36

This is like the French version of Michael Mann's "Heat." Daniel Auteuil and Gerard Depardieu are like the Al Pacino and Robert DeNiro of France.

These heavyweight actors really do a good job in this cop drama where they play former friends and colleagues who work in different competing departments at the French police. Depardieu plays a gutless immoral cop. Auteuil is the family man who is not perfect himself but is far more moral than his former buddy.

It shows the grit of Paris that people outside France don't usually see in French movies, like the mobs, the gangs, the corruption of the urban ghettos. Instead of pretty cafes and the Eiffel Tower, we get to see alleys and project housing.

Italian actress Valeria Golino plays Auteuil's wife. Auteuil's character tries to protect her from the ugliness of his job by not telling her anything. But circumstances beyond their control later on force her to get involved. The director brilliantly puts it all together.

I know some people didn't like the ending. I thought it was fine and I was not at all disappointed. The other supporting actors like Andre Dussolier who are all famous in France also do a good job. We really liked this movie and highly recommend it!

I discovered this one in a cinema magazine where 36 Quai Des Orfèvres was presented as a hot thriller coming out on DVD. I read first the reviews on this site and the rating and then I didn't hesitate to order it. Wow, I am happy I bought it because I spent a wonderful entertaining Saturday evening watching a big thriller with my wife. I will add it no doubt to my best of DVD collection. My congratulations to all the stuff for this super job with lot of plots, intrigues and twists. The main characters were well developed and played by the great actors Daniel Auteil and as usual Gérard Depardieu. I am surprised what the french film scene presented recently to the audience with good thrillers as for example CRIMSON RIVERS I and II, L'EMPIRE DES LOUPS and the funny ones L'ENQUETE CORSE and TAIS-TOI. Standing ovations and I have my great respect for all. These movies are much more better than the last thrillers I saw from Hollywood. The running time was not long in respect of the similar US-thriller HEAT that was too long and not so hot as 36 Quai Des Orfèvres. For all theses reasons I give with my wife a solid 7/10 that matches nearly the actual vote of 7.2 on IMDb. Don't miss it, you won't regret.

What a good surprise this movie has been ! I just had to let you know about it as soon as possible

As it might not rings any bell in foreigners' head, know that the Quai Des Orfèvres is the familiar name for the Criminal Investigations Division of the Paris Police, located at no. 36. In popular parlance, "Quai des Orfèvres" means to the French what "Scotland Yard" means to the British.

Indeed we are here in a thriller, a dark one. The director, Olivier Marchal is a former cop and the story of 36 Quai Des Orfèvres is from real facts from the life of Dominique Loiseau (who co-wrote the script), former member of the BRI (Brigade de Recherche et d'Intervention = Search and Action Squad, the "anti-gangs" squad) in the mid eighties.

In this movie we follow the struggle between two cops.

On one hand we have Vrinks, BRI's head. Daniel Auteuil, who is one of the most famous actors in France, offers the audience an amazing performance playing this cop who is found of justice, whatever it costs and whatever the methods are to take down the criminals. To reach his ideal of justice he uses to flirt dangerously with the "dark side" taking risks for his family, his life and his career. Anyway it seems his priorities are still in this order. Like the Vincent Hanna of Heat, he just has two lifes he tries to separate: the one at work and the one at home where he doesn't say anything about his work to his wife (played by the beautiful Valeria Golino), just because he's afraid that might make her run away...

On the other hand we have Klein, the head of the BRB (Brigade de Répression du Banditisme = Crime Repression Squad, taking care of big robberies and so on) played by a very well known actor, in France but also around the world after a few appearance in Hollywood movies: Gérard Depardieu who seems to have reminded the amazing actor he can be. Depardieu is indeed at his top, playing this ambitious and soured character who reaches power and power only.

Tensions exist between these two men who used to be friends. They really don't share the same goals regarding their professional life but it appears quickly that the problem is mostly located on the private front. We don't know exactly what has happened but it seems that a woman, who is now Mrs Vrink, has been between the two of them, breaking for good their friendship long years ago and creating a scare which is still very sensitive today.

Their boss Robert Mancini, played by André Dussolier (the narrator's voice in Amélie, here playing perfectly again a role quite similar to the one he had in Agents Secrets), makes these tensions get worse when explaining them that he is about to be promoted. As they are both equally qualified, they are in competition for his replacement. The one who will take down a gang of very violent robbers currently holding up to ridicule the police forces, will be the new head of the number 36, Quai des Orfèvres.

And here you know just the starting plot of this movie which benefits of a really really good script. In addition to this perfect script you have a great casting for the main roles but also for the "background characters" who are for most of them unknown actors who will surely be known in a few movies if they continue to play so well and have the luck again to play in such a great film.

The rhythm of the movie is also really good and, very unexpected for this kind of production in France, risks have been taken and ... it pays. This movie really takes you in its story and it's a great journey.

Olivier Marchal is a former cop yes, but more than that he is also a great thriller movie fans. I've used a reference to Heat earlier and, according to some interviews I've read after having seen the movie, it seems that Olivier Marchal totally agrees with me on the fact Heat is one of the best thriller ever shooted if not the best. He said he wanted to something in the same spirit, all things considered and I had indeed been surprised during 36 Quai Des Orfèvres to think a few times about Michael Man's work. We are far from a Collateral or a Heat but 36 Quai Des Orfèvres doesn't have to get redden in front of these masterpieces IMHO.

Fan, honest and humble, Olivier Marchal has delivered us a very efficient and striking thriller who deserves to be classified among the best of the genre.

36 Quai Des Orfèvres is letting me hope that maybe France will be back on the thrillers front, which had been quite deserted after a golden age in the 70's with great directors like Jean-Pierre Melville.

I really hope that this movie will be released in foreign countries and that most of you will have the opportunity to see it. An opportunity that I seriously invite you to not miss

I really wanted to like 36. It opens slick and energetic and it retains those two qualities throughout. The problem is that it picks up no other qualities along the way.

The promising looking cast are a let down. The plot veers all over the place. By the end of the film I found it impossible to care why anyone was chasing around doing whatever it was they were doing.

36 isn't awful. It is a pacey and at times very entertaining thriller, but it falls far short of its lofty target.

If you want a cop versus cop thriller watch Heat. If you want a French thriller watch The Beat That My Heart Skipped. If 36 happens to be on the telly one evening, well, you could do worse.

As usual, Olivier Marchal offers us an excellent thriller with a Homeric duel between Léo Vrinks and Denis Klein, two Parisian cops coveting the same promotion, i.e. the office of their common boss. They know and despise each other, making the competition fiercer. This movie rhymes globally with excellency, thanks to a dark atmosphere, an excellent knowledge of the French national police, Olivier Marchal being a former inspector, and an ineluctable fatalism, ... and despite the caricatural character of Denis Klein who is a a well-known alcohol abuser cruelly lacking of dignity and integrity, conferring a poor image of the national police. De facto, the film's realism is diminished, at least I hope so. In this respect, the final scene between Daniel Auteuil and Gérard Depardieu is disappointing and disturbing, Denis Klein's soliloquy being surrealistic with a mix of madness and megalomania.

The whole cast, the script and the dialogues are globally excellent. Daniel Auteuil and Gérard Depardieu are awesome.