In una ricerca per scoprire cosa è successo a suo fratello scomparso, uno scienziato, suo nipote e la loro guida alpina scoprono un fantastico e pericoloso mondo perduto al centro della Terr... Leggi tuttoIn una ricerca per scoprire cosa è successo a suo fratello scomparso, uno scienziato, suo nipote e la loro guida alpina scoprono un fantastico e pericoloso mondo perduto al centro della Terra.In una ricerca per scoprire cosa è successo a suo fratello scomparso, uno scienziato, suo nipote e la loro guida alpina scoprono un fantastico e pericoloso mondo perduto al centro della Terra.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 4 candidature totali
Recensioni in evidenza
Brendan Fraser again is an amiable action hero with a young nephew (Josh Hutcherson) in tow for a buddies adventure that includes a pretty (but boring) female guide as Fraser's eventual love interest. Let's fact it--nothing original about the story but it does feature some neat special effects (courtesy of CGI), not all of which are totally convincing, but hey, this is a kiddie romp if ever there was one.
Josh Hutcherson is especially good as the adventurous nephew who trades quips with his fun-loving, equally adventurous uncle who is able to strong arm himself out of every incredible predicament.
The scientific angle of the film is just plain silly but the film is fast moving enough to help us ignore all the lack of credibility angles. The roller-coaster ride in the mine is probably the high point of 3D effects if you can see it in that dimension but it's equally thrilling on a big flat screen TV.
The only real asset the film has, aside from a script that is full of some good byplay between Fraser and Hutcherson, is the fact that the center of the film is Brendan Fraser who has lost none of his appeal as an action hero. He keeps the entertainment factor alive throughout.
Fans of Jules Verne will no doubt forgive a lot of the goings on and view this as light entertainment aimed at kiddies more than grown-ups.
Josh Hutcherson is especially good as the adventurous nephew who trades quips with his fun-loving, equally adventurous uncle who is able to strong arm himself out of every incredible predicament.
The scientific angle of the film is just plain silly but the film is fast moving enough to help us ignore all the lack of credibility angles. The roller-coaster ride in the mine is probably the high point of 3D effects if you can see it in that dimension but it's equally thrilling on a big flat screen TV.
The only real asset the film has, aside from a script that is full of some good byplay between Fraser and Hutcherson, is the fact that the center of the film is Brendan Fraser who has lost none of his appeal as an action hero. He keeps the entertainment factor alive throughout.
Fans of Jules Verne will no doubt forgive a lot of the goings on and view this as light entertainment aimed at kiddies more than grown-ups.
A scientist(Brendan Fraser, also producer) and his niece (Josh Hutcherson) undergo an hazardous voyage to find clues of his father, along the way they face numerous dangers and risks. During the trip, the scientific and his niece hire a wealthy scout (Anita Briem) to find the father who disappeared several years earlier during an expedition to a center of the earth at Iceland. The trio descend into deep caverns and discover a tunnel-rail system leading to the planet's center. They have to deal with lightning storms, endure torrential floods, volcanic eruptions, prehistoric animals and discover a forest of giant mushrooms, but not the lost city of Atlantis as happens in the classic novel.
This spectacular adaptation is a special version of the Jules Verne adventure yarn . There're rip-roaring action, spirit of adventure, derring-do, thrills and results to be pretty entertaining. It's a great fun with nice special effects , breathtaking set decoration and impressive art direction but with excessive use of computer generator. Lavish utilization of 3D cinematography and superb, imaginative soundtrack . Highlights of the voyage includes a roller-coaster trip, strong storms, magnetic rocks, a terrifying odyssey in sailing, prehistoric reptile, a Tiranosaurius Rex, and many others.
Other renditions about this know story are the following : Classic version (1959) by Henry Levin with James Mason as Lindenbrook, Pat Boone,Diane Baker and Arlene Dahl; Spanish version by Juan Piquer with Kenneth Moore, and TV adaptation by George Miller with Treat Williams, Jeremy London and Bryan Brown.
This spectacular adaptation is a special version of the Jules Verne adventure yarn . There're rip-roaring action, spirit of adventure, derring-do, thrills and results to be pretty entertaining. It's a great fun with nice special effects , breathtaking set decoration and impressive art direction but with excessive use of computer generator. Lavish utilization of 3D cinematography and superb, imaginative soundtrack . Highlights of the voyage includes a roller-coaster trip, strong storms, magnetic rocks, a terrifying odyssey in sailing, prehistoric reptile, a Tiranosaurius Rex, and many others.
Other renditions about this know story are the following : Classic version (1959) by Henry Levin with James Mason as Lindenbrook, Pat Boone,Diane Baker and Arlene Dahl; Spanish version by Juan Piquer with Kenneth Moore, and TV adaptation by George Miller with Treat Williams, Jeremy London and Bryan Brown.
Starting with the pros of this film, it looks fantastic. The scenery is imaginative, the cinematography is inventive the costumes are well-designed and the 3D is absolutely mind-blowing. The score is excellent, and the direction isn't too bad either. The acting is pretty decent, nothing great, but nothing awful. I liked Brendan Fraser in the first two Mummy movies and he is good enough in the lead, while Josh Hutcherson who was so good in Bridge to Terabithia is even better. Also the pacing is pretty brisk.
Don't expect a brilliant script or a big, complex plot though. The script can get a little lame and clichéd, while the plot is rather predictable with one too many silly and dumb moments. The ending felt a little rushed too, and the characters are lacking in depth.
Overall, not a masterpiece, but fun enough in perhaps a mindless sort of way. 6/10 Bethany Cox
Don't expect a brilliant script or a big, complex plot though. The script can get a little lame and clichéd, while the plot is rather predictable with one too many silly and dumb moments. The ending felt a little rushed too, and the characters are lacking in depth.
Overall, not a masterpiece, but fun enough in perhaps a mindless sort of way. 6/10 Bethany Cox
First off, let me say that I'm VERY glad I saw this movie in 3D. If I hadn't, I might have walked out. The instant strength of this film that comes to mind is the great use of the 3D technology. It has plenty of surprises, and it doesn't over do it at all. HOWEVER, this does not excuse the blatant cheesiness, stupid typical one liners from Brendan Fraser, nor the underutilization of such a fantastic concept.
The story isn't really based on the book by Jules Verne, it's more based on a group's adventure that uses the book as a guide. It's certainly a fantasy adventure that kids will enjoy, but adults may find themselves getting restless by the time the third act reaches us. I also have very strong complaints about the predictability of the film, which was so bad that I could predict what the characters would say, in addition to what was about to happen on screen. That's bad. It's a classic case of flashy visuals, horrid plot execution. It's a wasted concept that could have been a lot better had the film-making branched out from the narrow scope it obviously uses. In fact, I could see this exact premise working PERFECTLY in a Guillermo Del Toro or Tim Burton type horror film.
We really only got three characters in the movie (and less than ten speaking parts), so a lot rides on our three leads. First, our headliner and box office draw, Brendan Fraser. He may not be the best actor, and he may say some pretty stupid one liners that get old after the 800th time, but he still has the same charm that makes him likable in the Mummy films. I really think that this film is further proof that Josh Hutcherson is THE best young American actor. He's blossomed into a great young actor, after a stunning turn in Bridge to Terabithia, in addition to great shows in Zathura and Little Manhattan. I've never seen a kid (especially a boy, as the girls tend to be better performers at ages 10-16) show so much emotional range, not only in this movie, but throughout his already prolific career (he's 15 and has 24 acting projects in his career). He's one to watch for a very long time. Our third lead is Icelandic actress Anita Briem. She neither added or took away anything from the film, though I suppose that can be blamed on the script, as she is not well developed. Seth Meyers (yes, THAT Seth Meyers) provides some laughs at the beginning and end of the film.
I felt that the chemistry between performers was very good, and was one thing that kept me interested. I came to care for all three of them, and they worked well together. Fraser and Hutcherson in particular worked well as uncle and nephew. While I was disappointed in the narrow scope of the film's vision, what was contained within said scope was well done and entertaining. The 3D really made it better. Without the 3D, this film is nothing but a mere C-class fantasy adventure that will bore anyone above age 10. However, the chemistry of the actors and the 3D save it from somewhat disaster, and make the film a bit enjoyable. It's worth the price of admission to a 3D theater, for sure, but I advise you to bring a younger person with you (who knows, maybe you'll feed off their energy). To put it simple, every kid under 10 or 11 will love it, then watch it again in 10 years and go, "what was I thinking?".
WITH 3D: 5/10 WITHOUT 3D: 3/10
The story isn't really based on the book by Jules Verne, it's more based on a group's adventure that uses the book as a guide. It's certainly a fantasy adventure that kids will enjoy, but adults may find themselves getting restless by the time the third act reaches us. I also have very strong complaints about the predictability of the film, which was so bad that I could predict what the characters would say, in addition to what was about to happen on screen. That's bad. It's a classic case of flashy visuals, horrid plot execution. It's a wasted concept that could have been a lot better had the film-making branched out from the narrow scope it obviously uses. In fact, I could see this exact premise working PERFECTLY in a Guillermo Del Toro or Tim Burton type horror film.
We really only got three characters in the movie (and less than ten speaking parts), so a lot rides on our three leads. First, our headliner and box office draw, Brendan Fraser. He may not be the best actor, and he may say some pretty stupid one liners that get old after the 800th time, but he still has the same charm that makes him likable in the Mummy films. I really think that this film is further proof that Josh Hutcherson is THE best young American actor. He's blossomed into a great young actor, after a stunning turn in Bridge to Terabithia, in addition to great shows in Zathura and Little Manhattan. I've never seen a kid (especially a boy, as the girls tend to be better performers at ages 10-16) show so much emotional range, not only in this movie, but throughout his already prolific career (he's 15 and has 24 acting projects in his career). He's one to watch for a very long time. Our third lead is Icelandic actress Anita Briem. She neither added or took away anything from the film, though I suppose that can be blamed on the script, as she is not well developed. Seth Meyers (yes, THAT Seth Meyers) provides some laughs at the beginning and end of the film.
I felt that the chemistry between performers was very good, and was one thing that kept me interested. I came to care for all three of them, and they worked well together. Fraser and Hutcherson in particular worked well as uncle and nephew. While I was disappointed in the narrow scope of the film's vision, what was contained within said scope was well done and entertaining. The 3D really made it better. Without the 3D, this film is nothing but a mere C-class fantasy adventure that will bore anyone above age 10. However, the chemistry of the actors and the 3D save it from somewhat disaster, and make the film a bit enjoyable. It's worth the price of admission to a 3D theater, for sure, but I advise you to bring a younger person with you (who knows, maybe you'll feed off their energy). To put it simple, every kid under 10 or 11 will love it, then watch it again in 10 years and go, "what was I thinking?".
WITH 3D: 5/10 WITHOUT 3D: 3/10
Originally released in 3D (I've not seen it in that format, sadly), Eric Brevig's take on the Jules Verne novel updates it to modern day and sends Brendan Fraser, his nephew (Josh Hutcherson) and Icelandic babe Anita Briem down to, well, the centre of the Earth. Where of course peril and wonderment await in equal measure. As adventure films go it's entertaining stuff as the intrepid trio run, dive, jump and fight their way through the hazards of a hot land that's getting hotter by the hour. The kicker in the story here is that they are saying Verne's novel is true, giving birth to a collective of people known as Vernians who believe this to be so. Therefore for plot drive the book is used as a sort of tourist guide to aid them in their attempts to escape from the Centre of the Earth. Cool or what? The production design is excellent, marking the film out as being very visually appealing, while a number of the set pieces are genuinely entertaining and suspenseful. It moves along at a good clip, too, and the three actors carrying the film engage firmly on the good side of good, especially Fraser, who can do the heroic kooky act with ease.
It's far from being a truly great film, but the makers have at least tried to put their own stamp on the story, making it a sort of modern day sequel to the wonderful novel. But even with that in mind, narratively speaking it's very predictable for the most part, but speeding along as a family friendly adventure the film never once outstays its welcome. Of worth as well is that Briem's character, Hannah Ásgeirsson, is not a token female put in simply to look hot and give Fraser the push to prove his masculinity. Ásgeirsson is tough, intelligent and resourceful, working on a par with Fraser's Professor Anderson, this also sets up a running joke involving the two of them as to who saves each others lives the most times! In 2D some of the impact of certain scenes is invariably lost, though we can easily imagine what the 3D sight of Fraser unleashing a mouthful of toothpaste and water on us is like! But as it is it's a film that is unlikely to garner much love from sci-fi buffs and haters of popcorn pleasures, but kids will love it, as will the adults who don't mind letting their guard down once in a while for a bit of good clean family friendly fun. 6/10
It's far from being a truly great film, but the makers have at least tried to put their own stamp on the story, making it a sort of modern day sequel to the wonderful novel. But even with that in mind, narratively speaking it's very predictable for the most part, but speeding along as a family friendly adventure the film never once outstays its welcome. Of worth as well is that Briem's character, Hannah Ásgeirsson, is not a token female put in simply to look hot and give Fraser the push to prove his masculinity. Ásgeirsson is tough, intelligent and resourceful, working on a par with Fraser's Professor Anderson, this also sets up a running joke involving the two of them as to who saves each others lives the most times! In 2D some of the impact of certain scenes is invariably lost, though we can easily imagine what the 3D sight of Fraser unleashing a mouthful of toothpaste and water on us is like! But as it is it's a film that is unlikely to garner much love from sci-fi buffs and haters of popcorn pleasures, but kids will love it, as will the adults who don't mind letting their guard down once in a while for a bit of good clean family friendly fun. 6/10
Lo sapevi?
- QuizWhen Trevor opens the box of stuff belonging to his lost brother, he pulls out an odd wooden item, says he doesn't know what it is, and sets it aside. The item is a Holmes Stereoscope, designed in 1861 by Oliver Wendell Holmes to look at stereocards. Similar to postcards, they show a left-view and right-view photograph mounted next to each other. When viewed through a stereoscope, the photographs merge into one 3-D image. The Holmes Stereoscope was a great source of entertainment in the Victorian era. The same process was later adopted for ViewMaster viewers and cards.
- Blooper(at around 1h 18 mins) When Trevor tries to ignite the magnesium with a flare, he claims that it's "...too wet...". Magnesium burns in water, producing magnesium oxide and hydrogen - in fact, pouring water on burning magnesium intensifies the fire; the most effective way to douse a magnesium fire is to cover it with sand or dry dirt.
- Curiosità sui creditiAs the credits are rolling a stick of dynamite with a burning fuse sometimes falls past them. In the 3D version, it is sometimes in the background and sometimes the foreground. When the credits end the dynamite explodes.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Viaje al Centro de la Tierra
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 101.704.370 USD
- Fine settimana di apertura Stati Uniti e Canada
- 21.018.141 USD
- 13 lug 2008
- Lordo in tutto il mondo
- 244.232.688 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
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