected that anyway? What we have here is a cutesy formulaic light romantic comedy. I laughed and walked out with a smile. Will I remember it in a year, probably not, but thats OK. I'd also like to comment on a post I read here, where the writer was 'distressed' by the characters in this film displaying VERY antiquated and unhip desires - like, dare I say it... wanting to secure a successful career, find love, and get married by age 30. Wow, can you imagine people nowadays feeling that way?! I personally find it 'distressing' to think that we live in a society where having traditional desires is made to be odd. I'm in my 20s and know many other people who are looking for these same things. So go figure, I actually found this perspective in a modern film refreshing.

This movie isn't just another average romantic film; there's a lot to be learned from it. If you're in your 20s, you'll probably relate to it like I did. The movie takes you to a crucial time in life when you have to make tough decisions about your future and career, and prioritize everything. It explores the question of what is more important: material success or love.

I won't give away any spoilers, but I highly recommend watching this movie alone so you can truly feel its impact. It's not the kind of film to watch with a bunch of friends on the weekend. In the end, the writing and acting are impressive. Peace.

Strike three was that he was born under the astrological sign of cancer. Strike two was that he didn't play the guitar. But what was strike one? In baseball, you have three strikes and you're out. They wanted to play the game that way, but could never seem to never figure it out.

Over the course of seven years, you fall in love watching Oliver "Ollie" Martin (Ashton Kutcher) and Emily Friehl (Amanda Peet)'s acquaintanceship turn into a friendship then turn into a relationship. But whenever something remotely beings to happens, a disturbance occurs and we are left at step one. Will their feelings overcome it all or will it all fall apart like each time they tried through the past seven years?

Direction under Nigel Cole won't tell you much. He has directed very few films including Calendar Girls in 2003 and Saving Grace in 2000. Periodically, he has directed television series between 1982 and 1998.

Cinematographically, this was well done and interesting. Camera movement was consistent and advanced. I came across great angles with nice transitions, making the movie more enjoyable.

The acting in this movie was stunningly one of the strongest features of it all. The interaction between Kutcher (The Butterfly Effect, Guess Who) and Peet(Identity, The Whole Nine Yards) was unexpected and almost mind-blowing. As for all of you chemistry students out there, for the record, Kutcher and Peet had excellent chemistry between the two. It would be very difficult to co-star with Kutcher (and pull it off) as well as Peet did. The appearances of other big names really supported the acting foundation. The best friends, Kathryn Hahn (Anchorman: The Legend of Ron Burgundy, How to Lose a Guy in 10 Days) and Kal Penn(Harold & Kumar Go To White Castle, Malibu's Most Wanted) were great supporting actors. Also, Ali Larter (Final Destination), Taryn Manning (Crossroads), Gabriel Mann (The Life of David Gale) and Jeremy Sisto (Clueless) added their unique spice to the movie.

On a more negative note, there were times when I found myself thinking "What are the odds?" It's not everyday that events like this happen to average Joe.I know, I know it's a movie, but some things in this motion picture were a little unrealistic and immature–for a movie. In addition, some of the writing, though in a "normal" sense for everyday life, seemed wrong for the occasion or event at the time. For what it was worth, all together, it was shaping.

I feel as though the Motion Picture Association of America (MPAA) stretched the rope on this rating. This PG-13 seemed dangerously close to a higher rating. There was sexual content, nudity and language with a significant amount of drinking and drug content. Although the rating was suitable, it was a higher level of PG-13.

Like many other teeny bopper chick flicks, this movie can be compared to a group of other movies. If you liked Whatever It Takes, Can't Hardly Wait, Spanglish or Brown Sugar, you may become attached to this motion picture.

If you are looking for a "great date movie," I would recommend this film. It has proportioned humor, romance and drama for any teenage audience. The guys will like it, too! If you've ever experienced love–or some form of love–this movie will particularly strike you.

I had anticipated this movie as my generation's "When Harry Met Sally", as that is one of my favorite movies and "A Lot Like Love" seemed to be it! I do like Ashton Kutcher, especially when paired with above average actresses like Amanda Peet.

The movie wasn't horrible, it was cute, had a few heartfelt themes, wonderful chemistry, good performances and a story that should have promised two characters that you would never forget. Unfortunately, the plot didn't hold up, and in all, if the script had been better, all of these things could have been accomplished. It doesn't let you become as close to the characters as you'd like, no depth is depicted, and all though a few cutting edge dialogue scenes, it fails big time in the sharp conversational aspects that "When Harry Met Sally" thrives on.

It was disappointing, underwhelming, but if you feel you can relate to the characters, see it for a relaxing, think-free trip to the theater, as I did enjoy Ashton, perhaps out of my own bias, but he did what he could with the material and will make you fall in love with him.