Un dirigente pubblicitario di mezza età si trova a doversi confrontare con un nuovo capo che ha quasi la metà dei suoi anni... e che inoltre va a letto con sua figlia.Un dirigente pubblicitario di mezza età si trova a doversi confrontare con un nuovo capo che ha quasi la metà dei suoi anni... e che inoltre va a letto con sua figlia.Un dirigente pubblicitario di mezza età si trova a doversi confrontare con un nuovo capo che ha quasi la metà dei suoi anni... e che inoltre va a letto con sua figlia.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 8 candidature totali
- Waiter
- (as Jon Collin)
Recensioni in evidenza
Ignore the trailer that fails to capture the subtle moments in the film.
This is a nearly perfect "little film" with a great story that draws you in with believable charecters, and first rate performances by every actor.
'In Good Company' takes one through the balancing of middle-age fatherhood and career (Quad), with heart, humor, and a positive family-first theme (without resorting to cliches or the "Hollywood" treatment). Safe for 12+ year olds, and identifiable characters and themes for adults.
Add in the perspective of a bright mid-twenties professional's (Topher Grace) search for happiness - meaningful career, love, a wife, starting a family, and a life-mentor/father-figure (Quad), while navigating the good, the bad, and the indifferent of corporate personalities, and interesct the two generations, and you have a film that engages one from beginning to end.
Soundtrack is wonderfully in sync with the emotions of the film.
Co-star Johansson is flawless in building upon her breakout 'Lost In Translation' and 'Pearl Earring' performances. This mid-2000 decade acting period was when she made her mark, rapidly ascending to stardom, and honing her acting skills in key roles when she was only 18 to 20 years old.
Johansson's character (Quad's daughter and Grace's love interest) is essential to drawing Quad/Grace towards their inevitable surrogate father/son relationship, and she does so perfectly, making every actor around her look good - why she didn't receive Best Performance In A Supporting Role nomination is perplexing, but probably due to her already highly-recognized performances over the previous 18 months - quite an impressive resume for a teenager.
A must-see film and one that is just as great the second and third time viewing it.
I give it six stars for two reasons. First, the leads, especially Dennis Quaid and Topher Grace play their parts very well. Second, it takes a very good overall shot at the corporate business world. Not all big corporations are as hard-hearted as Globecom is in this movie. But most have become part of a new-age culture of business lingo that is obfuscatory, insensitive, and diverting - all to be able to hammer home profit and gains at all costs.
So, with some light humor and mostly distraught emotions and life drama situations, this film does a little number on the greed that seems to guide the business culture today. It does have a nice ending with some learning maturing of the male leads.
Lo sapevi?
- QuizThe studio wanted someone from the cast of That '70s Show (1998) for the role of Carter and had originally given it to Ashton Kutcher. Kutcher dropped out due to creative differences, and Topher Grace auditioned and got the part. Grace had auditioned four times for the role, and had to convince producer Paul Weitz that he was right for the role, by highlighting his raising by his father, a businessman with sharp negotiation skills.
- BlooperWhen Carter Duryea is first meeting his staff, the boom microphone operator is reflected in the windows behind him.
- Citazioni
Carter Duryea: Dan, you seem to have the perfect marriage. How do you do it?
Dan Foreman: You just pick the right one to be in the foxhole with, and then when you're outside of the foxhole you keep your dick in your pants.
Carter Duryea: That's poetic.
- ConnessioniFeatured in The Rotten Tomatoes Show: The Road/Ninja Assassin/Old Dogs (2009)
- Colonne sonoreGlass, Concrete & Stone
Written by David Byrne
Performed by David Byrne
Courtesy of Nonesuch Records
By arrangement with Warner Strategic Marketing
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Mi nuevo jefe
- Luoghi delle riprese
- 7th & Hope Streets, Downtown, Los Angeles, California, Stati Uniti(Manhattan street)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 26.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 45.806.659 USD
- Fine settimana di apertura Stati Uniti e Canada
- 151.750 USD
- 2 gen 2005
- Lordo in tutto il mondo
- 61.315.215 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1