Terkel in trouble

What got me watching this movie was the advertisement that this movie is like South Park directed by Tim Burton. I agree with the South Park part. The movie deals with elementary school kids with anarchistic humour involving lots of comical violence, cursing, bodily functions and bizarre incidents that make so many, including me, loving that show. Also this movie.

As for Tim Burton, he directs visually impressive and original movies, that deal with a character, that doesn't quite fit the surrounding world. None of the descriptions above quite fit Terkel in Trouble. The characters are quite normal types. Anyone knows the types, bullies, wiggers, vain girls, teased fat ones and crazy substitutes from their own days at elementary school. I think a proper tag line would be "South Park directed by Sam Raimi". At least in the Evil Dead days Raimi was famous for enjoying both torturing his actors while shooting and enjoying a lot of violent humour inspired by the Three Stooges.

So it was a very funny movie. It wasn't actually a very original one, the key mystery is way too easy to figure out, but I was laughing too hard at things like a fork in the eye, a sledgehammer to the crotch and biting a kid's ear off in a battle, to really be bothered by it. Even the South Park boys would be jealous.

**** The best part: Instead of the best scene, I'd like to describe my favorite character. That is Terkels alcoholic sailor-uncle. A very violent, ignorant and nonchalant he may be, but loving Fernet Branca so much makes him a really twisted character. And also an enjoyable one.

Commencing SIFF's "Midnight Adrenaline" program in 2006, "Terkel in Trouble" is Denmark's first CGI feature-length cartoon, and no doubt it's the kind that would make Pixar nervously clench their throat. A film that feels like a cross between a nerve-rackingly suspenseful after-school special and an R-rated Disney musical, it's tale of adolescent angst and suburban paranoia varies loosely between tones of high-energy recklessness, nerve-rattling tension and jocular naughtiness. It's a definite crowd-pleaser for only certain types of crowds.

Our teenage protagonist is the hapless Terkel, a gawky almost-teenager with peeled-back red hair and a canyon-wide half-smile (with lips that blithely remain divided at all times to show his lopsided teeth), his face seems etched in a permanent state of bemusement and tremulous vigilance. Being perpetually stalked by two well-dressed, bawdy schoolyard bullies (one, a verminous schoolboy that seems to be a blonde mop-topped Ratzo Rizzo mended into an uber-confident junior-high bad-boy; the other, a portly, none-too-bright sidekick that looks like a "Sopranos" castoff), he always has to keep checking over his shoulder to see when they're going to strike next.

Not that home-life provides much solace; inside the walls of his suburban pad, his family unit seems like a Monty Python sketch of mild domestic dysfunction. From a father who literally can only say "No", a mother that's basically a walking chimney as she always seems to be lighting a new cigarette in her mouth, and a sister who haplessly seems prone to endless pratfalls and accidents that continue to escalate into brutal absurdity. Let's not forget to mention the comically drunken, not-so-sane uncle (perpetually donning a sea captain outfit) who spews endless string of wildly inappropriate, booze-tingled comments (many of which I can't repeat here) to those he supposedly means to help.

His only pal seems to be Jason, a constantly profane, sullen, rap-obsessed confidant, who always carries an iron pipe in his backpack, because, well, you never know when you might need it in the 'burbs.

As Jason continues to grow distant, the schoolyard bullies ratchet up their torment and his family becomes increasingly unsympathetic and remote, Terkel's only chance at personal redemption seems to be through his new homeroom teacher, a joyful, often-crooning embodiment of the sunshine-liberal spirit that offers a much-needed ray of light to Terkel's otherwise unwelcoming world.

However, Terkel starts receiving anonymous death threats out of nowhere, something that increases our anti-hero's already tense plight through the dangerous halls of his suburban junior high.

And toss in a lot of remarkably upbeat and often very naughty musical numbers (including the most lewdly joyful and potty-mouthed romantic anthem ever captured in a cartoon, a dynamic Danish rap sequence and a nightmarish episode that cleverly riffs on Michael Jackson's "Thriller"), a lollipop-colored visual design with a few ornery sight gags, and plenty of very intense moments of rampant neurosis and paranoia for it's hapless anti-hero, and that gives you "Terkel in Trouble", one that will make you, if all things, glad you're no longer thirteen.

Suburban angst tales are hardly innovative territory for storytelling, but this one is an especially inspired and gaudy one: clearly the filmmakers want their audiences to both look in awe and squirm in their seats, overwhelmingly enjoying it and feeling uncomfortable for doing so at the same time, and they often succeed in both. Likely it will seem both odd and oddly familiar for the American viewer, as those weaned on "South Park" and "The Simpsons" will likely be confounded by its joyful idiosyncrasies as well as giddily amused by its array of jokingly miserable characters.

The setting of an anonymous western Suburb, populated with cruel, spoiled and unscrupulous beings that remain completely distant to those they view as friends and family but get belligerently compassion when protecting them from harm, forms a central identity that's both cynical and warmly ironic, a mixture American audiences have come to know very well. Yet the style is splashed in a colorful, consistent loopiness, balancing the murky, sordid traits that accompany the film's harsher moments with an often blithely facetious, bright-as-neon smile to many of the issues at hand. In short, it's portrayal of familiar themes could only be told with a distinctly Scandinavian-bad-boy personality.

Given, it's balance of bright light and darkness doesn't always succeed, as some scenes that seemingly want us to laugh at events involving teen suicide and child abuse just feel downright sour and snide, even by the standards of the film's often enduringly nasty charm. And the film occasionally gets a little too gruesome for it's own good, including Terkel's sisters increasingly bizarre series of brutal pratfalls, a previously mentioned teen suicide sequence and his uncle's drunken, brutal confrontation with Terkel's unforgiving bullies after Terkel ignites a failed beer bust, to name a few (and you can make sure that Jason's iron pipe doesn't go unused).

But with a film that naturally likes to bask in a motley, playful naughtiness, "Terkel in Trouble" is often brazenly splendid. With three directors and voiced completely (with an amusingly tongue-in-cheek and shape shifting poise) by stand-up comedian Anders Matthesson, "Terkel in Trouble" is an achievement, not only for being the landmark CGI-cartoon for it's native Denmark but also melding the idea of a "kids" movie to a straight-forward, non-condescending approach that happily lets them indulge in their joyfully vulgar pleasures rather than forcing them to endure aloof, stilted and often foolish preaching. It's a film for adults to let out the crude inner-child inside all of us, back when we gleefully embraced an immoral spirit rather than condemning it.

I found the movie quite a surprising piece of artistic work. If you enjoy the Tim Burton animations such as Nightmare Before Christmas you will enjoy this one. Bewarned this is a little more darker and also has its own take on animation. Watch for the small details, such as eyes, eye lid movements, lips to express feelings. Fantastic! The story line becomes an unexpected mild mystery/horror, with a few short twisted musical numbers thrown in. Overall, its was unusual but kept me entertained and watching. I didn't really walk away with anything but amusement. I guess that's what it was all about. Definitely worth watching.

This movie has a guy named Terkel. The animation is very gruesome. The character designs are also more awful then hair high. Film makes no sense at all. The characters look stupid. I appreciate the music in the movie. Terrible lip syncing. The worst thing about this movie is the voice acting. I hope I never see this movie again.

This is based on the Special Edition DVD. I've been a fan of Anders since my initial exposure to him. This particular outing is a little different, in that it's one of the few times that he redoes something he's already done in another of the several mediums he's mastered. He did a television version of his radio Christmas calendar, and this is a movie version of an audio story that he put out on CD(which is superior to this). Most of the writing, overall, remains the same, with a bit of the timing lost for some reason, a couple of scenes are moved or excised, and new material, as well. The animation is smooth, high quality and they get a high level of detail. This has stuff for those who have already heard the story, as well as things that are just as much for new viewers. It's fairly well-directed, and though the range of expression is a tad limited, the cool plot gets told nicely enough, whether or not you know it beforehand. There are surprises, and very worthwhile, fresh sequences. For those that don't know, this deals with Terkel, a pre-teen boy who has a fairly regular school- and home-life. Bullying and an angry, out of control, and(in Denmark, anyway) well-known, uncle lead to complications, and that's all I'll say. The tendency is towards the reveals and such being more effective in the original form, but the visualization is always interesting. All of the new music for this is great. The humor is what we're used to from The Duck, with there being aggressive and/or offensive stuff, morbid dark comedy, clever and sometimes goofy jokes and gags. If you're into it, this is hilarious. I don't know if a lot of non-Scandinavians are going to enjoy this as much as we do, and I can't comment on any other voice version than the Danish one(the multi-talent being the sole performer), which is marvelous. The pacing is perhaps somewhat uneven. On the disc is found, after you navigate the unnecessarily annoying menus, various silly extras that go on for longer than the fun of them lasts, including the Stewart Stardust in-character feature commentary track. There is a lot of bloody, gory violence, disturbing content and strong language in this. I recommend this to any and all fans of Matthesen, though definitely listen to the first release of this tale before watching this. 7/10