The Hamburg Cell

There is no doubt about it, this is a controversial movie, and it took me a while to see it. Missing it at the Edinburgh Film Festival really got to me but I managed to see it just recently.

I understand that it doesn't yet have a US\Canada release and although there have been talks, nothing has yet been signed up, and no wonder. The subject matter is focused on one of the hijackers of the September 11th Twin Towers attack. Yes. Very controversial and highly emotionally charged topic.

The first thing I'd say about the movie is it is portrayed as an unbiased movie, however that isn't quite true but it's clear to see why. The movie solely rests with the hijackers and the lead up to those terrible events of September the 11th but doesn't concentrate on the events of that day, there are a few shots that remind you of the actual attack, but detail isn't entered into and I think that actually is a good thing.

There's a lot of strong feeling about that day, and very rightly so, but in a movie which tries to take no sides, concentrating on the events would clearly fill any sane person with great sadness and a strong anger against the hijackers and the groups to which they belong.

Okay, so let's put that part to the side and try and concentrate on the movie itself. Antonio Bird has carried through Ronan Bennett's story very well, documenting the process of the main character, Ziad Jarrah played by Karim Salah, transforming from a Western Muslim living the life of a typical student, to a Muslim extremist.

Salah portrays the role excellently, carrying with total believability, the slow change. He starts as a typical student, interested in his own life and ignoring his initial upbringings looking at love and life as a Doctor. Slowly, he is indoctored into a group of Muslims, rediscovering his religion, and from there an extremist pulls him across to their cause and the change in the character is small but obvious. He becomes strong, self assured, and angry.

This carries on for much of the movie, but when the realisations of what is happening and what he is committing to become more apparent, his love for his wife and their Western life come into contention.

From the outset this movie shocks, and it does very well in showing what was behind one of the hijackers. What isn't so good is it doesn't quite hit the mark on this very change. I could see what changed him, and I could understand the peer and religious pressure around him (this is very eloquently shown in the movie) but you still find yourself asking why? A vital few steps are missing, and this may purely be down to the lack of historical information, or the complexity of the subject.

Although an even more difficult subject, I felt the religious and Jihad side could be tackled more, but that might have made the film more inaccessible to the mainstream Western audience.

In the end, the movie condemns what these people did with an extremely loud voice, but not from the extreme Western view that can often be heard today, but from the characters words and actions throughout their brief history. Indeed some of the victim support groups from that day have applauded the release of a film to understand the fundamentalist mindset.

This movie is well worth watching, believe me when I say it isn't all from the side of the hijackers, and it does not attempt in the slightest to justify events, it is an attempt at understanding.

As I began watching this film on HBO, I started to feel uneasy because all the trademarks of a TV Movie-of-the-week began to manifest- boring cinematography, unrefined performances, contrived momentum, etc. However, as the film progressed, I was drawn into certain story angles, and the plight of some of the lead characters became engrossing. Kamel's understated performance as Atta, as well as the two young leads playing husband and wife, kept me interested. The film gradually grinded into thriller territory, and the final moments were admittedly chilling and well-constructed by director Antonia Bird. However, what was most lacking from this film were the PSYCHOLOGICAL motivations of the characters. A story of such grand scope is difficult to tell in detail, as one can assume, but the most important elements driving these characters- the disgust and anger towards American foreign policy- seemed left out of this film. It seemed "hinted at" in certain scenes, but the screenplay never fully explored the burning hatred from the inside. It was still unclear to me why the once-agnostic Lebanese medical student allowed himself to be so easily roped in by the cell's extremist philosophies. Had the screenplay explored this in more detail, this film would be what it should have been- a tragic portrait of manifested hatred among young, misguided Islamic jihadists.

Controversial docudrama explores the murky relationships and preparations all of the hijacker's underwent leading up to September 11th, as well as the numerous times they were being watched by US intelligence before that date. Centering around the most conflicted and perhaps westernized of the bunch, Ziad Jarrah, the movie makes good use out of Jarrah's moral dilemmas, his marriage to his wife, and his families pressuring to return back to civilized society, but in turn takes much of the focus away from articulating the heart of the enemy. Karim Salah in the role unfortunately comes of as a slightly tanner version of a Jason Scwartzman which proves distracting from the otherwise Muslim perspectives. While Jarrah may provide interesting counterpoints to his fanatical and less educated brothers-in-arms, the movie needed some better casting to truly punctuate these characters. Instead, The Hamburg Cell deals with the specific, factually based training that led to the suicide attacks while peering into the mentalities these bold pawns relegated themselves to by accepting this task whole heartedly, with mixed results. The acting and direction may lack the spark that is needed to truly ignite this film past an interesting docudrama, but the information and perspectives stay nonetheless fascinating and offer plenty of counter patriotism for thought in yet another attempt to bridge this gap of hatred the massive rift between our two cultures have formed by showing the inherent struggles we all go through to fight for what we believe is right.

I like the fact that this film is non-Hollywood in it's delivery. It's unglamorous, but still quite sophisticated in capturing the monochromatic lives of the terrorists-to-be. It presents a concise timeline of events in a pointed and deliberate manner. It doesn't pretend to be absolute or correct, and it knows it's an estimation of how things might have went down.

Inevitably, Hollywood will roll out its own 9/11 films and they will be glossy and full of big budget bloat, but this humble effort will remain as testament to the idea that a simple film can be as compelling and inviting to interpretation without the need for dramatic flair and elaborate crane rigs.

Dramatisation by renowned filmmaker Antonia Bird of the characters and events involved in the 9/11 attacks. The approach is very laid back, is statedly on the basis of three years research and 'known facts and events.' so is something of a chronicle. It avoids demising the hijackers (so such a film could probably never have been made in America) and Bird points out that not only were they real people, intelligent people, who devoutly believed what they were doing was the right thing, but that it is important for us to understand that and the how and the why. We see the main character as a highly intelligent man, seeking to become a better person by becoming a better Muslim, and thence drawn into the training group. Other factors like the American influence in Palestine (central in most Middle-East Muslims' minds) are mentioned briefly, but the story develops in a natural way - a young man joining those prepared to fight for Islam and 'do something worthwhile'. He switches studies to go to flight school and has perfect skills at 'blending' with westerners. The film is unsensational, but without proselytising for either 'side' manages to at least shed some light on the hijackers motives and mentality.