Un venditore ambizioso farà qualsiasi cosa per quella grande promozione che sta inseguendo, ma inevitabilmente, imparerà che non esiste il crimine perfetto.Un venditore ambizioso farà qualsiasi cosa per quella grande promozione che sta inseguendo, ma inevitabilmente, imparerà che non esiste il crimine perfetto.Un venditore ambizioso farà qualsiasi cosa per quella grande promozione che sta inseguendo, ma inevitabilmente, imparerà che non esiste il crimine perfetto.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 13 candidature totali
- Lourdes
- (as Monica Cervera)
- Comisario Campoy
- (as Enrique Villen)
- Jaime
- (as Javier Gutierrez)
- Matías
- (as Jose Alias)
- Susana
- (as Penelope Velasco)
- Helena
- (as Montserrat Mostaza)
- Taxista
- (as Eduardo Gomez)
- Pepón
- (as Enrique Martinez)
- Desiree
- (as Alicia Andujar)
- Tipo 2
- (as Manuel Tallafe)
Recensioni in evidenza
The plot begins bizarre, and from there it gets ever bizarrer. Set in a department store (the perfect metaphor for the human condition!), this film brilliantly weaves the themes of glamorous/plastic life versus the mundane/real. Trapped between worlds and desperately trying to achieve the former is our hero Rafael, a man whose entire life exists within the ladies' clothing department. Somehow he gets wrapped up in murder, blackmail and ectoplasmic visitations from lovable corpses. Yeah, I told you it gets bizarre.
But despite the zany plot, there's a very poignant & sober message that runs just below the surface. It's subtle, but it comes to fruition during the magnificent climax when we realize exactly what this whole wacky movie is about. If you've paid attention to symbolism, metaphor, allegory and all that intellectual jazz, you'll get it, and you'll see how everything fits into place. If not, fine, you'll enjoy the picture anyway because it's just plain funny. The beauty is that you can take it at your own pace. Great film. Damn near perfect. Er... ferpect.
Rafael has clear goals, too, the most important of which is to lead a "perfect life," and little patience for anybody who settles for less. Such a proud man, of course, is perfectly set up to take a fall and Rafael plunges very far indeed in this hilarious black comedy by Spanish director Alexis de la Iglesia.
Rafael's slide begins when a hated rival, Don Antonio (Luis Varlea), wins a coveted promotion. An argument follows and Don Antonio ends up dead. Rafael's role in the accident goes undetected by the police only because Lourdes (Monica Cevera), an unattractive coworker he has long ignored, helps dispose of the corpse.
Lourdes assistance comes with a price. She has long carried a torch for Rafael and uses the threat of police exposure to get her own "perfect life." She insists Rafael become her lover, meet her parents, and marry her. In short, Rafael is about to be trapped in the kind of dull, mediocre existence he has always mocked.
Watching Rafael try to escape from the world Lourdes plans for him raising children in a badly decorated suburban apartment filled with clown paintings and spending evenings collecting ugly miniatures -- provides lots of laughter and entertainment and plenty of insights into contemporary Spain. In the end, each character gets what they want but as usually happens in life itself there is a clear winner and loser. Highly recommended.
9/10
This is a full-on surreal psychotronic black-comedy that blends thrills , suspense , tension as well as an intriguing script full of dark humor , drama and exciting situations . Packed with scenes of absurd nature, this story is a fantastic farce, as we follow the ridiculous careers of a pair of salesmen whose destination is dictated by a superior promotion, rather than by their own decisions , it is inter-weaved by the appearance a third character , a rogue and selfish girl . The narration is so filled with colorful characters , nutty comedy, crazy violence mixed with comedy or with surreal elements and an underlying sense of tragicomedy, and it is so excessive and plenty of surprises, one can't help but keep watching, much as it is over the top in many an occasion. The film works on various levels and is constantly reconfigured , however contains some embarrassing , contriving moments and also certain excess . Alex De La Iglesia has created a picture here that in all honesty is very difficult to categorise in terms of genre , as there's a little bit of action , quite a lot of comedy, a good deal of suspense and a host of extreme gruesomeness ; but it does not fit into any one genre very well at all, in truth this is one of the things that makes it good . Acting personnel all do excellent work in bizarre roles. But special notice needs to be made for Monica Cordero for also being quite ridiculously role throughout . Strong performance from three protagonists Guillermo Toledo , Monica Cordero and Luis Varela and excellent plethora of secondaries as Fernando Tejero , Javier Gutierrez , Rosario Pardo, Enrique Villen and a gorgeous Kika Miro . Interesting screenplay Alex De La Iglesia and Javier Guerricaechevarria who usually work united . Atmospheric and glimmer cinematography by Jose L Moreno with a good camera work . Suspenseful musical score by Roque Baños , the soundtrack flows great with the film in every way, and creates fantastic atmospheres in every moment. The motion picture is well directed by De La Iglesia . He's a cool director has got much success as ¨Accion Mutante¨ ,¨Dying of laughter¨ or ¨Muertos De Risa¨ , ¨Baby's room¨ , ¨Oxford murders¨ and ¨Balada Triste De Una Trompeta¨ and winner of several Goyas (Spanish Oscars), however his movies have not yet reached box office in USA, but he has strong followers . Nonsense, ridicule , laughters , absurdity , disturbing scenes .. and many other issues ; you can find everything in this flick . The movie is a lot of fun, especially for those who enjoy surrealist humor . This is without a doubt a thrilling and enjoyable movie to be enjoyed for dark humor buffs and Alex De Iglesia fans.
Lo sapevi?
- QuizSeveral of the clowns and journalists in the last scene are really fans of Álex de la Iglesia. They were invited by the director himself for supporting him through his official website.
- Blooper(at around 1h 21 mins) The inspector pulls Don Antonio's bridgework out of the hot furnace on a shovel, picks it off the shovel with tweezers, and drops it into a plastic bag. It should have melted the bag.
- Citazioni
[when trying to pay for the movie "Perfect Crime," the code says "Ferpect Crime"]
Rafael: It's "Perfect", with a P... and there it reads..."Ferpect", with an F.
Clerk: Yes, but the price is right, isn't it?
Rafael: It's "Perfect", but it reads "Ferpect." Why?
Clerk: It must be a typo.
Rafael: Fuck. "Ferpect Crime."
- Curiosità sui creditiInitial credits are written on different papers which are sometimes on the wrong order and then rearrange (Fernando Tejero initially appears as Fernando Rojete; see Dick Van Dyke credit in 'Mary Poppins'). The title initially appears as Crimen Perfecto, and then rearranges to Crimen Ferpecto.
- ConnessioniFeatured in Cómo se hizo: Crimen ferpecto (2004)
- Colonne sonoreMoliendo café
Written by Jose Manzo
also attributed to Hugo Blanco (uncredited)
© Morro Music Corp.
Licensed by Peermusic Española, S.A.
Performed by Fanfare Ciocarlia
(P) 2001 Piranha Musik Berlin and Alpha Tango
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Crimen perfecto
- Luoghi delle riprese
- Fnac Callao - Calle Preciados, 28, 28013 Madrid, Madrid, Spagna(exteriors: Yeyo's, interiors: Yeyo's VHS movies section)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.750.000 € (previsto)
- Lordo Stati Uniti e Canada
- 418.843 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9588 USD
- 21 ago 2005
- Lordo in tutto il mondo
- 9.042.432 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1