VALUTAZIONE IMDb
7,3/10
9665
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaMichael, Arjun and Lallan, three men from three different strata of society, cross paths one morning in Calcutta and change one another's lives forever.Michael, Arjun and Lallan, three men from three different strata of society, cross paths one morning in Calcutta and change one another's lives forever.Michael, Arjun and Lallan, three men from three different strata of society, cross paths one morning in Calcutta and change one another's lives forever.
- Premi
- 17 vittorie e 20 candidature totali
Recensioni in evidenza
The main reasons to watch this film are Mani Ratnam, A.R.Rahman, and Abishek Bachan.
There is not much of a story but the screenplay is awesome. The way Mani shows the three men from different walks of life meet on a bridge three times and their flashbacks is refreshingly new.
I think it should have been publicized well before they released this film. It deserved a hit.
I have also seen the Telugu version, in which Madhavan's performance is outstanding.
All in all, a new cinematic experience.
There is not much of a story but the screenplay is awesome. The way Mani shows the three men from different walks of life meet on a bridge three times and their flashbacks is refreshingly new.
I think it should have been publicized well before they released this film. It deserved a hit.
I have also seen the Telugu version, in which Madhavan's performance is outstanding.
All in all, a new cinematic experience.
Anurag Kashyap did a awesome job. Dialogue were tremendous. I would say Abhishek bachchan's best acting. Ajay is awesome in high performance. All female actress we're good.
Sonu sood did a good job.
Sonu sood did a good job.
If you like Hindi movies, dont miss YUVA, the latest and best by Mani Ratnam (maker of Roja, Bombay and Dil Se). Yuva is better than all the last three. Although it has all the usual elements dance/song/action etc, direction is superb and the theme of youth revolting against corruption and contributing to society keeps it going. Ajay Devgan is a student leader who stands against threatening politician Om Puri. Vivek Oberoy is a happy go lucky Romeo and is transformed into a rebellion when he meets Ajay Devgan. Abhishek Bachchan is a gangster tapori being exploited by Om Puri. All have excelled in their acting.
Entire movie is made in Calcutta, this is the best depiction of this city. One is left amazed by the beautiful locales of Calcutta, hitherto unknown to outsiders.
This is how the powerful media of cinema can be used to portray optimism of the youth energy. Unfortunately, most of the bollywood is not doing such work.
Entire movie is made in Calcutta, this is the best depiction of this city. One is left amazed by the beautiful locales of Calcutta, hitherto unknown to outsiders.
This is how the powerful media of cinema can be used to portray optimism of the youth energy. Unfortunately, most of the bollywood is not doing such work.
10gunsnsuj
What else would you call a movie that has a little bit for everyone -- Yuva is an entertainer first -- of course it has a lot of firsts as well..the structure, for example, is something that is unique...all the 3 story lines start on Howrah bridge and how the director comes back to the Howrah bridge accident to take of to one of the 3 stories is poetic.. Songs add lustre to this painting and is very inherent to the flow. Anurag's dialogues are a huge plus -- I loved Om Puri's Bengali dialogues --"paranthu lekin" As far as the cast goes -- Ajay did really well as did Abhishek -- Among the ladies, I loved Esha. The Tamil version was not as engrossing as the Hindi version was, and I think that was primarily because of the cast. Mani is Mani...awesome movie.
To be honest, I was a bit let down when I read the reviews on the net from all the possible sites on net. I am great admirer of Mani Rathnam and his style, which is unique by itself - a great master in story-telling. With great reluctance I mustered up my courage to watch the movie - at least for Mani Rathnam's sake (and A R Rahman's songs). All the negative reviews in a way did a good thing - it lowered my expectations. And I did like the movie.
For reason unknown, looks like all the movie critics have joined hands and decided to have a go at Yuva. A lot has been criticised about the movie and to such an extent that Mani had to call for a press conference to ward off the negative publicity the movie was attracting owing to the film critics. From the promos and the songs, the audience were not expecting a movie on politics. Guess that added fuel to the fire.
The story is good - conveys a social message to the youth and its place in the society. Story telling format is quite intelligent - I mean in three independent chapters you will see bits and pieces of other chapters and you say "oh.... it makes sense and explains that bit from earlier chapter".
Abhishek-Rani track steal the show. Great performance from the two.
Vivek-Kareena track is sweet. Okay its not Karan Johar, Sooraj Barjatya or Ghai or Rai types but sensible. We need more of these. Vivek-Anant Nag relationship is portrayed well. Ajay-Eesha track is okay. Eesha should join acting classes.
Om Puri - first class. Vijay Raaz - should have been given more scope.
Its the fault of Indian audience as well who haven't matured yet and seek the same thrash every time. It strongly denotes that every Bollywood film should adhere to the formula or else face the wrath. I mean - seriously how many people have watched 3-Deewarien and Maqbool. I am tired of the positive and 5-star reviews given to movies of Johar's, Barjatya's, Chopra's, Ghai's and Dhawan's for their same old formula stuff.
Believe me folks, as other reviews state here, I reiterate - forget the critics reviews, watch the movie with a open mind and you will not be disappointed.
For reason unknown, looks like all the movie critics have joined hands and decided to have a go at Yuva. A lot has been criticised about the movie and to such an extent that Mani had to call for a press conference to ward off the negative publicity the movie was attracting owing to the film critics. From the promos and the songs, the audience were not expecting a movie on politics. Guess that added fuel to the fire.
The story is good - conveys a social message to the youth and its place in the society. Story telling format is quite intelligent - I mean in three independent chapters you will see bits and pieces of other chapters and you say "oh.... it makes sense and explains that bit from earlier chapter".
Abhishek-Rani track steal the show. Great performance from the two.
Vivek-Kareena track is sweet. Okay its not Karan Johar, Sooraj Barjatya or Ghai or Rai types but sensible. We need more of these. Vivek-Anant Nag relationship is portrayed well. Ajay-Eesha track is okay. Eesha should join acting classes.
Om Puri - first class. Vijay Raaz - should have been given more scope.
Its the fault of Indian audience as well who haven't matured yet and seek the same thrash every time. It strongly denotes that every Bollywood film should adhere to the formula or else face the wrath. I mean - seriously how many people have watched 3-Deewarien and Maqbool. I am tired of the positive and 5-star reviews given to movies of Johar's, Barjatya's, Chopra's, Ghai's and Dhawan's for their same old formula stuff.
Believe me folks, as other reviews state here, I reiterate - forget the critics reviews, watch the movie with a open mind and you will not be disappointed.
Lo sapevi?
- QuizAnurag Kashyap stated "He is a man of very few words. Mani Sir doesn't gossip. That's the best thing about him. There is no frivolous talk. There is always work. He is always the first one to reach the office. The man wakes up at 5 am, reads the paper, and goes for a one-hour walk and still has that passion for cinema after so many films. He lives and breathes films...Work with Mani Ratnam again? Anytime. I will go down on bended knee [to do so]. I have all of Mani Sir's films on DVD.I have seen Yuva. I have not seen the Tamil version yet. I want to...Yuva has shaped up brilliantly. Technically, they [Mani Ratnam and cinematographer Ravi K Chandran] have done things that give the film a whole new style. He has shot the three different characters in different hues, tones and styles. I want to wait and watch the reaction to Yuva. In form, structure and attempt, it is so far removed from other films. It speaks to the youngsters. It also shows the youngsters to the elders as they are. Mani Sir constantly attempts to go into an area [subject] where no one has gone before. My expectations are very high. I want to be there in the theatre and see how people react to the film and write about it."
- BlooperDuring the song "Badal Jo Aaye", Ajay Devgan's bike changes from a Yamaha Libero to Hero Honda Passion and back to Libero again.
- ConnessioniAlternate-language version of Aayitha Ezhuthu (2004)
- Colonne sonoreDhakka Laga Bukka
Written by Mehboob
Composed by A.R. Rahman
Performed by A.R. Rahman, Karthik and Mehboob
Courtesy of Venus Records and Tapes Ltd.
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Dettagli
Botteghino
- Budget
- 100.000.000 INR (previsto)
- Lordo Stati Uniti e Canada
- 331.166 USD
- Fine settimana di apertura Stati Uniti e Canada
- 210.000 USD
- 23 mag 2004
- Lordo in tutto il mondo
- 567.746 USD
- Tempo di esecuzione
- 2h 41min(161 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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