Bumer

I grew up in a different time and films were different too,more of traditional CCCR staff with occasional masterpiece by Tarkovskij)This film I've watched already living in Canada and it have resonated deeply in me,as I was still in Russia in the crazy 90-s...and i've seen in real life,what most people see only in movies)That's why Bumer is so amazing:it shows life exactly how it was there and then...Actors doesn't feel like actors,more like some of my then dead now friends...so many emotions...so long ago...so sad...

The Bummer (also known as Bimmer), is an early 2000s Russian take on the venerable "Reservoir Dogs" movie genre of the early 90s. However, the Bummer is very distinct and very original. I'd say that there is a lot more soul in this movie than in Tarantino's gangster flick. In fact, this movie probably had matched, if not surpassed, the Dogs in several respects and it had probably set a new benchmark for those who are aware of the existence of the modern Russian cinema. Both movies depicted stylized violence simply for the sake of violence. However, in the Russian case, it's not all made up. It's their everyday life. The acting of the Bummer gang was terrific. This movie depicts very realistically Russia's Putin-era criminal nihilism, which is less glorious than in the Yeltsin era but still very interesting for an outside eye, the corrupt cops, and the decaying provincial infrastructure. Unfortunately, I doubt that the English language subtitles can do justice to the slang terms used in this movie (I watched the Russian language version without subtitles).

Among the host of modern time Russian-made "gangster" movies (think Brat/Brother, Brigada, Antikiller, Zhmurki, etc.) this is by far the most realistic one.

Brigada was very much a fiction movie, and so were both parts of Brother. Antikiller was middle of the road, and Zhmurki was just a parody on them all.

One of the previous reviewers wrote that Bumer shows the life in today's Russia. This is not true. Bumer shows life as it was in the early to mid- 1990's (and that was, in fact, the film makers' stated intent).

The "bratki" (gangsters), the "razborki" (inter-gang negotiations), the language, the extortions, the crooked cops, the truck drivers, the roads, the godforsaken village, the robbery - all are very realistic.

The only downside of the film, to my taste, was a bit too many moralizing scenes. But I still rate it as 10 out of 10.

The first and maybe best film from Buslov caught a zeitgeist, became a mega-hit and birthed one of the most popular ringtones in Russia.

This is a classic fatalistic gangster movie about small-time Russian criminals from the nineties who accidentally kill an undercover cop and go into hiding on a stolen black BMW.

This film caught the dusk of the nineties, of the gangster anarchy.

The film's protagonists live by the rules of the nineties, but the rules, the world around them begin to change (part of the change is police and intelligence becoming the dominant "gangs"). The heroes are dinosaurs of the era that is ending but they are not conscious of it.

The whole film can be viewed as a story of new world and new rules marginalizing and destroying the protagonists.

The first half of the film is stronger then the second in my opinion, but all in all this film was made exceptional by unusually natural performances and authentic dialogue compared to other Russian crime movies.

This film is part of the new generation of Eastern European gangster films. In the vein of "Pusher", and "Brother", the director leads you through the gritty and chaotic world of the Russian mafia. The characters are original and memorable, and the cast does an excellent job.

The story revolves around four close-knit gang members and their stolen Beemer (the title of the film is the Russian-language equivalent of the word "Beemer", or BMW). The four have to leave Moscow for a while and lay low, and so ride the beemer out of town. These black-leather wearing slick New Russian boys contrast heavily with the provincial Russians whom they encounter along the way. The polarization of Russian society is clearly visible, and the film I think makes this one of its central themes.

Overall, I rate this film highly.