Carlston za Ognjenku

"Charleston for Ognjenka" is an attractive, dynamic, feminine, adventure and comedy for intelligent audience, one of the movies from the select group without first neighbors, a work to remember.

There is a song that says: "One step changes whole world". That's the sort of precision punches, bruises, subtle words, or awesome music that hits the viewer with perfect timing at perfect places, as if to receive a cure and treatment for the formal description or even definition of what this movie is supposed to be.

Charleston is not a morbid movie despite all the epic graveyards and characters "made of magic" due to careful details impact and art really. The topic of the movie is an attempted cultural change and its critique. Strong in body language, movie is a transformation journey of maturity and sensuality. At times the frames are haunted by ghosts that liberate the dark humor into character acceptance and pro life propaganda.

Tending to occupy most of attention and physical experience in theater, we may add it to the heritage of artworks that penetrate directly into perceptual actuality.

Guide it through fluent, flying camera in surreal vision for best results. Cinematography beyond error earns the right to free expression, and a solid blow to emotions at times.

One of the worst peaces of cinematic drab I have seen in a long while.. I'm glad I didn't watch this little ditty in a cinema, because then I would be forced to walk out (which I hate doing).. What I hate the most about this movie is it's awkward pace - It's a mess, a collage of fast paced scenes mixed with slow motion shots. The dialogue is not even close to believable. The CGI, is OK, that's the only thing in the movie I don't hate, but it's far from a redeeming factor - I feel like this heap of a movie was created for the sole purpose that some guys can hone their special effect skills. It's full of shallow symbolism, overinflated to the absurd... The script is bad, the acting is worse, but the direction is a bottomless void of fail. I must note that this movie was so bad that I just had to register here, and vent my anger/disgust/whatever.

This movie is.... a tad strange... It's fast, unclear here and there. Some of it's scenes are done in a manner thought to be appealing to a foreign audience, the domestic one isn't all that great, and this is understandable. The acting is good, the dialogues are lively even when they become rough. The acting is, actually the strongest part of this movie, even the extras seem convincing and natural. The story has a nice current, flow, but can be fast at times. The main characters go through certain story progressions expediently, and some scenes are abruptly speedy. It has an interesting idea, a good cast, a life to it... but the look of it was a little too modern, trying a little to hard to reach a broader audience, remember that movie inside a movie in 'Simone' with Pacino, it felt a bit like that. It's definitely different from the other domestic productions. I don't even know what to think of it, it left me a bit fuzzy and confused, but i do recommend it, if for nothing else, then because of the strong, mostly female, cast.

One Big Dose of a Great Plot, Music, Camera & Set Design, Few metaphorical Messages, One amateur Screenplay and lot of bad Acting! That is how one of the newest Serbian ''to-cinema-returning'' and ''pretended-to-mesmerize-long-ago-sleepy-public'' movies could be described in short. New wave of global Hollywoodization clearly affected new Serbian Cinematography, with this, more, or less effects-fabricated fantasy and drama work serving as a perfect example of already proved worldwide magic recipe. And what about promoted originality and authenticity (of the Serbian Cinematography, Mentality, Culture...) No, not in this one. So turbulent political and economy Transition of the Serbian Society came to the Serbian Cinema too.

However, some of the important elements, previously mentioned, especially - original Plot, Music, Set Design and Camera are very good news in new Serbian (and former great? Yugoslav) cinematography, somehow always ''full of talents'' and always with lack on visual and acoustic elements. And money, of course! Example of ''Carlston za Ognjenku'' and significant involvement of affirmed foreign film companies in its shooting and production certainly brings a lot of optimism for the future.

However #2, with no doubt, this is yet another one debut work, from one more ''Child of the Serbian Movie''. Yes, the young director is someone's ''already-in-the-bussines'' son. And yes, his baby-movie has been therefore pretty much supported ''at all costs'', if not even forced from some top levels. But this is not my biggest concern. There are so much time in the future for young Stojanovic to prove himself and his work.

The reason of my deeply worry is certainly our new generation of the so-called prosperous young actor-stars. Those who need and should inherit and continue decades of proved good acting in our cinematography... Those who became stars too early. Even before they became actors! I'm worried. Are you?

Best movie I've ever watched in my life.In the same time sad and funny.