Nel magico mondo di Gaya

This movie is so cute! It has all the stuff the rest of the CGI animated stuff has except for the humor displayed. But, we must keep in mind this is the first German CGI animated flick ever. So, maybe some of their humor is different from ours in the USA. Still, it makes it to nice, fun level.

I loved all the characters, and the facial characteristics of them were wonderful and a delight to see.

I will admit the rats in the chase sequence would be a bit scary for the wee ones, but I saw Bambi and cried my eyes out at their age. So, I think maybe the kiddies will be tough enough for this.

I give it an 8 out of 10. Keep the kids under about eight from watching it. The rest? You've said worse around your kids by that time. Let them have a romp through Gaya, why not?

Well, today I've finally watched "Back To Gaya" which I was eagerly waiting for. My anticipation was damped because of the bad trailer which had a bad synchronisation and did not help to make one curious about the movie. Fortunately the movie was much better than what I had expected. Actually it is quite good but it has three major timing problems:

1. technically: the animation is not very good (not a single run cycle seems correct in this movie) 2. the pace: the movie seems to last longer than it is because of bad pacing 3. the jokes: first of all there are too few and second they have a bad timing. Either you know the joke seconds before it is spoken or you miss it because you don't have time to laugh about it

On the other hand BTG is technically very well done (except the animation) has tons of places and objects, is beautiful colored and has a nice music. Everyone that likes CG-movies should see it, it's worth the money... all the other should give Brother Bear a chance - since it is much better than most people think =) Well, give it a try - both of them.

Let me start by saying that the animated movie Snurks. Back to Gaya should not be watched by children. Unless you want to explain why the mean little snurk calls people a "putz". Or why the movie is dark and dreary like a new Batman movie. In order to enjoy this movie you must understand that this is a religious allegory with a some very bad ethnic references, the requisite "a female can be a hero too" story line, and a cookie cutter plot.

As far as a CG movie it is good. Not very good, but it has some terrific details. If you like to see pimples, pores, a stray nose hair, and blemishes then you will be impressed by the graphics. The bonus feature is kind of neat because you can watch how they build a skeleton, add "skin", texture, muscle movement, and facial features.

Did I already state that this is not a movie for kids? The story involves a "creator" (Patrick "Jean Luc Picard"), a mythical land where good battles evil (Eden, er, Goya), the good guys need "the light", ("dalamite"). The dalamite gets stolen by an evil genius with a limp and (don't be shocked) a big, bald head!! Lemme explain: evil will take away the light and you have to find the creator to get it back. If you don't get it back then you will be a putz (they said it, not me). Explain that to your kids.

Whose bright idea was it to give the poor little Snurks a shot glass filled with a Mickey? That's right, the Snurks get drugged by a tank-top wearing bar owner. I'm no censor but I know for a fact that cleavage does not belong in a kids movie.

Just to keep adults interested, the artists have decided to show you lot of the barmaid's cartoon cleavage and sagging you-know-whats. I know for another fact that sagging you-know-whats do not belong in a kids movie. And the barmaid's male lackey gets yelled at, scolded, called a putz, then kicked in the head. Way too much violence.

And they didn't miss a chance to make fun of fat people, short people, and anyone that looked different than heros. Sure, they had to cooperate to get back to Eden, er, Goya, but the snurk leader still had to bribe the "creator" to get equal treatment.

And why does "666" keep popping up in the background? Did I like it? Not really. I wish I didn't see it with my kids. What a putz (their words, not mine) I am.

I've heard the producers say: "Hey, we don't want to be 'like Pixar' or like anything else ... !"

OK. But in 2004 you have to reach certain technical standards. And the makers of "Gaya" didn't. The kinematics is wooden, the camera movements make you dizzy and the lip-sync is disastrous. I mean -- this is a German CGI movie, so why are the German voices out of sync? Even movies like "Shrek" or "Ice Age" have been dubbed with German voices without visible glitches like that.

Aside from the technique: It's a nice animation film, but the plot is a bit thin and the characters are a bit weak. "Back to Gaya" is OK, but it's not more than that.

The movie does have significant weaknesses, as the other comments point out, but there are a few strengths worthy of note.

I was positively impressed by the global level of detail of scene backgrounds. Where in other CGI movies you get to see, say, a row of buildings with carefully modelled details near the camera, then a lot of empty space behind those, and finally a matte painting of the 'horizon', Back to Gaya shows you whole blocks of buildings, with the next streets showing through the gaps, all in credibly full detail, but without any obvious repetition of similar structures. To me these shots had a sense of realism that I had not seen before in CGI movies.

Along the same vein, when there are open air views, the distant landscape is never a simple background painting, but a detailed model. As far as I can tell, even the clouds in the sky were actual 3D entities instead of the usual flat background painting. This gives the camera a lot more freedom to move large distances and freely look around the scenery. The filmmakers probably overused this freedom somewhat, though, making some scenes hard to follow.

The outstanding level of detail extends to things like vegetation interacting with buildings, like plants growing inbetween and around fenceposts, for example. What I also liked was the general worn and aged look of things, a refreshing change from the polished featureless surfaces that are all too common on CGI movies' background objects.

The character animation in comparison is two classes below that, as the other comments mention. One thing I like about the characters, though, is the courage of the designers to go for the outright bizarre with the 'human' roles. It was interesting to see character design exploring a different direction than the usual either hyperrealistic or more classical comic style.

So, despite its weaknesses, Back to Gaya actually manages to advance the state of the CGI art on a few fronts. I do hope that it will be commercially successful enough that the makers get another chance to apply their talents to a better story.