Jean-Baptiste Grenouille, nato con un eccezionale olfatto, crea il profumo più sofisticato del mondo; la sua ossessione per i profumi lo condurrà tuttavia lungo un percorso sinistro.Jean-Baptiste Grenouille, nato con un eccezionale olfatto, crea il profumo più sofisticato del mondo; la sua ossessione per i profumi lo condurrà tuttavia lungo un percorso sinistro.Jean-Baptiste Grenouille, nato con un eccezionale olfatto, crea il profumo più sofisticato del mondo; la sua ossessione per i profumi lo condurrà tuttavia lungo un percorso sinistro.
- Regia
- Sceneggiatura
- Star
- Premi
- 15 vittorie e 20 candidature totali
- Driver
- (as Walter Cots Wangüemert)
Recensioni in evidenza
Rather than judging that finale and having to use spoilers, let me just comment on the first two hours of the film, which I found utterly fascinating. If I wasn't such an admirer of photography, art and special-effects, I doubt I would have found the movie so appealing because the story is "not for everyone." However, thanks to stunning French city and countryside scenery, 18th century period and beautiful women it enhanced the story to me. Yet, regardless of the visual treats, the story was so unusual it still would have held my attention.
There are enough reviews here so that to go into the story in detail isn't needed except to say this is an "original." I'm not familiar with any other story about a man who has such an extraordinary sense of smell that he can perform olfactory miracles and then, because of it, uses it to turn into a mass murderer. This is weird, really weird, but captivating to say the least.
Ben Wishaw, who plays the lead character "Jean-Baptist Grenouille, has a face that is perfect for this role. His emaciated body, which survived a brutal childhood existence from the moment he was born also makes his character all the more credible. The looks of shock and awe on this man's face throughout the picture also add to his believability. He was mesmerizing with his haunting expressions. Dustin Hoffman and Alan Rickman provide "name" actors the film but it's Wishaw's movie, all the way.
I can only recommend this movie to those who share similar interests in cinematography and who like a "different" story but there are so many things in here - especially the ending - that could offend so many people, I would be hesitant to recommend this to the general viewer.
I'm going to go look for the book at our local library. I'm curious how that version compared to the screenplay.
A must see. Or, should I say, a must "smell"!
I had the chance to watch a preview of "The Perfume" tonight and I was very surprised: this movie is really good! Okay, it can't actually make you smell all the scents and odours, but the images and the music allow you to experience the atmosphere and the emotions Grenouille is feeling when he takes in the scents of his environment. You couldn't have done this much better without the use of real scents at theatres.
Although much of the story is told by a narrative voice (mostly quotes from the novel), the movie is still thrilling and exciting all the way. It's a very good adaption of Süskind's novel, sticking to the original plot concerning the major events, leaving away unnecessary subplots (although it's a pity that funny "lethal gas"-plot was cut out!) and shortening long passages. The result is well-constructed movie that is worth seeing.
The actors, especially Whishaw who plays Grenouille, have done a very good job. Like in the novel, Grenouille is an ambivalent character and you never know whether to love him for his genius talent or to hate him for his cruel murders. Whishaw's half-crazy, scary gaze made me shiver. Dustin Hoffman as old and unsuccessful parfumeur Baldini was very convincing... I loved the way he talks to Grenouille arrogantly although he recognizes how much more talent the young man has. Baldini is always good for a laugh.
The only thing to criticize is that the movie is not as brutal as the novel. I think they wanted to avoid the FSK 16 rating and so didn't show much violence, which in my opinion would have been necessary if you wanted the movie to have the same shocking impact on the audience as the novel. For example I was really shocked by the end of the novel - in the movie you hardly see what happens.
However, it's really a thrilling story visualized excellently - go to the movies and watch "The Perfume"! You won't be disappointed.
Putting scent into images, however, is even more difficult than putting them into words, in my opinion, and this is where the movie lacked. It just did not grip me the way the book had, did not pull me into this world of smells, and after 2 hours I started getting impatient for the story to finally move on and wrap up. All in all I think the movie could have been better, but it was definitely better than I'd feared and is well worth a look.
Lo sapevi?
- QuizThe production team scouted eight different countries in Europe looking for the best place to represent eighteenth century Paris, before settling on Barcelona, Spain.
- BlooperThe method of enfleurage that Grenouille is first seen practicing is called cold enfleurage - placing live botanicals in a layer of lard or tallow set in a frame. However, this method of enfleurage was not developed until the 1800's. The movie is set in the mid 1700's.
- Citazioni
Narrator: He still had enough perfume left to enslave the whole world if he so chose. He could walk to Versailles and have the king kiss his feet. He could write the pope a perfumed letter and reveal himself as the new Messiah. He could do all this, and more, if he wanted to. He possessed a power stronger than the power of money, or terror, or death - the invincible power to command the love of man kind. There was only one thing the perfume could not do. It could not turn him into a person who could love and be loved like everyone else. So, to hell with it he thought. To hell with the world. With the perfume. With himself.
- Colonne sonoreTarentelle
(Traditional)
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El perfume: historia de un asesino
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.223.293 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.079 USD
- 31 dic 2006
- Lordo in tutto il mondo
- 135.039.924 USD
- Tempo di esecuzione2 ore 27 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1