La tela del ragno

An interesting joint venture between BBC, Fox and TNT. The problems of international cooperation between security agencies loom large in the mini-series (shown in three parts by the BBC). But they also seem to have affected the production itself. The first two parts were exciting, despite having to keep tabs on fast-moving events across the globe and track a number of one-dimensional characters.

The final section tried to give some more flesh to these characters - and that's when the problems started. The two 'leads' (at least their names came up before the title) were pathetic, with wooden acting, embarrassing dialogue and trashy sentimentality. Who are Dylan McDermott and Juliana Marguelis and how did they get the leads? They are handicapped even further with silly names - Marin and Max Canary, though not as silly as Tom Skerritt's "Acton Sandman"!

The 'minor' actors, notably Bernard Hill - superb as a grizzled security chief showing Skerritt what real acting is all about - along with Piter Fattouche, who triumphs over the disadvantage of being cast as the "good Moslem" and Jemma Redgrave, who was absolutely brilliant as a troubled British security agent. But the final part had too much of the Americans, presumably to justify the Fox/TNT money, and it fell away sadly. So the high opinion I had of The Grid after Part two was drastically modified by the end of Part three, confirming my belief that I do not want to see IMDb reviews from reviewers who have only seen part of a series.

This is a pretty good series, and as a South Asian American (with Muslim heritage) I was intrigued by it. The best acting is done by the Brits and the Raza Michaels character.

And to the viewer who said it shows only Muslim terrorists- that is not true. Akil (the young scared Brit) does not practice Islam- his brother Hamid does. Kaz (the American blonde) turns to Islam because he has a bad relationship with his dad. These (youngish) guys have seen the "bad" side of life (jail/racism/poverty, or whatnot). So they look for a solution. Maybe they get into religion. Maybe violence. Or both. There are no easy solutions and all people are not black/white in their ways- and this show opens up about that.

Just before THE GRID was broadcast I came to this page and found out that THE GRID was a BBC / American co-production and had first been screened on US television . This utterly surprised me since all the trailers seemed to make a big thing about the British cast ( Most notably Bernard Hill who not only appeared in every trailer for this but every single trailer for the Olympic games too ) but upon watching the first episode it becomes very obvious the amount of American involvement in this drama . This might not have been a bad thing since American television has brought us some great dramas in the last few years ( Am I the only Brit who loved OZ ? ) but THE GRID isn't one of them

Despite having only one director and two credited writers THE GRID feels it was produced by a commitee numbering several hundred people and this shows through on screen

Will it appeal to Tom Clancy junkies ? - Check

Are there bedhopping scenes to appeal to SEX AND THE CITY fans ? - Check

Are there both good and bad Muslim characters to show that not all Muslims are terrorists . We don't want allegations of racism with this show - Check

This is a drama /thriller that is trying to appeal to the entire TV audience on both sides of the Atlantic and this is where the mini series fails . Maren Jackson might be a hot American babe while Emily Tuthill will appeal to those viewers who like frosty English ice maidens but are their sex lives that important to the plot ? ( A plot which I thought was overstretched ) Mind you when you've got dialogue like

" Come to spoil the tea party ? "

" I've no intention of spoiling your tea party . I drink my tea in Long Island - Ice cold "

I guess you might expect a bit of sex since it sounds like it came out of a blue movie

So THE GRID fails down to the fact there seems to be too many cooks pouring some iced tea

What a pity to write in all that long distance control of on-the-spot special forces operations via voice and monitor. Can you imagine hard-arsed Delta and SAS troopers taking direct orders from pushy females watching monitors from several thousand miles away? Especially females that keep on falling in love with their operatives all over the place? And Julie Margulies was straight out of a Hollywood daytime soap - the bitch-maneater, on top of the job, ruthless, uncompromising... Hair never out of place, cute hats, purposeful big-shoulders walk. Puhlease! And why superimpose dozens of subtitles without giving viewers time enough to actually read them. There's a rule about this and it's based on basic intelligence: subtitles are there to be read - if you don't want to give enough time to read them, then simply refrain from using them at all. Who was the brain behind this? Despite all, The Grid was very well made and deserved something a whole lot better in the acting and directorial department. Shame.

This was a powerful series. Well-acted, Well-written. I disagree with people who say Julianna Margulies was out of her element, her character Merrin was just the type of woman you want in the government tough, smart, and strong-willed. Dylan McDermot was good as the Special Agent in-charge of New York's Joint terrorism taskforce. My favorite character was Jemma Redgrave's Emily Tuthill. Jemma was an actress I had never seen before she gave a very powerful performance especially toward the end in her scenes with the actor who played Reza, the CIA analyst turned field agent. Anyone that feels that Emily and Reza's scenes were out of place in a serious drama, I say well love, intimacy, and the beginnings of a strong relationship can be born under stranger circumstances.

In terms of Screen writing the strongest character relationship were the scenes between Maren and under mentor Former Secretary of State Jay Aldrich played by Robert Forester. When Aldrich describes Maren as being cool under pressure and well suited for chaos, the audience gets the feeling that Maren was both highly trained and well suited for her position but, written as well as it was, it also communicates that Maren's skills are both battle worn and still highly effective.

The DVD is reasonably priced at 14.00 dollars or so on two discs, with great extras about film and actor's discussing the mindset needed to work in Counterterrorism, buy this powerful miniseries. I would call this a must for anyone interested in Counterterrorism work for the government. I realize that television dramas like "The Agency" and "The Grid" are fictional and not really how working in Counterterrorism is, but "The Grid" made the journey both mildly realistic and entertaining.

At least it gets one interested in learning about the subject matter from non-fiction sources. To begin I suggest reading "Against All Enemies" by former NSC Manager Richard A. Clarke.