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Admissions

  • 2004
  • PG
  • 1h 24min
VALUTAZIONE IMDb
6,0/10
349
LA TUA VALUTAZIONE
Admissions (2004)
Dramma

Aggiungi una trama nella tua linguaThe Brighton has a traumatic drama in the breast of their family: the twenty-year-old Emily Brighton is intellectually disabled due to a fall when she was one, and her overprotective mother ... Leggi tuttoThe Brighton has a traumatic drama in the breast of their family: the twenty-year-old Emily Brighton is intellectually disabled due to a fall when she was one, and her overprotective mother Martha Brighton blames her negligence for the accident. The seventeen-year-old Evie Bright... Leggi tuttoThe Brighton has a traumatic drama in the breast of their family: the twenty-year-old Emily Brighton is intellectually disabled due to a fall when she was one, and her overprotective mother Martha Brighton blames her negligence for the accident. The seventeen-year-old Evie Brighton loves her sister and reads poems and stories for Emily. Their father Harry Brighton, a ... Leggi tutto

  • Regia
    • Melissa Painter
  • Sceneggiatura
    • Dawn O'Leary
  • Star
    • Lauren Ambrose
    • Amy Madigan
    • Christopher Lloyd
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    349
    LA TUA VALUTAZIONE
    • Regia
      • Melissa Painter
    • Sceneggiatura
      • Dawn O'Leary
    • Star
      • Lauren Ambrose
      • Amy Madigan
      • Christopher Lloyd
    • 10Recensioni degli utenti
    • 6Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto

    Interpreti principali14

    Modifica
    Lauren Ambrose
    Lauren Ambrose
    • Evie Brighton
    Amy Madigan
    Amy Madigan
    • Martha Brighton
    Christopher Lloyd
    Christopher Lloyd
    • Stewart Worthy
    Fran Kranz
    Fran Kranz
    • James Parks
    Taylor Roberts
    Taylor Roberts
    • Emily Brighton
    John Savage
    John Savage
    • Harry Brighton
    Vernee Watson
    Vernee Watson
    • Stanford Interviewer
    • (as Vernee Watson-Johnson)
    Benjamin Pratt
    • Dartmouth Interviewer
    Scott Adsit
    Scott Adsit
    • Harvard Interviewer
    Aleksa Palladino
    Aleksa Palladino
    • Amherst Interviewer
    Jennifer Schweickert
    • Librarian
    Joyce Schweickert
    • Saleslady
    Storm Large
    • TV Host
    Paul Ryan
    Paul Ryan
    • Man
    • Regia
      • Melissa Painter
    • Sceneggiatura
      • Dawn O'Leary
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti10

    6,0349
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    6
    7
    8
    9
    10

    Recensioni in evidenza

    8twowheeler7

    I favor this movie to Virgin Suicides

    At first I didn't think that the performance by Lauren Ambrose was anything but flaky, but as her character developed the portrayal made more sense. Amy Madigan seemed too terse for her role and didn't really tie her daughter's characters together, even though it was apparent that her character was disengaged with the character played by Lauren Ambrose.

    Christopher Lloyd is a hit as usual and carried off his role to encourage the story line. His character development left the audience wondering why he was chastised by the younger characters and could have been accomplished more directly with

    The overwhelming glue to this somewhat vague story line was play by Taylor Roberts. Her comprehensive delivery of a simplistic character held the movie together. In this pivotal role, Taylor was able to encourage a realistic family relationship between the characters while acting as the antagonist for all of the other relationships in the film.
    8claudio_carvalho

    Needy of Love and Guilty Complex in a Powerful Drama

    The Brighton has a traumatic drama in the breast of their family: the twenty years old Emily Brighton (Taylor Roberts) is retarded due to a fall when she was one, and her overprotective mother Martha Brighton (Amy Madigan) blames her negligence for the accident. The seventeen years old Evie Brighton (Lauren Ambrose) loves her sister and reads poems and stories for Emily. Their father Harry Brighton (John Savage), a bank investor, lives in the basement with his models of trains and railroads. Evie mysteriously sabotages her interviews for different universities being rejected, and teaches the poetries of her own to Emily. When Martha hears Emily repeating the poems, she takes notes and shows them to the English teacher Stewart Worthy (Christopher Lloyd), who believes that Emily has had a moment of geniuses. When Evie's only friend James (Fran Kranz) reads the notes, he immediately discloses the truth about the authority of the poetries. But when Martha becomes aware, she finds the reality of Evie, triggering a series of revelations.

    "Admissions" is a very powerful drama about needy of love and guilty complex. The performances are stunning, and this is the first work of Lauren Ambrose, from "Six Feet Under", that I see and she is amazing. This independent movie is an excellent choice for the viewers that are looking for a refreshing story based on the acting of the cast. My vote is eight.

    Title (Brazil): "Cumplicidade" ("Complicity")
    10assistant-10

    I went through something like this in my youth - though not as sophisticated

    There is a solid group of people that have lives like this girl going through the admissions process at school. The parental absence at all important junctures in Lauren Ambrose's school search provide admissions interviews only and draws the interviews with them at below transcript quality review that in 30 minutes sabotages four years of high school grading. The incident of anger in her mother obviously block a mothers display of possible physical abuse of her or her disabled sister at one time or another; thus masking her Mother's truer involvement in family losses. The daughter, Lauren, really has done something big - trying to make her mother fulfilled and then that plan itself, somewhat heroic in light of the age she is - still giving when everyone around her taking, somersaults on her. A heart not yet connected to her head - something that age has never had a genuine answer to even to this day. Her replacement of a significant other, not necessarily requiring a father image, however, a trusted authority nonetheless being imagined if not real. A pure cup without a handler .......(see the movie). Everyone needs a friend to see through understanding of a proportional world - she made hers up on what she knew of life at the time. She has all the mental capacity for higher learning though having no friends present for her time makes the ending a developmental tragedy in progress ... given a bird in a cage... not a puppy... that would a least get her walking two times a day. Ideas out of the roof she is under would be the developing on her sidewalk life. Sad is the looming psychiatric ending... how could she be committed at a time when she has proved an important responsibility? (believe it or not taking of a dog is a better witness than taking care of a bird at this time of her life) The symbolic cage of her in a cage is too much mental and self fulfilling of some of her writings within the story. The neighbor college freshman is developed just fine, he is as developed as the training education will allow for the mental maturity that dwarfs her eternal purpose compared to his fateful conditioning. I myself, eventually just went to the Mensa magazine and got a $20.00 degree saying I was an (Hon)DDiv. It offered all the education that buying the truth would and independence to skip fecal content. "Run the world" or do not get your own home was the college offer. Who was freeing anyone for superior time for the learning? The only sin is not having your pleasure right. What fight figged on that? She has been denied an act for life commensurate to her love for life. What is college, a reward for failing high school? Do you graduate with your class or without it - what is the exchange? A lifetime of correcting youth with only questions? Could lead occur w/o a question? The loss followed as much for good as bad. When was she given a mind for sexual intimacy or growth for her good self to be fulfilled? Why didn't good people treat her with good things? If good people do not do good things for good people, what is good for? She is young, pretty and walked on long before personal development is given a winning game. Her act taken in life with a closed door. Perhaps the title would be better as "Christmas Doors" not "Admissions".
    7tarbosh22000

    A Sharp Drama

    "Admissions" is a fine drama even though they're are some problems with the ending. Lauren Ambrose plays Evie who is trying to avoid college. To make her overworked mother not notice, she makes up poems that everybody thinks her mentally challenged sister wrote. All the acting is first-rate especially Lauren Ambrose and Amy Madigan. They both put in great performances. The climax is also very powerful. There are only two bad parts. First is the character of Stewart Worthy played by Christopher Lloyd. His part is underdeveloped. The other weakness is the ending. It goes around in circles, which I didn't expect with the 84 min run time. Besides that, the movie is definitely worth watching.

    For more insanity, please visit comeuppancereviews.com
    8angellove

    sweet and enjoyable

    I very much enjoyed this movie and I think most fans of Lauren Ambrose will too. Her character is much softer than her role in Six Feet Under and all of the performances are strong. I especially enjoyed the way the role of Emily, a mentally challenged savant, was handled. Despite some other misinformed user reviews the role was performed accurately and without cliché by the actress, Taylor Roberts. Also a standout was Fran Kranz, whose natural ease well complemented the more season veteran actors. Although the direction hit a snag here or there it seemed the only problems were with an underdeveloped script. What maybe worked well as a stage-play didn't hold out quite so well on screen. However the lovely cinematography by Paul Ryan definitely makes up for that, as well as the pace of the film, which is surprisingly not slow. I recommend this movie to fans of six feet under and also fans of plain good acting and cinematography.

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      This is Lauren Ambrose's only other on-screen appearance during the 2001-2005 run of Six Feet Under (2001).

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    Dettagli

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    • Data di uscita
      • 6 giugno 2006 (Ungheria)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Island of Brilliance
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 24min(84 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby
    • Proporzioni
      • 1.85 : 1

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