The Wendell Baker Story

The Wendell Baker Story will never be listed as movie classic. It will not score at acting awards, and it does have a profound message. That said, it manages to entertain, make us laugh and smile, and provide through enjoyment without insulting our intelligence, and without resorting to endless car chases, fire crashes, or silly special effects.

What we have here is old-fashioned movie entertainment – solid acting, an engaging story, and all of the basics done solidly: costuming, direction, lighting, editing, and, especially, music.

Both Luke and Owen Wilson are more than competent in their respective roles as a light-weight con man and a conspiring old home administrator/head nurse. Indeed, I saw a little more acting talent here than in Owen Wilson's other recent attempts, such as Behind Enemy Lines.

While Owen and Luke's name may be at the head of the credits (along with their brother Andrew, who is the film's Director), the best performances come from Harry Dean Stanton and Seymour Cassell, who play playful, but sincere and believable residents of the old age home where Luke Wilson's character works, and which Owen Wilson's character runs. Alas, the same cannot be said for the legend Kris Kristofferson, whose roll comes off as predictable and trite, with the same artificial "I am wise and serene" facial expression done far too many times.

The story is easy enough. Wendell Baker (Luke Wilson) spends his time scheming his next (read first) fortune, planning all kinds of shady and illegal schemes. Baker and his friend (played by Jacob Vargas) get caught providing fake Texas identifications to illegal immigrant farm workers. He ends up in a federal jail in Texas, where he gets along well and does not seem to miss his girlfriend, played by Eva Mendes.

Baker is eventually paroled, and ordered to work at a "retirement hotel." While little happens at the retirement place, Baker does not learn of an ongoing to scheme to ship seniors to Oklahoma, so that the administrators can collect their pension checks and sell their medicines on the black market. OK, so it is not Shakespeare. It is light, it moves at a good pace, and Wendell becomes more and more liked by the audience.

If one looks, there are messages to be had. We are reminded that senior citizens have passions and sex drives, that the people pouring across the border from Mexico largely just want to work and get by, and that all of us deserve a second chance. Bets of all, we learn this by being happily entertained by a fun, easy-going movie.

I love the Wilsons as much or more than anyone, but it doesn't look like any of them tried too hard on this film to make it work. I just saw the world premiere at the Paramount and the crowd was wild for it. I on the other hand, along with all of my friends thought that the movie lacked a lot of what critics call believability.

The characters weren't quite paper thin, more like cardboard, and there were about 20 of them. Every time Wendell's charm wained immediately another character would show up to make him look all the better. Every time Wendell had a problem another character would show up to help him. Sometimes characters just showed up for the hell of it.

It was a fun movie, I laughed a lot, especially at Will Ferel's bit role. Austin, my city of residence, is also the backdrop which makes everyone feel nice. It seems though that the Wilson brothers were a little too proud of Austin, TX. At one point near the beginning Texas is mentioned, then he turns the corner in his car to show a TX license plate, then another shot as he drives into the distance and a huge Texas flag flutters above.

I don't want it to sound like I hated it, but I really wished for more. Luke didn't seem to work out everything quite as well as he could have, he even threw in some random voice over to help the plot hobble along. If you are looking for a fun movie that should have maybe starred Burt Reynolds circa 1972 then this is your movie, if you are looking for a tightly formed narrative then look elsewhere.

I think the reviews here are a little unfair to the impact of the movie. As far as I go, it's that rare heartwarming movie that stays with you even after the end of the credits. What I liked about the story was the infusion of wit and cheek in the simplicity and goodwill of the plot. Wendell Baker is a greatly likable scamp who has his heart in more than one right place. The attention to racial sensitivity, for example, affirms Baker's charm, from his mercenary yet political business of selling fake ids to immigrant Mexicans to joking with his black inmates about 'aryans and crips ruling together', which had me laughing because of the ease with which he does or says those things. I'm probably ruining those moments by making them explicit because it's precisely the subtlety and matter-of-factness with which these things are woven into his crazy character that make him work for me. The gender angle, on the other hand,, was pretty screwed, because who cares for old women? Another thing I liked was that the movie ends on a note of reasonable success, not the sort of incredible feat that one is asked to admire in movies like the pursuit of happiness. All this, and Luke Wilson looking so cute is why I'd rate the movie above average.

I just saw The Wendell Baker Story at what is its third screening, at the Virginia Film Festival in Charlottesville.

Although, as stated in the prior comment, this movie will be no cult nor mainstream classic, it is highly entertaining. For a comedy, it is considerably light: the humor is mostly situational.

I personally found Wendell Baker's greatest success in the developing of the secondary characters as foils. The movie does not have opening credits, instead only introducing the title. As such, I was pleasantly surprised to see many high profile actors in roles fitting well within the film. In the post-screening interview, Luke Wilson discussed how this choice for no opening credits was as an "album cover" and that, with the focus directly on the introduction of an Austin Texas feel.

The acting in the film is generally good. Highlights for me were the performances of Grant James and Kris Kristofferson. I was, unfortunately, disappointed in Eva Mendes' delivery of her character. I feel the 'girlfriend who 'the guy' loses' cliché could have been as fresh as the other foil supporting characters.

The film has many beautiful shots on location in Texas, although the editing at times is choppy (granted the film is still not finished). The music is absolutely wonderful: the folky rock feel contributing in subtle persistence to the southwestern feel of the film.

I enjoyed this film. It was not profound... do not go to this movie to see another Royal Tenenbaums. The film is a comedy, but it is neither dark nor slapstick. It very much reminds me of Sideways in that both take advantage of a specific local color create a more personal and more relaxed movie. As such, while not often was I laughing, the ever-present humor kept me entertained.

Once upon a time movies were for entertainment. They made you feel good about life. They were visual fairy tales that ended with the line ---"and they all lived happily ever after." That's what this movie is to me. Doesn't require a degree in psychology or a doctorate in human behavior. It just tells the story of a guy who messes up, then has an epiphony and decides to make it right. He helps others along the way without putting his personal agenda first. Anyone who goes along with his philosophy ends up getting rewarded in the end. And after all, isn't that what fairy tales are supposed to be about? There is enough heartache and sorrow in life without using it for entertainment purposes.