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Blood and Chocolate - La caccia al licantropo è aperta

Titolo originale: Blood and Chocolate
  • 2007
  • PG-13
  • 1h 38min
VALUTAZIONE IMDb
5,3/10
18.642
LA TUA VALUTAZIONE
Agnes Bruckner in Blood and Chocolate - La caccia al licantropo è aperta (2007)
Horror con licantropiDrammaFantasiaOrroreRomanticismo

Un lupo mannaro adolescente è combattuto tra onorare il segreto della sua famiglia e il suo amore per un uomo.Un lupo mannaro adolescente è combattuto tra onorare il segreto della sua famiglia e il suo amore per un uomo.Un lupo mannaro adolescente è combattuto tra onorare il segreto della sua famiglia e il suo amore per un uomo.

  • Regia
    • Katja von Garnier
  • Sceneggiatura
    • Ehren Kruger
    • Christopher Landon
    • Annette Curtis Klause
  • Star
    • Agnes Bruckner
    • Hugh Dancy
    • Olivier Martinez
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,3/10
    18.642
    LA TUA VALUTAZIONE
    • Regia
      • Katja von Garnier
    • Sceneggiatura
      • Ehren Kruger
      • Christopher Landon
      • Annette Curtis Klause
    • Star
      • Agnes Bruckner
      • Hugh Dancy
      • Olivier Martinez
    • 210Recensioni degli utenti
    • 108Recensioni della critica
    • 33Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto35

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    Interpreti principali40

    Modifica
    Agnes Bruckner
    Agnes Bruckner
    • Vivian
    Hugh Dancy
    Hugh Dancy
    • Aiden
    Olivier Martinez
    Olivier Martinez
    • Gabriel
    Katja Riemann
    Katja Riemann
    • Astrid
    Bryan Dick
    Bryan Dick
    • Rafe
    Chris Geere
    Chris Geere
    • Ulf
    Tom Harper
    Tom Harper
    • Gregor
    John Kerr
    • Finn
    Jack Wilson
    • Willem
    Vitalie Ursu
    • Constani
    Bogdan Voda
    • Albu
    Kata Dobó
    Kata Dobó
    • Beatrice
    Rodica Mandache
    • Mrs. Bellagra
    Sandu Mihai Gruia
    Sandu Mihai Gruia
    • Pharmacist
    • (as Sandu Gruia)
    Helga Racz
    • Young Vivian
    Lia Bugnar
    Lia Bugnar
    • Young Vivian's Mother
    Mihai Calin
    Mihai Calin
    • Young Vivian's Father
    Sofia Vladu
    • Vivian's Sister
    • Regia
      • Katja von Garnier
    • Sceneggiatura
      • Ehren Kruger
      • Christopher Landon
      • Annette Curtis Klause
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti210

    5,318.6K
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    Recensioni in evidenza

    7tifrap

    Worth watching if there is nothing great available.

    I enjoyed this film. It isn't life changing, deep or even particularly thought provoking, but it does draw you in and keep you 'entertained' throughout.

    Many of the comments below extol the book and damn the film, you'd think they would know better to expect a fairly run of the mill film to outshine the fiction it was based on. I haven't read the book but I may now.

    The story is compassionate and attempts to re-consider the wolf-person theme by treating them as an oppressed minority, I couldn't help but think that they were a metaphor for the Roma, a thought that bears scrutiny I think.

    The cinematography was atmospheric and Bucharest became the star, lots of beautiful rococo buildings and a pleasantly eastern soundtrack. I kept wondering if the film wasn't a Hollywood offering because the characters all seem normal and manage to avoid behaving in the usual American manner (not an "oh my god" in earshot), but no, the ending isn't European.

    I was really pleasantly surprised with the beautiful human to wolf transitions, the makers restrained themselves from fx to the benefit of the film, it reminded me of the early eastern European fairytale films (the singing ringing tree). Don't be concerned about gore or substance abuse as mentioned below, there is little more blood than a few cut fingers and bloodstained clothing, and the only substance that gets abused is absinthe (which may well be an illegal substance in your country as it is here), it gets drunk sparingly, injected once and burnt fairly often. See this film.
    5victoriuonas

    fairy like sets

    I gave this movie a 5 rating, because it deserves it. The sets were beautiful, but lets be honest, especially us Romanians. We know what Bucharest is like, and you really have to look deep to find that sort of inner beauty. At time it resembles that city from the movie, but normally Bucharest, is not as romantic as the movie portrays it.

    I enjoyed the movie, but was very disappointed by how it ends, very sudden. The ending didn't fit the storyline, not one bit. The acting was mediocre, but acceptable. Another user described Viviane as robotic, this word pops in my mind as well. The movie, is not a masterpiece, but I enjoyed that description of Bucharest, which most of the time, eludes us.
    9sewiltz

    Surprisingly Good

    "Blood and Chocolate" is a surprisingly good movie. I was expecting it to be some terrible, low-budget horror-wannabe movie in the vain of "Dracula II: Ascension," "The Prophecy: Uprising," and "The Prophecy: Forsaken". Instead, "Blood and Chocolate" was a well-done film. This movie was nearly pitch-perfect. The acting, set design, score, cinematography and story were nothing short of wonderful.

    Olivier Martinez gave an outstanding performance in what could have been a clichéd role. His portrayal of Gabriel was multi-dimensional and none of his screen-time was wasted. He brought all of the elements together as leader, father, and lover (even though there are no sex scenes, he is constantly smoldering with an animal rapacity). He gave a credible performance, especially in light of Gabriel's fate. (I also enjoyed his commentary on the DVD. He is a very thoughtful and funny person.) Agnes Bruckner's portrayal of Vivian was well done. Her acting was not robotic. Vivian's nature is pent-up and bland; she has no outlet for her inner turmoil other than running, and according to the rules of the pack, she must not form close relationships with humans. It is important to remember that this character is not the same as Selene from "The Underworld" series who seethes with vengeful ferocity even while she's strapping up her bustier. Hugh Dancy was adorable and believable; which is always a difficult feat in the role of romantic interest. Also, in the character of Aiden, the filmmakers were able to acknowledge their respect of the loup garoux storyline; they were practically screaming, "This is not some cheesy werewolf story!" Katje Riemann and Bryan Dick also gave nuanced performances as Astrid and Rafe. (The movie suffered from trimming Astrid's storyline. I strongly recommend watching the deleted scenes on the DVD. I think the fate of Astrid's storyline was the result of studio executives wanting to focus on the two younger characters more, but ultimately that decision hurt the overall movie.)

    The soundtrack was nothing short of amazing! In my opinion, it suited this movie perfectly. The percussion was not overdone, nor were the synthesizers. Each drumbeat not only heightened the excitement, but also helped to intertwine the dual nature of the loup garoux (human and wolf). I felt it as if it were the quickening pulse of the loup garoux giving in to their wolf nature. I think the decision to stay away from gypsy music (which I love) was a good one. The synthesized music was good and helped to the ground the story in youth and freshness, rather than some overwrought Romanian folklore manner.

    On the dual nature of the loup garoux, the transition from human to wolf was beautiful. I loved the notion of the "leap of faith" involved in the transformation and the mythical element of that transformation. Also, the coloring of the loup garoux eyes were spot on. The respect of the transformation from human to wolf translated to the great execution of this premise. The entire story could have been a cliché since the story is mostly "Romeo and Juliet" for the loup garoux set, but it was well-done and well worth watching.

    "Blood and Chocolate" had a few missteps. Nothing in the movie makes this title appropriate, other than a short, barely-audible line by Astrid. Not until visiting this web site was I aware that the movie was an adaptation of a book. Whatever occurred in the novel to make "Blood and Chocolate" a suitable title was omitted from the screenplay and the movie suffered for it. As I have stated, Astrid's storyline should have remained intact in the film. My final criticism is that the story is so well-done, I would have liked to have seen an R-rated version of the movie. Meaning, I would love to have seen an even more serious treatment of this story. My understanding is that the novel is geared toward pre-teens which explains the light treatment of the storyline.

    I highly recommend "Blood and Chocolate" to anyone looking for an interesting and well-crafted film.
    8flingebunt

    Old school werewolf

    The Matrix has a lot to answer for. Post Matrix every vampire or werewolf movie (Van Helseign, Underworld, Blade) seems to involve copious amounts of special effects, Martial arts and the main character decisions being whether they kill the bad guy with a gun, sword, falling building, poison that makes people explode, or giant stake improvised from the radio antenna on top of the Empire State building.

    Blood and Chocolate follows the traditions oh movies from the 1980s (The hunger, Wolf, Cat people and even The Lost Boys).

    Characters are not fighting over whether to enslave the human race (if vampires planned to enslave the human race, wouldn't it be easier to let everyone know, and 1.3 Billion people versus a few thousand vampires or werewolves will be a very short battle indeed).

    Blood and Chocolate tells the story of a teenage werewolf who wants to escape what she is being told she should be and a young American writer/artist who has already escaped from his domineering ex-ranger father).

    In this story, werewolves are blessed, not cursed, they are the best of man and the best of beast. Though perhaps that is what they should be, and some of them are the worst of both.

    This is a human story at the human level. Some of the characters merely tend to turn into wolves. The movie is more about mood and excitement and action. The action is realistic, not modern son of Honk-Kong martial arts over the top stuff. I loved it, even though I also love the modern effects driven movies. In fact the special effects are so bad, it is likely that was a conscious choice (I think the transformation is a homage to Cat People).

    If you like this movie, check out the old stuff from the 80s.
    6taco_potter

    I know book v. movie yadda yadda

    I have read the book. I have seen the movie. I would've been mad if I had seen it in theaters but I rented it and so I wasn't as angry about the changes. Basically, the book and movie have very little in common. If you can't get past that, you won't let yourself give the movie a chance. After original indignation I sat back and watched and I wasn't totally horrified by what I saw. Have I seen better movies this year? Yes. But I didn't hate it and demand the hour plus of my life back. I actually really enjoyed the Rafe character. He made me laugh several times and in my opinion, saved the movie for me. After I cast all things in the book from my mind, I enjoyed the premise of the movie and the new take in the werewolf genre.

    Trama

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    Lo sapevi?

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    • Quiz
      Agnes Bruckner is the only American actor in a cast otherwise entirely made up of European actors.
    • Citazioni

      [from trailer]

      Vivian: What's the city taught you?

      Aiden: That the werewolf stories have gotten it all wrong. In the loup garoux legend, they're not cursed, their blessed. Like the moon turning them into wolves, that's all how it's twisted later. The loup garoux can change whenever they want. It's- it's, uh... mind over matter. Transcendence. You know, they believe they will change, and in that moment they do. Can you imagine that? From a man to a wolf.

      Vivian: Sounds beautiful.

      Aiden: It is. Uh, supposedly, you could kill them with silver, but also with fire.

      Vivian: Really.

      Aiden: Yeah. A- and you couldn't become one, you know? Be bitten or whatever. You're either born a loup garoux or you're not.

      Vivian: Oh.

      Aiden: And in the stories, they say that if you harm a loup garoux, if they bleed, that they show you just a glimpse of what they really are. It's all in the eyes, apparently.

    • Connessioni
      Featured in HypaSpace: Episodio #6.20 (2007)
    • Colonne sonore
      Garab
      Written by Rachid Taha

      Performed by Rachid Taha

      Courtesy of Universal Music France

      Licensed by kind permission from The Film & TV Licensing Division, Part of the Universal Music group

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    Domande frequenti24

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    Dettagli

    Modifica
    • Data di uscita
      • 26 gennaio 2007 (Stati Uniti)
    • Paesi di origine
      • Regno Unito
      • Germania
      • Romania
      • Stati Uniti
    • Sito ufficiale
      • MGM (United States)
    • Lingue
      • Inglese
      • Rumeno
    • Celebre anche come
      • Blood and Chocolate
    • Luoghi delle riprese
      • Bucarest, Romania
    • Aziende produttrici
      • Metro-Goldwyn-Mayer (MGM)
      • Lakeshore Entertainment
      • Daniel Bobker Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 15.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 3.526.847 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 2.074.300 USD
      • 28 gen 2007
    • Lordo in tutto il mondo
      • 6.340.723 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 38min(98 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 2.35 : 1

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