Profezia di un delitto

Yes, we watched enthralled; at least the last episodes. We felt it was too much special effects, all too moody music, and way too much time wasting melodrama. Knowing we had a four hour stretch to weary our way through, we took our time until we knew we were near the denouement, at which point we watched more closely and could then feel the excitement building.

But remember: it's television. Television is made in an entirely different way, no matter the artistic ambitions. This would never work in a watered down two hour format at the theatre - it just plays as television. If you're all right with television, fine; if television leaves you flat and wanting to see real cinema instead, this 'movie' will leave you flat too.

The device of this movie demands a 'conceit' - and a consequent suspension of disbelief - that you either buy into or else you won't like the whole thing much.

After a night of sleep we woke mostly feeling we'd wasted our time. It's not so much the movie makers' fault - remember: it's television.

I'm not kidding, this really hooked me; one could almost say that this ought to come with a warning, letting people know that this may very well grip them and their attention, and not let go until the final credits roll. From the first moments, this is interesting and engaging. The concept is not completely original, of course, but this is a good take on it, and I found myself surprised by most of the twists. This follows a physics professor trying to uncover the truth behind a police file that details his own murder, with the date being five days later. The plot keeps you watching, and there are unexpected developments that make sense. There's only one brief instance of obvious exposition, and apart from that, the story-telling is rather well-done. The cinematography and editing are great, with the one exception of the occasional "sluggish" time effect, which isn't always used well. This builds atmosphere and suspense well, and can be intense. It's exciting when it tries to be. The script is well-crafted and clever. Humor tends to be appropriate in tone and amount, though one person is pushed a little excessively as comic relief. The characters are well-written and credible. Dialog can be smart. The music is cool and fitting. Production design is excellent throughout. Special effects tend to look marvelous. The acting is convincing, every single performance, including the kid. Throughout, this is fairly well-done. The climax is well-done. It does, unfortunately, not completely live up to the incredible things that the audience imagines during the course of the show, but it wraps stuff up well. The DVD comes with trailers for this and three other things, as well as four informative and well-done featurettes. While I can't speak for any other version, the one I watched did not have nudity or language, and was in five episodes of about forty minutes each, so three hours and twenty is the full running time. I recommend this mini-series to any fan of science fiction-thrillers that deal with the idea of time and how set in stone the future is. Huh. The Sci-Fi Channel doesn't always suck. Before The Lost Room and this, I wouldn't have believed that to be possible. 7/10

My overall reaction is that I feel like I completely wasted five hours of my life watching this miniseries. While there were a few red flags in the beginning, the writing seemed to be carrying the movie. First, the red flags: the director had an extremely annoying habit of throwing in slow motion in places where it was completely out of place. Actually, there's almost never a reason for slow motion. Directors and writers don't normally write "This scene is done in slow motion" into the script. If the action in the take appears to be incredibly lame during the editing, they'll try a slow motion effect before throwing the scene away. So the high frequency of slow motion shots is a give away that the director is a hack.

** Spoiler Ahead **

Other than the director's attempt to sabotage the movie, the writing was very good for the first 4 hours and 50 minutes. It wasn't typical Sci-Fi fare, but a seemingly well crafted murder mystery. The twist was that the victim was investigating his own murder. Not bad. But there was no mystery to the ending. It was the equivalent of having the cavalry ride in at the last minute, only dumber. There was no attempt to clean up the loose ends. No attempt to explain how the professor escaped his destiny. It might have been modestly satisfying if there was an attempt to explain how the future benefactor knew that a single bullet would be needed at the last moment.

Not since Steven King's "The Stand" was there a more disappointing ending to a promising story line.

This is an awesome movie. I taped it when it was on television and I liked it so well I bought the DVD. It is one of those movies I can't get enough of and I have watched it several times.

The actors are fantastic - that little girl is a magnificent actress. Timothy Hutton really shows what he is capable of. I was not familiar with Kari Matchett, but I would like to see more of her work. Randy Quaid was perfect as the stereotyped detective.

The soundtrack (which I am still trying to find) is great - perfectly placed songs and music. The music enhanced the film rather than just disappearing into the background.

If you have the opportunity to get the DVD, do. I watched the commentary and although I don't usually like to watch those (I hate knowing the secrets - I want to keep the magic), I did thoroughly enjoy the information. Their methods of shooting with multiple cameras and the time sequencing was explained and I'll always wonder why every film isn't made with multiple cameras. It really elevated this movie into an unforgettable film.

I highly recommend this film to anyone. Don't be turned off if you don't like Sci-Fi - this is a movie for anyway who just wants to escape into an engrossing story.

Rating: ** out of ****

The two-hour Sci-Fi Channel made-for-TV movies may almost always suck, but you can usually rely on their miniseries for quality acting, writing, and special effects (I loved Taken and Children of Dune, really liked Dune, and there is nothing currently on TV that can compete with the new Battlestar Galactica). Five Days to Midnight breaks the channel's success streak, proving to be easily its worst miniseries to date.

5DTM stars Timothy Hutton as J.T. Neumeyer, a physics professor with a young daughter (I forget the actress's name, but she looks a lot like a young Drew Barrymore) and a life insurance agent named Claudia for a girlfriend (Kari Matchett). While visiting his late wife's grave on a Monday morning, his daughter discovers a briefcase nearby. Upon opening the case, J.T. is a little shocked to discover that the contents are files pertaining to his own murder, which will occur in five days, at 3:55 A.M. on Friday.

He initially laughs it off as a hoax, but when a few of the little "prophecies" come true, he becomes a fast believer and sets out to find out who would murder him and why. He has only a few clues, but there is a list of suspects: Carl Axelrod, an eccentric student of his; Brad, his financially desperate brother-in-law; Roy Bremmer, a man he's never even heard of; and even his own girlfriend Claudia, who is not all that she appears to be. With the clock ticking down and only the help of a homicide investigator (Randy Quaid), J.T.'s obsession with saving his own life may come at the cost of many others.

Undeniably, 5DTM boasts one of the niftier premises in recent memory. Playing like a mix of Minority Report meets 24, the combination of sci-fi and mystery has always appealed to me, so there's no question that a good portion of the miniseries is genuinely engaging and entertaining (mostly in the beginning and middle segments).

A lot of the series is intentionally predictable, and in a fun way, like you just know that gift from his girlfriend will be the same parka he wears in that photo from the briefcase where he's lying dead, or the car his girlfriend rented will be that green Cherokee in that other photo, and so on and so forth. 5DTM also has fun with the implications of possible time travel and the changes one could set forth in the fabric of time. I was also thankful for the fact that a lot of the characters actually caught on to the possibility of time travel quickly and even accepted it without much question.

There are a lot of decent to good performances, especially Timothy Hutton, who capably handles the functions of a likable everyman. The girl who plays his daughter is terrific as well, and Kari Matchett would be a dead-on match for Naomi Watts if she had a smaller nose and slightly larger cheeks. Angus Macfadyen makes for a menacing villain as Bremmer, who's so evil he clearly can't be Neumeyer's killer.

Unfortunately, the miniseries begins to stumble by the second half of 'Day 4,' and is just a complete and utter mess by 'Day 5.' The writers can't seem to be able to keep much consistency in the film's concept of time travel. Without giving much away, when certain changes are made to the timeline in the film's climax, newspaper articles and photos from the future are also altered to fit the new timeline (kind of like in Back to the Future), and the changes occur immediately. However, in 'Day 2,' Neumeyer changes a woman's fate, preventing her from getting killed by a collapsing tree. After this change in time, his daughter then reads all the newspaper articles from the file the next day, which still state that the woman died because of the tree. Wouldn't that portion of the article have been altered?

The climax is just terrible (moderate spoilers in this paragraph), with every major suspect conveniently converging in the same location with murder on their minds. Just as bad, at least three of the potential killers wouldn't have even targeted Neumeyer if not for the intervention of the briefcase itself, and the one suspect that continuously threatens his life also seems most likely to the deed, but a tacked-on, idiotic surprise revelation completely disregards that possibility, placing the blame firmly on one of the characters that wouldn't have killed him if not for the briefcase's intervention. I can't think of any plausible reason this person would have killed Neumeyer prior to the appearance of the briefcase, but a bullet that conveniently fits into a gun is supposed to lead us to believe it was this one character all along.

The identity of the killer is perfectly predictable, since it's always the person we're least likely meant to suspect. Even though I came to the realization very early, I still doubted myself because, as stated earlier, there's just no reason this person would have any true motivation to kill Neumeyer without the briefcase.

It's unfortunate, but with such an awful ending, I just can't go out of my way to recommend 5DTM. It's not the movie's only major flaw, the miniseries is constantly padded to fill its allotted running time, and the director goes insanely overboard on the choppy slow motion, often ruining any developing suspense or momentum. Had the miniseries been about forty-five minutes to an hour shorter, I might have said yes as a video rental, but unless if you've got lots of time to kill, this isn't rewarding enough to spend the time and money.