Aggiungi una trama nella tua linguaAndie MacDowell portrays a woman who is tormented by the ghost of her abusive, alcoholic husband. She must come to terms with the past if she is to find peace and love. Samuel le Bihan is a ... Leggi tuttoAndie MacDowell portrays a woman who is tormented by the ghost of her abusive, alcoholic husband. She must come to terms with the past if she is to find peace and love. Samuel le Bihan is a French engineer who she finds renewed love with and Tim Roth plays her deceased husband wh... Leggi tuttoAndie MacDowell portrays a woman who is tormented by the ghost of her abusive, alcoholic husband. She must come to terms with the past if she is to find peace and love. Samuel le Bihan is a French engineer who she finds renewed love with and Tim Roth plays her deceased husband who shows us that hate can live on after death. Perhaps forgiveness is the only way to overc... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Joni Reisenbacher
- (as Deborah Smith)
- Lab Assistant
- (as Paul Brian Imperial)
Recensioni in evidenza
GREAT actors--GREAT concept--GREAT locations. Not-so-great execution, dialogue, special effects. And just plain BAD dubbing of an extraordinary French actor. HINT to the sound department--in the future, remember this: if he's French, and he's SUPPOSED to be French, it's OKAY if he has a French accent!
The story is not original because a love story beyond grave has already been told in "Ghost" or "Always". But, here, the entire movie relies on the performance of Andie and she's excellent as always. It's not a common thing to have an actress of her age being the focus of an entire movie thus her fans (like me) should be happy.
In addition, it's has been a great pleasure to see again the wonderful "Lois" (Margot Kidder) past her middle life too. She is always so dynamic, mindful and her voice will be forever unique.
However, the script would have been better written because Andie is unfortunately very passive: She witnesses very strange things but never show reaction except fear and anguish and keeps all for herself. This isn't very believable.
At last, the movie is called the "Last Sign" and if I have seen signs, I wonder which is the last because none struck me very much.
When the movie tries to be "scary", it uses all the hackneyed tricks which even the worst directing drudges would not dare :"I've just talked to your son/-But my son is dead " here's the "terrifying "dialog; The "old" colleague (Margot Kidder!) initiating McDowell to spiritualism is also ridiculous.
The last scene takes the biscuit,with its "moving" last sign ,naturally filmed in slow motion.
If you want to see a movie which tackles almost the same subject and brilliantly succeeds ,take FRançois Ozon's "Sous le Sable" starring Charlotte Rampling.(International title:"Under the Sand" )
Undeniably there are much better flicks out there, but this one wasn't all bad. There are a few kinda creepy/mysterious scenes and some interesting camera shots and angles. And, yes, Samuel Le Bihan provided some enjoyable eye candy to offset the creepy-as-usual Tim Roth. By the way, has Roth ever played a sympathetic character? If you like the current hit TV series "Medium" starring Patricia Arquette, you will most likely enjoy this movie. It sort of reminded me of some story lines on that show.
In general, I believe film audiences are jaded in the 21st Century. We are desensitized by the plethora of special effects and blast-'em-up extravaganzas with high body counts. It seems that fewer people want to invest the time in a lower-key film, such as this one, in which seemingly random details come together in at least a somewhat cohesive whole at the end. That's not to say the film wrapped up all loose ends, because it didn't. That is one reason I didn't give it more stars. Another reason is the uneven acting. In other words, some of the cast provided more convincing portrayals than others. And, Margot Kidder is as goofy as ever. I hadn't seen her in anything in a number of years.
For my time and money, I would take this film any day over "The Blair Witch Project", which, to me, is the worst movie ever.
In summary, the script and plot are just plain pathetic. I would advise to give this film a miss.
Technical error: during the film, the car can not start, and you find out later it was due to a flat battery. However, the car's engine was turning over, just not firing, which if the director knew anything, is not a sign of a faulty battery.
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Dettagli
Botteghino
- Budget
- 18.800.000 CA$ (previsto)
- Lordo in tutto il mondo
- 789.713 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 1.85 : 1