VALUTAZIONE IMDb
5,5/10
6816
LA TUA VALUTAZIONE
Marcos desidera la figlia promiscua del suo capo, ma dopo aver fallito un piano di estorsione, si sente distrutto dal senso di colpa.Marcos desidera la figlia promiscua del suo capo, ma dopo aver fallito un piano di estorsione, si sente distrutto dal senso di colpa.Marcos desidera la figlia promiscua del suo capo, ma dopo aver fallito un piano di estorsione, si sente distrutto dal senso di colpa.
- Premi
- 1 vittoria e 3 candidature totali
Recensioni in evidenza
Battle in Heaven is an epic adventure in film in the urban world. It thrusts the viewer into many small worlds without fully explaining each world or how they are connected. You must be open and receive this film or you might be frustrated. The camera-work is radical in style yet actually slow and simple. It's just that nobody takes this truly panoramic approach. The use of music is also powerful and moving. Reygadas has really proved himself a force in cinema with this film.
Thematically, the film touches on many views -- one example if the fact that almost everyone looks ugly in this film, yet not repulsive. There is also a sense of raw sexual abandonment despite the lack of eroticism.
As well, the film deals with Mexican nationalism, and its Catholicism, and the army, in ways that will have relevance for Mexicans. There is beauty in this movie and the feeling of life's inherent tragedy. Decadence is present and evil casually introduced as an aside. You will also be awed by the bravery of the actors and moved by the raw and close-to-real sex acts.
Thematically, the film touches on many views -- one example if the fact that almost everyone looks ugly in this film, yet not repulsive. There is also a sense of raw sexual abandonment despite the lack of eroticism.
As well, the film deals with Mexican nationalism, and its Catholicism, and the army, in ways that will have relevance for Mexicans. There is beauty in this movie and the feeling of life's inherent tragedy. Decadence is present and evil casually introduced as an aside. You will also be awed by the bravery of the actors and moved by the raw and close-to-real sex acts.
For two thirds of this film I was spellbound and then it suddenly span away from me. Listening to the director speaking afterwards, I think I know what went wrong and I shall have to view again some time to find out. It is all very watchable but slightly confusing towards the end, which is a shame and may be my fault, that of the director or even of Mexico itself. Whilst I have never been to the country it did seem that part of the lifeblood of this movie was the tangled city of contradictions itself. Even though not perfect in my eyes there was enough to show that this is a director of keen and original talent who will produce much more. His liking to work with non actors is welcome and his treatment of actual graphic sex is stunning. Very affecting, bitter sweet movie.
This not an easy picture. It requires Patience and commitment. It's a poetic movie about the urban heaven. About real people. About love and about madness. Reygadas is truly an author. He turns a conventional history in to a great ride through emotions, feelings and in to the overwhelming city of Mexico. Either you love it or hate it, no one comes out of the theater without a comment or a reaction. The movie has the power to move you in a positive or in a negative way. And i guess that something to be thankful about. Mexican films, in recent years, are mostly easy going urban comedies. This totally different. A prove that we can make different stories that reflect the sometimes surreal life of our country. This is one of them. With no professional actors, the movie feels honest and. The cast it's in a very natural level. The Sex scenes are not as important as they seem. Sex is finally a part o who we are, and we are use to see great bodies making love on the screen. It's not easy to see real people doing it, because we may see ourselves in them. And when someone throws your reality at your face, you can hate it. But Batalla En el Cielo does that and even more: Takes that reality to another lever and turns it in to poetry. And that it's just fantastic.
This is an art film, or at least what the average movie goer will view as an art film. By that, I mean you're going to have to dig really deep to find a plot that you can follow. The scenes are too obviously artistic...a tear drop, a blank stare, holding of hands.
The movie is about a man who is struggling with the guilt of having kidnapped a child who died. I'm not worried about giving away any spoilers because I'm not sure there are any to give away. The movie is a sequence of scenes that make you wonder why they are in the film, and frustratingly so because you really never find out.
American audiences especially will be shocked by the sex scenes. I'm not saying that's good or bad. We just rarely see a penis in a movie, aside from porn, let alone an erect one, let alone someone interacting with one.
The reason I gave this move a 5 is based entirely on its style. The characters often stare at each other with blank faces but they are consistently unemotional. The characters look like real people plucked right off a Mexico City street. The sounds in the film are interesting and graphic, sometimes noisy. But it works to keep you in the film. The filming in Mexico City creates an interesting backdrop. You're just dying for a story to be drawn from it but it never emerges, at least not a good one.
The movie is about a man who is struggling with the guilt of having kidnapped a child who died. I'm not worried about giving away any spoilers because I'm not sure there are any to give away. The movie is a sequence of scenes that make you wonder why they are in the film, and frustratingly so because you really never find out.
American audiences especially will be shocked by the sex scenes. I'm not saying that's good or bad. We just rarely see a penis in a movie, aside from porn, let alone an erect one, let alone someone interacting with one.
The reason I gave this move a 5 is based entirely on its style. The characters often stare at each other with blank faces but they are consistently unemotional. The characters look like real people plucked right off a Mexico City street. The sounds in the film are interesting and graphic, sometimes noisy. But it works to keep you in the film. The filming in Mexico City creates an interesting backdrop. You're just dying for a story to be drawn from it but it never emerges, at least not a good one.
There are many redeeming qualities about this movie, and I think it's better than most people are making it out to be. I really hope the idea of a struggle for redemption comes through. It did for me. If it does, then the film, in my view, succeeds in telling the story that it should. I should mention, the opening scene really pulled me in. How could it not, being graphic and striking? Some people might think it was gratuitous. I think it was integral to the story.
Element after element, plot event after event set the tone for a story that is being told. I could really appreciate the commentary about the extremes some people may go to (kidnapping) in Mexico. It's not an ordinary topic, and it's treated very well. Very creative. Including the title which I thought was very suitable for the film.
Give this a try. It's good if you're in the mood to get a slice of life of Mexico. I think it does just that in a creative and entertaining way!
Element after element, plot event after event set the tone for a story that is being told. I could really appreciate the commentary about the extremes some people may go to (kidnapping) in Mexico. It's not an ordinary topic, and it's treated very well. Very creative. Including the title which I thought was very suitable for the film.
Give this a try. It's good if you're in the mood to get a slice of life of Mexico. I think it does just that in a creative and entertaining way!
Lo sapevi?
- QuizWriter/director Carlos Reygadas shot crowded street scenes in the middle of real crowds. Cameraman Diego Martínez Vignatti sat in a wheelchair and they just pushed him through everyone. Luckily, no one who passed by looked into the camera lens.
- BlooperDuring the scene where Ana and Marcos are making love, as the camera pans out, a crew member's reflection can be seen in the window.
- ConnessioniEdited into Samo je zemlja ispod ovog neba (2009)
- Colonne sonoreThe Protecting Veil
Written by John Tavener
Naxos Rights International
Chester Music Limited
Premiére Music Group
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Battle in Heaven
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.601.792 € (previsto)
- Lordo Stati Uniti e Canada
- 70.899 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.351 USD
- 19 feb 2006
- Lordo in tutto il mondo
- 258.227 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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