Two Cars, One Night

Three children wait for their parent(s) in two separate cars in a parking lot outside a New Zealand saloon in the 1960's. The thrilling economy of direction, wonderful (although occasionally infuriatingly thick native accents make it tough to catch all of the asides) screenplay and some of the most natural and believable child actors make this a touching little miracle of a short film that rates with the best ever made. If an added touch of racism, or conflict between the parents were added, it would make the film perhaps even more effective. But this is simply about kids awkwardly dealing with the opposite sex with a touching naivete that will be remembered long after viewing. Really special.....an instant classic.

Look, I get why everyone else loves this short film. They can probably see themselves in the characters and they think it's heartwarming. Unfortunately, I don't. What is intended to be a simple human connection comes across as forced and trite.

This reminds me of the times we were left outside the pub whilst our folks were inside boozing. The time, it's nine year old Romeo (Rangi Ngamoki) and his young bookworm brother "Ed" (Te Ahiwaru Ngamoki-Richards) who are waiting when they spy "Polly" (Hutini Wakiato) in the car next to their's. A bit of teasing goes on before a chat that might just see the embryo of undying love born? How many of us had our first crush in a car park whilst bored to distraction? It's a simple story with the younger, entirely indifferent, lad stealing the show as he refuses to fib for his brother trying to impress the girl. It's an honest and amusingly light-hearted observation that does raise a smile now and again.

This film, while short, is nothing short of a masterpiece. It has everything covered, great acting, great camera work, great storyline and writing. The subject matter is rarely approached by filmmakers and I applaud Waititi and Co. in their artful piece.

Although it may not seem so, this short film is set in the present day (hence the reference to Johnny Depp). Two brothers (Romeo & Ed) wait in a car outside the pub their parents are in, when another car pulls up, two people get out and enter the pub, leaving 12 year old Polly in the car. What starts out as taunting and awkward looks, turns into an unlikely friendship between Romeo and Polly (Ed is too busy reading to be interested). What makes this film all the more unique are the thick East Coast (of New Zealand) accents, which most New Zealanders can relate to and make the film extremely realistic. Human connection was the main premise in Two Cars, One Night's creation, as explained by its director Taika Waititi; "I want to show how human contact creates something special in a not so special environment." This really is a one of a kind film which shows the most simple things in life can make the biggest difference.