Crimen perfecto - Finché morte non li separi

Now, this movie is not going to mark the history of dark comedy cinema, but believe me it's waaay better than a whole lot of stuff that has been strewn around by USA, French and Italian makers lately. The pacing is fast, well kept though with a few ludicrously foreseeable passages; the cast is really good in painting the characters, almost all of them well performed and denoted, in landscaping the interpersonal relations and the working environment, in adding the zest of surreality which makes the good of the movie but -at the same time- avoiding the downfall into clownesque. Indeed, there is a clear directorial decision to remove this movie from the "credibility" section, to the surreal/grand-guignol/grotesque side, but the operation is successful, if you do not mind...and if you know where the "FerPecto" inversion comes from, then you'll enjoy it. The very end is indeed below the expectations that the plot built, but you won't guess it in advance.

I Just can't get enough of this. I watched this movie alone the first time, then I showed it to my flat mates. Now I'm looking forward to the next time friends visit me so I can watch this movie again with them.

The thing I liked most about this movie was the extremely smooth way of telling the story. As the movie started, I almost immediately got sucked into the story by the hypnotic, yet very funny way of displaying the plot. Not only the script or the acting, but also camera, light, sound and editing - all aspects of the movie presentation where thoughtfully placed and dozed to make up the right mix for a really well made movie.

The way of telling the story is almost a story for itself. The sequence of the scenes performs twists of its own, the way they are filmed and edited adds a whole new level, a sub plot so to speak. The scene presentation, the "image", plays an important role and I'd say it's the most grave factor that makes this movie unique.

The pace of the movie (regarding the story telling style, not the plot itself) slows down towards the end to leaves space for more roughness and suspense.

I really hope to see much more of Alex del la Iglesia in the future because what I got to see yet is always getting even better.

8 out of 10.

And obviously try not to copy... What about this movie? I loved it! De La Iglesia hit perfectly the target using very well Spanish actors playing style. Spanish language, if well managed, allows movie to get a fast sequence of dialogs and scenes, that fits well black comedy style. I usually like all Spanish movies, that always bring all enthusiastic feelings of the recent country welfare. Spanish society deeply enjoy democratic and rich lifestyle, and Spanish movies communicate its happiness to the world. Raphael character reflects "Spanish dream", i.e. reaching success (such as "american dream") and also deeply enjoy life! Lourdes is a "clichè" of modern Spanish movies: the ugly, determined and sexual woman, who desires to be loved and struggle to obtain it. This movie is another strong lesson to the worldwide filmmakers: you don't need enormous budget to have a great movie: simply pick a good screenplay, good actors and manage all in the right way. Then you have to add some spices: foolish characters (Lourdes family) and grotesque elements (inspector squinting, the accident in Luna Park). Then put all together in the good environment (the shop: a little world that represent all characters life) and you have a magic movie!

I saw this film at the 2004 Toronto International Film Festival. I knew I was going to enjoy this film from the moment a large rumpled man in a Misfits t-shirt lumbered onto the stage to introduce himself. "Hola, amigos. The person who is supposed to introduce me is not here. I am here but she is not here. She is in the bathroom." Director Álex de la Iglesia had us laughing even before the first frame of his film. While admitting that Ferpect Crime was just about the worst title for a film ever, he told us that this film was about a man who was so obsessed with living a perfect life that it was bound to cause problems. It's no surprise to learn that the director has a degree in philosophy.

Rafael works as a salesman in the ladies' wear section of an upscale department store. He's very popular at work, especially with the ladies, and he's very very good at his job. So good, in fact, that he considers himself a lock for the position of floor manager. But after losing the promotion to his hated rival Don Antonio, things take a turn for the worse and pretty soon Rafael has a dead body on his hands. His only help comes from the one woman he hasn't already bedded, the unattractive Lourdes. Before long, Lourdes has Rafael wrapped around her finger and his life is far from the model of perfection he has always pursued. As the plot thickens, the comedy becomes much darker and the film almost turns into a thriller. There is also a strong element of satire, making this much more substantial than the laughs would indicate. The conclusion ("lesson" seems too strong a word here) is that it's only after we give up our unrealistic expectations of living a perfect life that we can really begin to live at all. But if that's too heavy for you, then go just to see the scene where Rafael goes to meet Lourdes' parents. This film makes me want to see every other film by this warm and wickedly funny director.

(9/10)

Outrageous movie with odd characters , surreal imagery and twisted plot . Rafael is the best salesman in the biggest mall of Madrid called Yeyo's , a Corte Ingles-alike . He is an attractive man; all his colleagues fell in love for him . He attempts to live high-standard existence . He is definitively mean and aspires to be the new head of sales at his department store . As the ambitious playboy named Rafael ( Guillermo Toledo) and his contender (Luis Varela) are two salesmen who reach the heights of success with their jobs , but a chief-vacancy turning them into deadly enemies . However , the hate between them grows as fast, and as much, as their strong facing off and there takes place a murder . Lourdes (Monica Cordero) , the ugliest woman in the floor , unexpectedly helps Rafael to hide the corpse , but her help isn't for free . It all ends with a breathtaking and operatic duel in a downward spiral of madness . Alex De la Iglesia is an excellent Spanish director . He had much success as "Accion Mutante" , " El Dia De la Bestia" , "Perlita Durango" and ¨La Comunidad¨ , among others . De la Iglesia is back with a tragical comedy about an ambitious man pursued and blackmailed by a bad woman . Here deals with a homage to dark humor and a typical Spanish story in which there are comedy, tongue-in-cheek , humor, killings, action, drama and is pretty entertaining . It's an exaggerated drama/comedy giving the perfect tone through the entire film , you can either follow it or just wander about the ridiculousness of every single minute . Some may regard this kind of dramatic comedy dull or dumb , but the truth is its the most simple , minimalistic, rawest, and pretentious comedy you will ever watch .

This is a full-on surreal psychotronic black-comedy that blends thrills , suspense , tension as well as an intriguing script full of dark humor , drama and exciting situations . Packed with scenes of absurd nature, this story is a fantastic farce, as we follow the ridiculous careers of a pair of salesmen whose destination is dictated by a superior promotion, rather than by their own decisions , it is inter-weaved by the appearance a third character , a rogue and selfish girl . The narration is so filled with colorful characters , nutty comedy, crazy violence mixed with comedy or with surreal elements and an underlying sense of tragicomedy, and it is so excessive and plenty of surprises, one can't help but keep watching, much as it is over the top in many an occasion. The film works on various levels and is constantly reconfigured , however contains some embarrassing , contriving moments and also certain excess . Alex De La Iglesia has created a picture here that in all honesty is very difficult to categorise in terms of genre , as there's a little bit of action , quite a lot of comedy, a good deal of suspense and a host of extreme gruesomeness ; but it does not fit into any one genre very well at all, in truth this is one of the things that makes it good . Acting personnel all do excellent work in bizarre roles. But special notice needs to be made for Monica Cordero for also being quite ridiculously role throughout . Strong performance from three protagonists Guillermo Toledo , Monica Cordero and Luis Varela and excellent plethora of secondaries as Fernando Tejero , Javier Gutierrez , Rosario Pardo, Enrique Villen and a gorgeous Kika Miro . Interesting screenplay Alex De La Iglesia and Javier Guerricaechevarria who usually work united . Atmospheric and glimmer cinematography by Jose L Moreno with a good camera work . Suspenseful musical score by Roque Baños , the soundtrack flows great with the film in every way, and creates fantastic atmospheres in every moment. The motion picture is well directed by De La Iglesia . He's a cool director has got much success as ¨Accion Mutante¨ ,¨Dying of laughter¨ or ¨Muertos De Risa¨ , ¨Baby's room¨ , ¨Oxford murders¨ and ¨Balada Triste De Una Trompeta¨ and winner of several Goyas (Spanish Oscars), however his movies have not yet reached box office in USA, but he has strong followers . Nonsense, ridicule , laughters , absurdity , disturbing scenes .. and many other issues ; you can find everything in this flick . The movie is a lot of fun, especially for those who enjoy surrealist humor . This is without a doubt a thrilling and enjoyable movie to be enjoyed for dark humor buffs and Alex De Iglesia fans.