Trade

I had never heard of this movie and just stumbled on to it by accident. The story was very powerful and meaningful. The acting was absolutely awesome, especially by the two major stars playing the parts of brother and sister, more of the younger girl, but that is not to take anything away from the part of her brother Jorge. He was outstanding. Also, the part of Veronica was superb. She made her scenes gripping. Especially one, and you'll know which one I mean just by watching the movie. Your jaw will drop just like mine did and it will stay with you even after the movie. This is a must see. It is in subtitle and English, so it it easy to follow. Oh yeah, Kevin Kline was an excellent surprise.

I attended a screening of "Trade" at the Santa Barbara International Film Festival. All week, films had been relatively disappointing. And then this powerful work came along.

It probably is sufficient to say that its subject is child trafficking, in this case, from Mexico to the US. Audiences will recognize Kevin Kline. The other leads are a 13 year-old girl (Paulina Gaitan) and her 17 year-old brother (Cesar Ramos). The film rests largely on the shoulders of these two innocents, and it's on the basis of their performances, even more than the subject matter, that I consider this a must-see film.

Check out this pedigree. "Trade" was written by Jose Rivera (who wrote "The Motorcycle Diaries"). It is based on a New York Times Magazine article. It was originally supposed to be directed by Roland Emmerich (who wrote, directed, and produced "The Day After Tomorrow"). But Emmerich had a conflict, so he ended up producing it along with Rosilyn Heller (who produced "American Heart," a favorite of mine starring Jeff Bridges and Edward Furlong). In turn Marco Kreutzpaintner was hired to direct, a German filmmaker who had a connection to Emmerich through another producer. It was a fortuitous set of circumstances. It's a $12 million indie backed by German funds, Emmerich's own pockets, and Lions Gate, who will be distributing it.

This is quite a moving film and, although it's easy to argue the case, it does not exploit the kids itself in its effort to expose the horrors of child exploitation. While it has some Hollywood moments thrown in for commercial appeal, it's still as compelling as any film I've seen recently. The acting is frighteningly real. A good part of the film is a bit of a road movie where Kline and the boy bond -- he needs a male role model, Kline's life on the road is a lonely existence, you know the drill. Kline's relationship with the boy reminded me of his pairing with Hayden Christensen in "Life as a House." He's good at it, and it's a casting coup that helps put the icing on the cake. The other part of the film focuses on the harsh reality of child trafficking and follows several victims through their ordeals. But Kreutzpaintner's narrative never loses sight of its heartbreaking subject matter.

Director Kreutzpaintner and producer Heller were there for a Q&A. I asked about the casting. He said the boy and girl were found during auditions in Mexico City. He was just the second one they saw. They kept looking, but eventually came back to him. He had never acted before. The girl had done a bit before, but not much. What an auspicious debut. These are two to watch.

There are many "oh my God" moments. It ultimately is a "message" film in that it exposes the horrors of child trafficking, but it's also made for commercial appeal and should resonate with the larger audience. It's hard to pull off this kind of film and make it work. How does one entertain without hitting the viewer with a sledgehammer? It's a delicate balance, and this one weighs in perfectly.

"Trade" is an incredible film on many levels. The acting is superb by both the kids, Jorge (Cesar Ramos) and Adriana (Paulina Gaitan), as well as Kevin Kline. The cinematography was incredibly well thought out, and added to the depth of the message of the film. The film is successful in showing the raw dichotomy of the problems of suburbia-America and the horrifying crime that claims the second highest yield of money out of illegal activities just behind drugs.

Yes, this film is disturbing. It unyieldingly shows the gruesome truth of this business. Yes, it draws tears, as many flowed down my own face during these few hours of watching. But I must say that the truth and the tears stirred up within me a desire for change. A desire for justice. Is that not what true film is meant to be about? To bring forth revelation of self discovery, desires, dreams. To cause the viewer to step away from the film a changed person. This is exactly what "Trade" did for me.

I read multiple reviews about the movie "Trade" last night after viewing the film for myself. I discovered comments like, "hard to find it entertaining" and "playing up the terrorizing of the women detracted from the film."

Trade is not a film to entertain. The emotion evoked from this film was designed to have a purpose. The purpose was the change the viewer's perspective out of our cookie cutter American world view, into the grisly truth of sex trafficking that occurs around the world, as well as on our doorstep.

The viewer is invited by this disturbing film to not to be satisfied with ignorance, but to light the fire within them to want to make a difference.

Trade is not really the kind of thrilling crime movie that I was expecting, it's about something I thought I might have heard about quite a lot yet actually never really felt: trafficking children and women from the third world to be sold for forced sex. Trade exposes the whole chain of the business with great genuineness.

For a subject like this it's handy to come up with much more gore and sex to attract some eyeballs, but not with Trade, there is nothing gratuitous here. At several gut-wrenching scenes, at the edge of my seat I longed to see some resistance or retribution, I didn't, but when I sat back and cleared my thought, I knew that was what would happen in the real world. Nevertheless although there are many broken hearts, twisted minds and lost souls in the movie, and even the last scene gave me a groan, I am not left with despair in the end.

Quite a few characters have been developed into some depth, while supported by first-class performance(excellent casting!) this doesn't cause confusion or dilution, but rather delivers me the feeling of the whole big picture. It does feel a bit dragged at the beginning, I guess it is needed to expose all the details of the business chain, the storyline flows naturally and keeps me hooked for 2 hours.

Overall this is a well-made untypical crime film with not so much easy entertainment in it, but if you want something genuine that will linger in your head, go see it and you won't be disappointed.

Based on Peter Landesman's cover story, the film follows a Texas cop (Kline) and Jorge (Ramos) who are on the trail to save Jorge's sister (Gaitan), a 13-year-old girl from Mexico City who was kidnapped to be sold in the sex-trade. A powerful story, with Kline and Ramos making an interesting duo. The conflict seems to always be easy to overcome, with the two leads never loosing the tail of the kidnappers no matter what the obstacle is. The tragic irony at the end is an eye-roller. The hunt begins to feel far-fetched as the film progresses, and Kline is as dull as usual. The Mexico City setting alone is a plus to this roller-coaster of thrills and yawns.

**½ (out of four)