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Quando il professore universitario J.T. Neumeyer scopre un fascicolo della polizia che delinea i dettagli del suo omicidio che avrà luogo cinque giorni nel futuro, non perde tempo cercando d... Leggi tuttoQuando il professore universitario J.T. Neumeyer scopre un fascicolo della polizia che delinea i dettagli del suo omicidio che avrà luogo cinque giorni nel futuro, non perde tempo cercando di salvarsi la vita.Quando il professore universitario J.T. Neumeyer scopre un fascicolo della polizia che delinea i dettagli del suo omicidio che avrà luogo cinque giorni nel futuro, non perde tempo cercando di salvarsi la vita.
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After a fashion, I really enjoyed this miniseries from 2004, "Five Days to Midnight," starring Timothy Hutton, Randy Quaid, Kari Matchett, Hamish Linklater, Angus Macfayden, and Gage Golightly.
Hutton plays physics professor J.T. Neumeyer who, while visiting his wife's grave on the anniversary of her death, finds a briefcase with his name on it. Inside are news clippings that talk about his death five days from now. At first, he thinks it's a joke but ultimately believes it was sent by his brilliant but eccentric student Carl (Linklater) and perhaps is not a joke. With an 11-year-old daughter to care for, Neumeyer isn't about to go down without a fight.
Complications abound, including a secret his girlfriend (Matchett) has been keeping, and his brother-in-law's financial difficulties. Then there's the implication of actually changing the future - which Carl warns him can't happen.
Quantum physics is extremely interesting to me -- parallel universes and the like, time travel - unfortunately, there was not as much emphasis on this in the plot; instead, the focus seemed to be on making it into a detective story. Less interesting.
My big problem was the way the discs were set up. I watched the first disc, returned it to Netflix, got the second, and immediately realized I hadn't seen one episode. I found out I wasn't the only one this happened to - the discs separate the episodes, one hour each, rather than one episode, two hours.
Timothy Huttton was excellent, and all the acting was good - Hamish Linklater is always wonderful -- and all of the acting is good. Because of Hutton, you really get involved in the story and in this man's plight.
If you watch this, you'll have questions - there is an excellent post on the message board that explains it all.
Can we change the future, and if we do, what are the implications? Are the past, the present, and the future occurring at the same time? If we try to change it, are we doomed to the same fate even if the circumstances change? Movies have been asking these questions for years. "Five Days to Midnight" also deals with the future sending us messages. It's all fascinating -- I just wish there had been more of it.
Hutton plays physics professor J.T. Neumeyer who, while visiting his wife's grave on the anniversary of her death, finds a briefcase with his name on it. Inside are news clippings that talk about his death five days from now. At first, he thinks it's a joke but ultimately believes it was sent by his brilliant but eccentric student Carl (Linklater) and perhaps is not a joke. With an 11-year-old daughter to care for, Neumeyer isn't about to go down without a fight.
Complications abound, including a secret his girlfriend (Matchett) has been keeping, and his brother-in-law's financial difficulties. Then there's the implication of actually changing the future - which Carl warns him can't happen.
Quantum physics is extremely interesting to me -- parallel universes and the like, time travel - unfortunately, there was not as much emphasis on this in the plot; instead, the focus seemed to be on making it into a detective story. Less interesting.
My big problem was the way the discs were set up. I watched the first disc, returned it to Netflix, got the second, and immediately realized I hadn't seen one episode. I found out I wasn't the only one this happened to - the discs separate the episodes, one hour each, rather than one episode, two hours.
Timothy Huttton was excellent, and all the acting was good - Hamish Linklater is always wonderful -- and all of the acting is good. Because of Hutton, you really get involved in the story and in this man's plight.
If you watch this, you'll have questions - there is an excellent post on the message board that explains it all.
Can we change the future, and if we do, what are the implications? Are the past, the present, and the future occurring at the same time? If we try to change it, are we doomed to the same fate even if the circumstances change? Movies have been asking these questions for years. "Five Days to Midnight" also deals with the future sending us messages. It's all fascinating -- I just wish there had been more of it.
This is an awesome movie. I taped it when it was on television and I liked it so well I bought the DVD. It is one of those movies I can't get enough of and I have watched it several times.
The actors are fantastic - that little girl is a magnificent actress. Timothy Hutton really shows what he is capable of. I was not familiar with Kari Matchett, but I would like to see more of her work. Randy Quaid was perfect as the stereotyped detective.
The soundtrack (which I am still trying to find) is great - perfectly placed songs and music. The music enhanced the film rather than just disappearing into the background.
If you have the opportunity to get the DVD, do. I watched the commentary and although I don't usually like to watch those (I hate knowing the secrets - I want to keep the magic), I did thoroughly enjoy the information. Their methods of shooting with multiple cameras and the time sequencing was explained and I'll always wonder why every film isn't made with multiple cameras. It really elevated this movie into an unforgettable film.
I highly recommend this film to anyone. Don't be turned off if you don't like Sci-Fi - this is a movie for anyway who just wants to escape into an engrossing story.
The actors are fantastic - that little girl is a magnificent actress. Timothy Hutton really shows what he is capable of. I was not familiar with Kari Matchett, but I would like to see more of her work. Randy Quaid was perfect as the stereotyped detective.
The soundtrack (which I am still trying to find) is great - perfectly placed songs and music. The music enhanced the film rather than just disappearing into the background.
If you have the opportunity to get the DVD, do. I watched the commentary and although I don't usually like to watch those (I hate knowing the secrets - I want to keep the magic), I did thoroughly enjoy the information. Their methods of shooting with multiple cameras and the time sequencing was explained and I'll always wonder why every film isn't made with multiple cameras. It really elevated this movie into an unforgettable film.
I highly recommend this film to anyone. Don't be turned off if you don't like Sci-Fi - this is a movie for anyway who just wants to escape into an engrossing story.
My overall reaction is that I feel like I completely wasted five hours of my life watching this miniseries. While there were a few red flags in the beginning, the writing seemed to be carrying the movie. First, the red flags: the director had an extremely annoying habit of throwing in slow motion in places where it was completely out of place. Actually, there's almost never a reason for slow motion. Directors and writers don't normally write "This scene is done in slow motion" into the script. If the action in the take appears to be incredibly lame during the editing, they'll try a slow motion effect before throwing the scene away. So the high frequency of slow motion shots is a give away that the director is a hack.
** Spoiler Ahead **
Other than the director's attempt to sabotage the movie, the writing was very good for the first 4 hours and 50 minutes. It wasn't typical Sci-Fi fare, but a seemingly well crafted murder mystery. The twist was that the victim was investigating his own murder. Not bad. But there was no mystery to the ending. It was the equivalent of having the cavalry ride in at the last minute, only dumber. There was no attempt to clean up the loose ends. No attempt to explain how the professor escaped his destiny. It might have been modestly satisfying if there was an attempt to explain how the future benefactor knew that a single bullet would be needed at the last moment.
Not since Steven King's "The Stand" was there a more disappointing ending to a promising story line.
** Spoiler Ahead **
Other than the director's attempt to sabotage the movie, the writing was very good for the first 4 hours and 50 minutes. It wasn't typical Sci-Fi fare, but a seemingly well crafted murder mystery. The twist was that the victim was investigating his own murder. Not bad. But there was no mystery to the ending. It was the equivalent of having the cavalry ride in at the last minute, only dumber. There was no attempt to clean up the loose ends. No attempt to explain how the professor escaped his destiny. It might have been modestly satisfying if there was an attempt to explain how the future benefactor knew that a single bullet would be needed at the last moment.
Not since Steven King's "The Stand" was there a more disappointing ending to a promising story line.
Yes, we watched enthralled; at least the last episodes. We felt it was too much special effects, all too moody music, and way too much time wasting melodrama. Knowing we had a four hour stretch to weary our way through, we took our time until we knew we were near the denouement, at which point we watched more closely and could then feel the excitement building.
But remember: it's television. Television is made in an entirely different way, no matter the artistic ambitions. This would never work in a watered down two hour format at the theatre - it just plays as television. If you're all right with television, fine; if television leaves you flat and wanting to see real cinema instead, this 'movie' will leave you flat too.
The device of this movie demands a 'conceit' - and a consequent suspension of disbelief - that you either buy into or else you won't like the whole thing much.
After a night of sleep we woke mostly feeling we'd wasted our time. It's not so much the movie makers' fault - remember: it's television.
But remember: it's television. Television is made in an entirely different way, no matter the artistic ambitions. This would never work in a watered down two hour format at the theatre - it just plays as television. If you're all right with television, fine; if television leaves you flat and wanting to see real cinema instead, this 'movie' will leave you flat too.
The device of this movie demands a 'conceit' - and a consequent suspension of disbelief - that you either buy into or else you won't like the whole thing much.
After a night of sleep we woke mostly feeling we'd wasted our time. It's not so much the movie makers' fault - remember: it's television.
I thought that I had a better review for this mini-series, but it looks like I may have shut it away in the trash vault. So, for just this one I am going to give you the short, short version of what I witnessed. 5ive Days to Midnight was one of those classic mini-series that probably did very well while on television in keeping the suspense high and the anticipation even higher, but when it transferred onto DVD it didn't succeed as well. When one has the opportunity to watch this series from beginning to end within the course of one day, the excitement and momentum slowly decreases. Let me be more exact.
The first three episodes were great. It was this beautifully mixed bag of drama and sci-fi that I know the Sci-Fi channel has a firm grip on. It kept me guessing and wondering what would happen next. I couldn't quite figure out exactly how all the pieces were going to fit together and it was enjoyable, then you put the second disc in and watch the final two episodes and everything going for this film goes down the toilet. The final two episodes are nothing but filler and the ironically planned confusing ending. I felt that these final two episodes just did not react well with the first three, there seemed to be something genuinely missing from all of this. It was as if the creators had the horse running at full speed at first, then allowed it to gallop into the final lap. It lost momentum, speed, and thrill when the second disc hit my DVD player.
The acting was decent with Quaid proving why the "TV" niche is his best friend. Hutton could have done a bit better, portraying this struggling victim to this predestined crime, but instead I think he realized this was "television" and went with some sub-par skills. While the acting was just average all around, I was o.k. with that, it was the story that I was hoping to get most of my strength from. Sadly, the story was good, but not great. There were huge, gaping plot holes that just were never covered or corrected. When you are doing a time traveling film like this, you need this to make a coherent statement. It is like writing a paper without using any punctuation, you don't know where to stop or end and it ends up a jumbled mess. That is what happened with the final two episodes, the jumbled mess caught up to the creators and there was only one way to stop it clichés and unoriginality.
Overall, I was impressed to begin this series, but by the end, I had lost it completely. The fourth day is nothing but filler, and that set the mood well off for the final day. What began as this very interesting time travel drama/murder/mystery eventually turned into a regular program that you could find on any station. Something happened, and as we the viewers may never know, those involved do. I suggest to everyone checking out the first disc while leaving the second behind. If you need to know how it ends, forget about it. The first three days will leave a better taste in your mouth than the final two days, and overall you will feel better (even if you don't know how it ends!)
Grade: *** out of *****
The first three episodes were great. It was this beautifully mixed bag of drama and sci-fi that I know the Sci-Fi channel has a firm grip on. It kept me guessing and wondering what would happen next. I couldn't quite figure out exactly how all the pieces were going to fit together and it was enjoyable, then you put the second disc in and watch the final two episodes and everything going for this film goes down the toilet. The final two episodes are nothing but filler and the ironically planned confusing ending. I felt that these final two episodes just did not react well with the first three, there seemed to be something genuinely missing from all of this. It was as if the creators had the horse running at full speed at first, then allowed it to gallop into the final lap. It lost momentum, speed, and thrill when the second disc hit my DVD player.
The acting was decent with Quaid proving why the "TV" niche is his best friend. Hutton could have done a bit better, portraying this struggling victim to this predestined crime, but instead I think he realized this was "television" and went with some sub-par skills. While the acting was just average all around, I was o.k. with that, it was the story that I was hoping to get most of my strength from. Sadly, the story was good, but not great. There were huge, gaping plot holes that just were never covered or corrected. When you are doing a time traveling film like this, you need this to make a coherent statement. It is like writing a paper without using any punctuation, you don't know where to stop or end and it ends up a jumbled mess. That is what happened with the final two episodes, the jumbled mess caught up to the creators and there was only one way to stop it clichés and unoriginality.
Overall, I was impressed to begin this series, but by the end, I had lost it completely. The fourth day is nothing but filler, and that set the mood well off for the final day. What began as this very interesting time travel drama/murder/mystery eventually turned into a regular program that you could find on any station. Something happened, and as we the viewers may never know, those involved do. I suggest to everyone checking out the first disc while leaving the second behind. If you need to know how it ends, forget about it. The first three days will leave a better taste in your mouth than the final two days, and overall you will feel better (even if you don't know how it ends!)
Grade: *** out of *****
Lo sapevi?
- QuizThe events in the mini-series take place Monday, 7 June 2004 through Friday, 11 June 2004. The show premiered on the SciFi Channel (USA) on Monday, 7 June 2004 and consecutive episodes were shown each night through Friday, 11 June 2004 roughly following a real-time schedule. The fourth episode (with events ending at or slightly past 3.55am according to the script) was actually first shown at 9.00pm on Thursday, 10 June 2004, so the series did get ahead a bit. Additional date-specific product placements (for instance, a poster for The Chronicles of Riddick (2004), playing in theaters at the time, as seen on a slow pan at the university outside Neumeyer's office) and current popular culture references (for example, a reference to the popular show, CSI - Scena del crimine (2000), airing at the time on network TV) in conversation help reinforce this setup.
- BlooperIn the fist part of the mini-series, J.T. Neumeyer promises his daughter that they will look for Orion with her new telescope. He is shown looking at Orion's Belt a little later that night. Orion's Belt is only visible from Washington in winter evenings, not June.
- ConnessioniReferences CSI - Scena del crimine (2000)
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