Blood and Chocolate - La caccia al licantropo è aperta

From the producers of Underworld, this movie looks like a cheap cousin to the popular wolves versus vampires movie starring Kate Beckinsale. Based on a book by Annette Curtis Klause, and directed by Katja von Garnier, it's difficult not to draw comparisons because of the subject material and similar themes, this time though doing without the vampires, and sets the spotlight firmly on a group of hunted werewolves called the Loups-Garoux. Sexy sounding, but essentially a useless name for useless beings.

The group of Loups-Garoux proudly stands by their tradition of being able to transform into wolves at will (and that is their only power mind you), and because of their abilities and lust for blood, they are hunted down by Men with their guns and silver bullets (who and what else). In order to survive persecution, they go underground and keep their identities secret, only to come out during the night for frequent partying at rave clubs (and to pick up chicks), as well as attending strange rituals such as gathering in the woods to partake in hunter-prey chases with wounded men as victims.

In essence, they're a bunch of self-preserving cowards who hunt in packs, believing whole- heartedly that unity is strength. As mentioned, they got unimpressive abilities which probably forces them to do so, not by choice - only remarkable agility and the preference to scale walls and run along rooftops. Led by an uninspiring, cowardly leader Gabriel (Kylie Minogue's ex Olivier Martinez), he holds on to the unexplained hokey prophecy as well as the tradition of the leader of the pack to handpick a wolf-maiden to bed every 7 years. No wonder he's holding onto power without the necessity to do much to further their cause (which is?), and sets his sights on marrying Vivian (Agnes Bruckner).

Vivian however, being the headstrong ingénue, falls for a plain human, graphic novelist Aiden (Hugh Dancy), and this is where references to Underworld come into full swing. The reluctance in the formation of a forbidden relationship from the girl with secrets, the revenge killings and the hunting down of Aiden, and with Vivian protecting her love, all reeks with familiarity. While Underworld had a rich backstory created for its characters and beings, Blood and Chocolate failed to have anything interesting in either wolf or man to engage the audience.

And the execution here is painfully boring. No special effects, not even the baring of fangs, save for coloured contact lenses. It's relatively low-budgeted, and the transformation of man to beast, is so cheap, even a 10 year old kid with a no-frills video editing software will be able to achieve. Fights are confined to chases between wolves and man, and the usual scruffy fisticuffs. Don't forget the loopholes galore too after transformation, which is seldom seen on screen as it'll pose more questions.

The only redeeming grace however, is the on-location filming in the streets of Bucharest, a beautiful romantic place, totally ideal for a romanticized tale of man-beasts. The soundtrack too had a tinge of Hindi(?!) music influences, which I totally enjoyed, but too bad, the film had been intrinsically destroyed by a lack of a strong storyline, plagued with non charismatic and weak villains with zero diabolical plans, with preference to hang around and do nothing, save for showing off their pitiful skills (which I suspect is because of the lack of budget).

With a strange title, Blood and Chocolate correctly named itself - a weird and silly mix which doesn't go down well at all. Only watch it on disc if you've got time to spare.

"Blood and Chocolate" is a surprisingly good movie. I was expecting it to be some terrible, low-budget horror-wannabe movie in the vain of "Dracula II: Ascension," "The Prophecy: Uprising," and "The Prophecy: Forsaken". Instead, "Blood and Chocolate" was a well-done film. This movie was nearly pitch-perfect. The acting, set design, score, cinematography and story were nothing short of wonderful.

Olivier Martinez gave an outstanding performance in what could have been a clichéd role. His portrayal of Gabriel was multi-dimensional and none of his screen-time was wasted. He brought all of the elements together as leader, father, and lover (even though there are no sex scenes, he is constantly smoldering with an animal rapacity). He gave a credible performance, especially in light of Gabriel's fate. (I also enjoyed his commentary on the DVD. He is a very thoughtful and funny person.) Agnes Bruckner's portrayal of Vivian was well done. Her acting was not robotic. Vivian's nature is pent-up and bland; she has no outlet for her inner turmoil other than running, and according to the rules of the pack, she must not form close relationships with humans. It is important to remember that this character is not the same as Selene from "The Underworld" series who seethes with vengeful ferocity even while she's strapping up her bustier. Hugh Dancy was adorable and believable; which is always a difficult feat in the role of romantic interest. Also, in the character of Aiden, the filmmakers were able to acknowledge their respect of the loup garoux storyline; they were practically screaming, "This is not some cheesy werewolf story!" Katje Riemann and Bryan Dick also gave nuanced performances as Astrid and Rafe. (The movie suffered from trimming Astrid's storyline. I strongly recommend watching the deleted scenes on the DVD. I think the fate of Astrid's storyline was the result of studio executives wanting to focus on the two younger characters more, but ultimately that decision hurt the overall movie.)

The soundtrack was nothing short of amazing! In my opinion, it suited this movie perfectly. The percussion was not overdone, nor were the synthesizers. Each drumbeat not only heightened the excitement, but also helped to intertwine the dual nature of the loup garoux (human and wolf). I felt it as if it were the quickening pulse of the loup garoux giving in to their wolf nature. I think the decision to stay away from gypsy music (which I love) was a good one. The synthesized music was good and helped to the ground the story in youth and freshness, rather than some overwrought Romanian folklore manner.

On the dual nature of the loup garoux, the transition from human to wolf was beautiful. I loved the notion of the "leap of faith" involved in the transformation and the mythical element of that transformation. Also, the coloring of the loup garoux eyes were spot on. The respect of the transformation from human to wolf translated to the great execution of this premise. The entire story could have been a cliché since the story is mostly "Romeo and Juliet" for the loup garoux set, but it was well-done and well worth watching.

"Blood and Chocolate" had a few missteps. Nothing in the movie makes this title appropriate, other than a short, barely-audible line by Astrid. Not until visiting this web site was I aware that the movie was an adaptation of a book. Whatever occurred in the novel to make "Blood and Chocolate" a suitable title was omitted from the screenplay and the movie suffered for it. As I have stated, Astrid's storyline should have remained intact in the film. My final criticism is that the story is so well-done, I would have liked to have seen an R-rated version of the movie. Meaning, I would love to have seen an even more serious treatment of this story. My understanding is that the novel is geared toward pre-teens which explains the light treatment of the storyline.

I highly recommend "Blood and Chocolate" to anyone looking for an interesting and well-crafted film.

This movie is actually very good for the first 20 minutes or so. The director is mechanical (German, you know) but the introductory parts are stylish. After that, this becomes something barely worthy of after school teen fodder.

These things often depend on the fact of dual identities, and stories are based on problems coming from that dual identity. This is no different: girl-wolf falls in love with regular boy. There's some irrelevant business about the leader of the pack. Ho hum. Do we ever doubt the outcome? They often also depend on the actual cinematic magic of transformation. But what we have here is about 70 years behind in special effects.

What brought me to this was the rather delicious notion of the two fluids. Our haunted teen girl works in a chocolate shop. I don't know the book makes of this. It has amazing cinematic promise. But the film includes her chocolate job only in a cursory way. The supposed sex appeal is so lacking in sex, even that's gone.

This director sits as a judge for the Berlin film festival? Wow.

There is an interesting character, that appears in only a few scenes and has no lines. The deal is that leader of the pack remarries every seven years. The main women characters are the wife before the current one, and our teen girl who is the designated next one. Some of the scant story is in the tension between these two. One woman abandoned and the second one an unwilling bride. The interesting one is the inbetween one.

I'm interested in films that feature Absinthe. This is one. The werewolves drink it ("some people think its poison") and later are literally burned by it. Usually when it appears as it does here, everything afterward could be considered a hallucination. It could be here, but the filmmaker surely did not intent that ambiguity.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

The Matrix has a lot to answer for. Post Matrix every vampire or werewolf movie (Van Helseign, Underworld, Blade) seems to involve copious amounts of special effects, Martial arts and the main character decisions being whether they kill the bad guy with a gun, sword, falling building, poison that makes people explode, or giant stake improvised from the radio antenna on top of the Empire State building.

Blood and Chocolate follows the traditions oh movies from the 1980s (The hunger, Wolf, Cat people and even The Lost Boys).

Characters are not fighting over whether to enslave the human race (if vampires planned to enslave the human race, wouldn't it be easier to let everyone know, and 1.3 Billion people versus a few thousand vampires or werewolves will be a very short battle indeed).

Blood and Chocolate tells the story of a teenage werewolf who wants to escape what she is being told she should be and a young American writer/artist who has already escaped from his domineering ex-ranger father).

In this story, werewolves are blessed, not cursed, they are the best of man and the best of beast. Though perhaps that is what they should be, and some of them are the worst of both.

This is a human story at the human level. Some of the characters merely tend to turn into wolves. The movie is more about mood and excitement and action. The action is realistic, not modern son of Honk-Kong martial arts over the top stuff. I loved it, even though I also love the modern effects driven movies. In fact the special effects are so bad, it is likely that was a conscious choice (I think the transformation is a homage to Cat People).

If you like this movie, check out the old stuff from the 80s.

I gave this movie a 5 rating, because it deserves it. The sets were beautiful, but lets be honest, especially us Romanians. We know what Bucharest is like, and you really have to look deep to find that sort of inner beauty. At time it resembles that city from the movie, but normally Bucharest, is not as romantic as the movie portrays it.

I enjoyed the movie, but was very disappointed by how it ends, very sudden. The ending didn't fit the storyline, not one bit. The acting was mediocre, but acceptable. Another user described Viviane as robotic, this word pops in my mind as well. The movie, is not a masterpiece, but I enjoyed that description of Bucharest, which most of the time, eludes us.