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Casa de Areia

  • 2005
  • R
  • 1h 55min
VALUTAZIONE IMDb
7,4/10
3454
LA TUA VALUTAZIONE
Casa de Areia (2005)
Home Video Trailer from Sony Pictures Home Entertainment
Riproduci trailer1:57
1 video
26 foto
Dramma

Aggiungi una trama nella tua linguaA woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.

  • Regia
    • Andrucha Waddington
  • Sceneggiatura
    • Elena Soarez
    • Luiz Carlos Barreto
    • Andrucha Waddington
  • Star
    • Fernanda Montenegro
    • Fernanda Torres
    • Ruy Guerra
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    3454
    LA TUA VALUTAZIONE
    • Regia
      • Andrucha Waddington
    • Sceneggiatura
      • Elena Soarez
      • Luiz Carlos Barreto
      • Andrucha Waddington
    • Star
      • Fernanda Montenegro
      • Fernanda Torres
      • Ruy Guerra
    • 37Recensioni degli utenti
    • 42Recensioni della critica
    • 70Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 12 vittorie e 43 candidature totali

    Video1

    House of Sand
    Trailer 1:57
    House of Sand

    Foto26

    Visualizza poster
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    Visualizza poster
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    + 20
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    Interpreti principali20

    Modifica
    Fernanda Montenegro
    Fernanda Montenegro
    • Dona Maria…
    Fernanda Torres
    Fernanda Torres
    • Áurea…
    Ruy Guerra
    Ruy Guerra
    • Vasco de Sá
    Seu Jorge
    Seu Jorge
    • Massu - 1910-1919
    Stênio Garcia
    Stênio Garcia
    • Luiz - 1942
    Luiz Melodia
    Luiz Melodia
    • Massu - 1942
    Enrique Diaz
    • Luiz - 1919
    • (as Enrique Díaz)
    Emiliano Queiroz
    Emiliano Queiroz
    • Chico do Sal
    João Acaiabe
    • Pai de Massu
    Camilla Facundes
    • Maria - 1919
    Haroldo Costa
    Haroldo Costa
    • Capataz
    Jorge Mautner
    • Cientista
    Nelson Jacobina
    • Cientista
    Zumbi Bahia
    • Carregador Vasco #1
    Jefferson de Almeida Barbosa
    • Mirinho (1919)
    Wadson Martins Costa
    • Mirinho - 1942
    Urias de Oliveira Filho
    • Carregador Vasco 2
    Guilherme Júnior
    • Pescador Fogueira
    • Regia
      • Andrucha Waddington
    • Sceneggiatura
      • Elena Soarez
      • Luiz Carlos Barreto
      • Andrucha Waddington
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti37

    7,43.4K
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    Recensioni in evidenza

    10clg238

    Foreign film at its best.

    This is a stunning film, visually and emotionally. Although rooted in a forsaken sandy wasteland, the film is a metaphor for how circumstance locates us and how we can or cannot get out of the place in which we find ourselves. House of Sand MUST be seen on the big screen--never has landscape been more compelling! It's a literary film, which is to say that it is not full of exciting, unrealistic events. How the film manages a shift of time is briefly disconcerting and then brilliant. The story deals with the ramifications of an accident, the damaged psyche of a man, and takes us through what his survivor does to cope. This is definitely foreign film at its best!
    8Amandad1

    Beautiful Scenery

    This is a beautiful, poignant movie that reminded me of "The English Patient'. Filmed in the deserts of the Brazilian state of Maranhao it has stunning scenery that brings a backdrop of authenticity to the story line. I recommend viewing 'the making of' featurette, which depicts the difficulties, encountered in filming in such a harsh environment. It is interesting to note that although there are relatively few characters, the story can still rivet. I was able to identify with the main characters and feel their emotions. I do admit that the story is slow at first but in the end, it will leave you smiling and clamoring for more.

    The one negative comment I have is about the scene(s) that caused the film to be rated 'R'. Although I can understand the need for it, I think the producer could have use some restraint and toned it down a bit, this would have made for a different rating and permitted a broader audience to appreciate this gem.
    7ken558

    Enriches the Eyes, But Not The Heart and Spirit

    This movie is frustrating to watch because it had such strong potential to be a sweeping drama that intertwines the wonders of nature and humanity through the passage of time.

    It started out swimmingly in the waves of pastured wind blown sand and dunes. But slowly it gives way to lack of plausibility and stifled characters, focusing instead on the sweeping white-washed landscape to drive the movie.

    While the actress playing the daughter is a competent actress, she is just not right for the role. This is the character which holds the thread of time throughout the entire movie, from the past (with her mother) to the present (herself) and future (her daughter), a parallel for the changes in the world (via Brazil) from the early 1900's to the 1960's. For this to work, this main character needs to have the ability to draw one in, such that one inadvertently has the emotional perspective of things through her eyes. This could not be achieved with this actress, hence one remains but simply an observer of an obstinate unlikeable woman plodding along a very uneven plot, too consciously framed by wonderful landscapes. It enriches the eyes, but not the heart and spirit.

    The quick jump of time frame doesn't help, especially when no proper explanations are provided for improbable event.s Example: how did two woman with no farming resources nor skill amass a herd of goats? Or, how did they get an endless supply of clothing's for three woman if they are supposedly so far removed from civilization that they can't even leave the place? Or, why chop down a tree for no reason when she could enquire from nearby others where her daughter and mother was? Why suddenly have sex with the man (for the first time) in broad daylight when there was opportunities a plenty through the many many years? And on and on….

    Utilizing the same two actresses to play each other in successive generations is a big mistake - they are so unalike in looks and characters, the ploy just make it jarring and disconnected … dissociating the viewer further from these characters.

    In the end, one has to just ignore the emotionally distant characters (except the mother/grandmother) and disconnectedness of it all and just enjoy the sceneries. It seems the director is trying hard to just string scenes together, and creating implausible situations and disjointed dialogue just to get some particular outcome, and hope the plot holds up … it doesn't unfortunately.

    Like the sand dunes, this one builds up early but get blown away in bits, and in the end remains just something visually 'nice' but only in temporary form, and from a distance.
    9httpmom

    Perspective Is Everything!

    Maybe it's a male/female perspective (the mother daughter relationships were so spot on), or an American/Brazilian difference in perspective, but I can not understand all the negative comments on the board regarding this movie! To me it is a haunting little masterpiece I will not soon forget. The standout acting, the stunning yet eerie landscape setting, the subtle plot, and the music are reminiscent of Kurosawa's deeply minimal but hugely philosophical dramas. Add to that, a brilliantly BIG viewfinder of a camera and a really superb space science sub plot this movie is almost epic. I was surprised by it's simplicity and astonished by it's depth. The director may be young but his soul is ever so old.
    10gwlucca

    A cinema-graphic poem

    Like "2001: A Space Odyssey", lots of people (critics included) are undoubtedly struggling to get a handle on this film. Here is an odyssey of another dimension, through shifting sands of time and perspective.

    On one hand, the film is surrealistic -- it leaves many questions unanswered. It seems to purposely throw the unbelievable into our faces, like Gabriel Garcia Marquez in "100 Years of Solitude". For instance, how do the stranded women survive? What do they eat? It's a Robinson Crusoe epic without explanations.

    On the other hand, the film is meticulously honest with fact and detail. The eclipse portrayed in the film was in fact observed in northern Brazil on 29 May 1919. The 7 successful photographic plates from the Brazilian expedition were fundamental in proving Einstein's theory of general (as opposed to special) relativity. Also, contrary to what another IMDb commenter has incorrectly characterized as "pseudo-scientific", one of the space-time implications of Einstein's theory is very accurately alluded to in the film.

    We as viewers are left to sort out the broadly surreal from the minutely exact. We must decode the poetry of this film for ourselves. And, as with poetry, appreciation for this film will likely grow with reflection and repeated viewings.

    "House of Sand" is a little jewel with hidden facets. See it on a wide screen with a good sound system to fully appreciate it.

    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      During the first part of the movie (1910-1919), Fernanda Montenegro plays the part of Dona Maria, and her real-life daughter, Fernanda Torres plays the part of her daughter Áurea. As the movie jumps to 1942, Montenegro now plays the part of Áurea, and Torres plays the part of Áurea's daughter, Maria. When the movie jumps again to 1969, Fernanda Montenegro plays the part of both Áurea and Maria.
    • Blooper
      The movie takes pains to make reference to real events. However, the location marker erected for the scientific party at the total solar eclipse shows the wrong date. It should be 29.05.1919.
    • Colonne sonore
      Prelude Opus 28, nº 15
      by Frédéric Chopin

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    Dettagli

    Modifica
    • Data di uscita
      • 13 maggio 2005 (Brasile)
    • Paese di origine
      • Brasile
    • Sito ufficiale
      • Sony Pictures Classics (United States)
    • Lingua
      • Portoghese
    • Celebre anche come
      • The House of Sand
    • Luoghi delle riprese
      • Lençóis Maranhenses, Maranhão, Brasile
    • Aziende produttrici
      • Conspiração Filmes
      • Sony Pictures International Productions
      • Globo Filmes
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 8.000.000 BRL (previsto)
    • Lordo Stati Uniti e Canada
      • 539.285 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 31.405 USD
      • 13 ago 2006
    • Lordo in tutto il mondo
      • 1.178.175 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 55min(115 min)
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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