El 7º día

Thirty years of hatred among two families facing each other and terminating into a burst of violence . It took place one bloody Sunday . "The 7th Day" is based on real events but the roles are fictitious as there happened ¨The Puerto Hurraco massacre¨, it was a mass murder that occurred in Puerto Hurraco, a village in Benquerencia de la Serena municipality in the Province of Badajoz, Spain on August 26, 1990, when brothers Antonio and Emilio Izquierdo fired at people in the streets with two shotguns, killing nine and wounding at least six others. The perpetrators used two 12-gauge shotguns to cause the slaughter . The two then fled, but were arrested a couple of hours later and eventually sentenced each to 684 years in prison.

This interesting film deals with a tragedy of human emotions pushed over the edge . This hard picture is well set in Spain of the late 8os , as some unfortunate events and disputes lead toward more frequent and angrier facing off , when two men set out a planned vendetta that terminates a final slaughter . Its style is pretty much sour , dry and realistic as well in the atmosphere as in the fresh dialog . ¨El Septimo Dia¨ or "The Seventh Day" shows the miseries of some amoral characters and their bloody vengeance . This film describes the rural life , including dances , character studio of local people and an enjoyable love story among a young couple . The film holds some similarity to Saura's former films such as ¨The chase¨ or ¨La caza¨ and ¨Dispara¨ or ¨Outrage , in which revenger people pick up their rifles and execute a criminal spree . Well played by known and prestigious actors such as Juan Diego , Victoria Abril , Jose Luis Gomez and Jose Garcia . And a fine plethora of notorious secondaries such as Ana Wagener , Carlos Kaniowsky , Elia Galera , Carlos Hipolito , Mariano Peña , Marivi Bilbao , brief acting by Antonio De la Torre as Cabo Guardia Civil and Eulalia Ramon , Carlos Saura's wife . And introducing three little girls such as Yohana Cobo as Isabel , Irene Escolar as Antonia and Alejandra Lozano as Encarnación . Good production design by Rafael Palmero and correctly reflecting the atmosphere by that time . Splendid photography with juicy atmosphere by Francois Lartigue . Being appropriately filmed on location , showing one colorful filming from Otero de Herreros, Segovia, Castilla y León, Spain . Atmospheric musical score by Roque Baños who composes a soundtrack plenty of Andalucian and Flamenco songs . Baños is a successful composer such as ¨Fragiles¨ , ¨The Machinist¨ , ¨Sexy beast¨ , ¨800 bullets¨ and composing Hollywood pictures such as ¨Old Boy¨ .

The motion picture perfectly produced by magnificent producer Andres Vicente Gomez was rightly directed by Carlos Saura , a good Spanish movies director . He began working in cinema in 1959 when he filmed ¨Los Golfos ¨(1962) dealing with juvenile delinquency from a sociological point of view . And of course ¨La Caza¨ or ¨The Chase¨ (1966) his most successful film , this picture deservedly won Silver Bear in the Berlin Festival . Saura is a well recognized filmmaker both nationally and internationally, and in proof of it he won many prizes among which there are the following ones : Silver Bear in Festival of Berlin for Peppermint Frappé (1967), Special Jury Awards in Cannes for La Prima Angélica (1974), and for Cría Cuervos in 1975. All of them shot at the height of his creativity, in a period cultural difficult, where the enormous censorship of the political regime exacerbated the ingenuity and imagination of the scriptwriters . Also, the film Mamá Cumple Cien Años (1979) got an Oscar nomination in 1979 as the best foreign film , and it also won the Special Jury Award at the San Sebastian Festival . He subsequently made ¨Deprisa , Deprisa¨ based on facts about juvenile delinquency in Spain since the 80s , as he tried to take a position in favour of outcast people and he got to make a both lyric and documentary-style cinema . In 1990, he won two Goyas , the Spanish Oscar , as best adapted screenplay writer and best director . Saura became an expert on Iberian musical adaptations as ¨Carmen¨ , ¨Amor Brujo¨ , ¨Bodas De Sangre¨ , ¨Sevillanas¨ ,¨Iberia¨ , ¨Salome¨, ¨Fado¨, ¨Flamenco¨ and even recently Opera as ¨Io , Don Giovanni¨

I love "La caza" (1965), and "Deprisa deprisa" (1980), both winners of the Berlin Silver Bear. I also did like, in a lesser degree, "Los golfos" (1959) and "Ana y los lobos" (1972). But this?... If it had been directed by someone else, fine. But Saura?... I still remember the real events back in 1990 which were the basis for this film. I was 17 at the time, and it made front pages for days: la Espana profunda (deep old Spain) with its feud crimes and revenges, hot blood genes, anger, jealousy, a hot climate to help things boil up... you name it. It's the Latin character all right. In the deep Extremadura countryside two brothers armed with shotguns one day walked into the village and began firing shots at random, sparing absolutely no one. Men, women, children... they all fell dead under the barrage. That night the whole of Spain was in total shock: what was the cause for this senseless slaughter? What was the motive?... Only the two killers had the answer. I watched this recreation of the events last night for the first time. It looks like a film that could have just been made by anyone: documentary style with modern trendy camera pans, too many close-ups, a sepia-like visual texture... just MTV video-like. Absolutely awful. And to be honest, the good characters are so irritating, such pain-in-the-arse morons that I feel more sympathy for the killers instead. Those three young girls are so ****** ANNOYING!! The two killers almost have an excuse to want to wipe them out of the map, really.

Yes, I praise this film highly. Is it a masterpiece? Nope. The acting (minus the death scenes) were top notch, the cinematography of the wide southern Spain frontier was to die for, and Spanish guitar music score was top of the line. I thought the pacing was a tad too sluggish in a few areas, but then, that's probably what the director wanted us to feel - life moves slowly in remote farming villages. Worth watching if you have nothing else on tap.

Carlos Saura has been one of our finest directors for almost five decades, and, after a bunch of irregular films in the nineties, returns in top form with "El séptimo día". Based on the tragic true events happening in 1992 in Spain, the film captures the essence of the maddening atmosphere that gave way to the slaughter of Puerto Hurraco.

In Spain there is little tradition of portraying real-life events in film. Writers Loriga and Saura were actually heavily criticized by some, as if their film would bring back the painful memories that most people had chosen to forget. However, their film portrays the slaughter and the events that led to it with gusto and with no sign of sensationalism.

In fact, a great part of the film is devoted to depict the summer romance of a young girl (Yohana Cobo, what a discovery) and a lifeguard (Oriol Vila, another breakthrough). Thus, the murderers (outstanding Juan Diego, José Luis Gómez, Victoria Abril and Ana Wagener) are relegated to a secondary subplot for almost half of the film.

Saura managed to assemble one of the greatest casts of the last few years. Apart from the aforementioned, José García, Eulalia Ramón, Carlos Hipólito and, in bit parts, Elia Galera, Juan Sanz and Carlos Kaniowski are worth mentioning for their excellent work in "El séptimo día".

The best: the cast and the good taste in filming a real-life tragedy. The worst: that some people criticized it before they had even seen it. They should not forget that we are bound to repeat our history if we choose to forget it.

Carlos Saura brings back to life one of the darkest chapters of Spanish recent history. Jelousy, envy, fights for lands, and a bloody ending. "Underground" Spanish writer Ray Loriga surprises us all making a nice and sober script in which he tells us about what happened in the village of Puerto Urraco one summer of the early 90's. As usual, Saura has chosen a great cast. Maybe Juan Diego and José Luis Gfómez are not the youngest or the more handsome actors in the world, maybe they're not even the most popular, but they are just brilliant. Victoria Abril is in state of grace, and the way she built her character is just amazing. The Seventh day, the Sunday, hatred blew nine lives away, and Saura shows it as it was.