VALUTAZIONE IMDb
4,1/10
3657
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaYears ago, a cruel and merciless nun turned boarding school into a living hell for her students until they could no longer bear the abuse, and she mysteriously disappeared. Now the alumnae a... Leggi tuttoYears ago, a cruel and merciless nun turned boarding school into a living hell for her students until they could no longer bear the abuse, and she mysteriously disappeared. Now the alumnae are being brutally murdered one by one.Years ago, a cruel and merciless nun turned boarding school into a living hell for her students until they could no longer bear the abuse, and she mysteriously disappeared. Now the alumnae are being brutally murdered one by one.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Aníta Briem
- Eva
- (as Anita Briem)
Teté Delgado
- Cristy
- (as Tete Delgado)
Recensioni in evidenza
So you know when you're TOTALLY into a movie because the trailer was really good and the movie actually seems to be living up to what the trailer promised...and you're freaked out because it's genuinely creepy and impressed because it's kind of a way cooler movie than you'd expect to see in a direct to DVD movie these days and so you just can't wait for the climax because you need that pay-off... and then the thing goes limp in the last 10 minutes and there's no climax or rendering of where entire the story just went wrong...so you're totally let down and kinda peeved off...? That's what THE NUN did for me last night....
Everything Brian Yuzna (producer) touches lately seems to just end...not conclude...it just stops with some illogical reason for all the cool shite that just took up 90 minutes of your life....
Cool Fx. Decent acting. Moody. Scary at times. Sexy. Then it sucks at the end.
Everything Brian Yuzna (producer) touches lately seems to just end...not conclude...it just stops with some illogical reason for all the cool shite that just took up 90 minutes of your life....
Cool Fx. Decent acting. Moody. Scary at times. Sexy. Then it sucks at the end.
One of the finest initiatives in the world of horror movies (since the beginning of this new millennium) must be the collaboration between Brian Yuzna and Julio Fernandez, when they founded the Spannish production company Fantastic Factory. With great enthusiasm I've been following the movies they've produced since 2001. They might not be masterpieces, but for the moment I've enjoyed every single one of them. Even the so-called "bad" ones.
To my surprise I enjoyed THE NUN much more than I thought I would. It really does rise above the level of ordinary (supernatural) teen-slasher movies. Actually, calling this a teen-slasher movie would rather be an insult. Because in THE NUN the teen-agers are doing the investigating and it are in fact adult women who find their gory death. 17 years ago a group of young girls in a sinister Catholic school were being tyrannized by a nun, called Ursula. After a serious incident (which was kept secret from the public for many years), the nun disappeared and the school was closed down. Now, 17 years later, the girls are all adult women and start dying one by one. That's right, Ursula is back... in an unholy way.
The movie moves at a decent pace and there are quite a lot of things to be discovered. Whether they are plausible/predictable or not didn't matter to me, because it kept me going. And this is still a horror movie, by the way, so a little suspension of disbelief always makes them work a little better. The cast consists mostly out of unknown Spannish actors & actresses, but the acting was pretty good and their English even better. Needless to say that the girls in this flick are nice to look at. The production values were rather excellent for this type of movie. It looked good, was pretty stylish and a lot of care went into the set-design (especially the old, run-down Catholic school). And what about our Unholy Nun? Well, she truly was a scary and terrifying creation. She's able to manifest herself through water, and the effects were pretty darn effective, using a perfect mixture of CGI and a real actress with creepy make-up. The way she moved in certain scenes was well-choreographed and sometimes even send a shiver down my spine. And the way she kills is pretty damn gory, and the pattern in her killings (which is discovered later in the movie) is even refreshingly original. And then there are a few other things to be discovered... The ending itself comes rather abrupt and isn't exactly a big climax. But still, even though my first feelings were sort of mixed, I did like the ending.
The only thing I didn't really like were those two little verbal inside-jokes about THE BLAIR WITCH PROJECT and I KNOW WHAT YOU DID LAST SUMMER. They should have just left those remarks out of the movie. And mind you, besides those two "witty" references THE NUN (thankfully) has absolutely nothing else to do with those two movies. For one thing, the plot has more to offer.
I was a bit surprised when I saw the - at the time of writing this - 4.2/10 rating for THE NUN. And on the other hand I sort of expected it. It's easy to bash this movie (especially for non-horror lovers), because the plot maybe is a little too ambitious (making it seem ridiculous to so-called intellectuals), or it has a bunch of unknown Spannish actors so they can't relate to the characters. But I gave it a solid 7/10 because the film-makers really made an effort to produce a good-looking and effective scary/bloody movie and at least attempted to tell a decent story with it. Personally, I think this Spannish production is better (and certainly more enjoyable) than a lot of other more recent American theatrical horror-releases, like for example DARKNESS FALLS, BOOGEYMAN, and THE AMITYVILLE HORROR (to name only a few and include a re-make).
On a final note: THE NUN has absolutely nothing to do with the nunsploitation-genre, like one other commentator here mentioned, even though some remotely familiar aspects of that notorious genre can be found in it. And no, it has nothing to do with nudity.
To my surprise I enjoyed THE NUN much more than I thought I would. It really does rise above the level of ordinary (supernatural) teen-slasher movies. Actually, calling this a teen-slasher movie would rather be an insult. Because in THE NUN the teen-agers are doing the investigating and it are in fact adult women who find their gory death. 17 years ago a group of young girls in a sinister Catholic school were being tyrannized by a nun, called Ursula. After a serious incident (which was kept secret from the public for many years), the nun disappeared and the school was closed down. Now, 17 years later, the girls are all adult women and start dying one by one. That's right, Ursula is back... in an unholy way.
The movie moves at a decent pace and there are quite a lot of things to be discovered. Whether they are plausible/predictable or not didn't matter to me, because it kept me going. And this is still a horror movie, by the way, so a little suspension of disbelief always makes them work a little better. The cast consists mostly out of unknown Spannish actors & actresses, but the acting was pretty good and their English even better. Needless to say that the girls in this flick are nice to look at. The production values were rather excellent for this type of movie. It looked good, was pretty stylish and a lot of care went into the set-design (especially the old, run-down Catholic school). And what about our Unholy Nun? Well, she truly was a scary and terrifying creation. She's able to manifest herself through water, and the effects were pretty darn effective, using a perfect mixture of CGI and a real actress with creepy make-up. The way she moved in certain scenes was well-choreographed and sometimes even send a shiver down my spine. And the way she kills is pretty damn gory, and the pattern in her killings (which is discovered later in the movie) is even refreshingly original. And then there are a few other things to be discovered... The ending itself comes rather abrupt and isn't exactly a big climax. But still, even though my first feelings were sort of mixed, I did like the ending.
The only thing I didn't really like were those two little verbal inside-jokes about THE BLAIR WITCH PROJECT and I KNOW WHAT YOU DID LAST SUMMER. They should have just left those remarks out of the movie. And mind you, besides those two "witty" references THE NUN (thankfully) has absolutely nothing else to do with those two movies. For one thing, the plot has more to offer.
I was a bit surprised when I saw the - at the time of writing this - 4.2/10 rating for THE NUN. And on the other hand I sort of expected it. It's easy to bash this movie (especially for non-horror lovers), because the plot maybe is a little too ambitious (making it seem ridiculous to so-called intellectuals), or it has a bunch of unknown Spannish actors so they can't relate to the characters. But I gave it a solid 7/10 because the film-makers really made an effort to produce a good-looking and effective scary/bloody movie and at least attempted to tell a decent story with it. Personally, I think this Spannish production is better (and certainly more enjoyable) than a lot of other more recent American theatrical horror-releases, like for example DARKNESS FALLS, BOOGEYMAN, and THE AMITYVILLE HORROR (to name only a few and include a re-make).
On a final note: THE NUN has absolutely nothing to do with the nunsploitation-genre, like one other commentator here mentioned, even though some remotely familiar aspects of that notorious genre can be found in it. And no, it has nothing to do with nudity.
This is about a girl whose mother and her mother's schoolmates are tied to the vengeful spirit of a nun. The girl needs to find out what is going on.
A nun is a good vessel for a horror villain. The idea of any type of evil coming through something that is associated with the love of God presents a deception that victimises those who see only the nun and not the evil within. Perfect for horror.
In my opinion some folks are being a bit harsh. Harshness runs rampant among horror fans but I get it. If you are a horror buff like me, you crave something fresh in a genre that give you a lot of the same thing over and over again. It all starts to seem played out and you start to judge films simply by comparing it to the standard of the films you liked best. The problem with that is some folks are of the mindset that if it ain't the best then it is the worst. I try not to do that. I want to rate this by what I got out of it.
Let's talk about what I liked. The best thing about this is the nun. While we don't see her with a lot of screen time, she was a neat villain. I don't want to give spoilers but I liked how she formed, moved and attacked.
Let's talk about why others are hating on it. The story is weak. This is also seen a lot in horror. If you want the viewers to be impressed you have to give them something worth investing into. Don't be so vague. Give us a story with depth. The acting could've been better.
I have seen worse films and this was ok. Not perfect but I could look past problems and still enjoy the film. If you aren't a horror snob, this really isn't all that bad and you can find some enjoyment in it.
A nun is a good vessel for a horror villain. The idea of any type of evil coming through something that is associated with the love of God presents a deception that victimises those who see only the nun and not the evil within. Perfect for horror.
In my opinion some folks are being a bit harsh. Harshness runs rampant among horror fans but I get it. If you are a horror buff like me, you crave something fresh in a genre that give you a lot of the same thing over and over again. It all starts to seem played out and you start to judge films simply by comparing it to the standard of the films you liked best. The problem with that is some folks are of the mindset that if it ain't the best then it is the worst. I try not to do that. I want to rate this by what I got out of it.
Let's talk about what I liked. The best thing about this is the nun. While we don't see her with a lot of screen time, she was a neat villain. I don't want to give spoilers but I liked how she formed, moved and attacked.
Let's talk about why others are hating on it. The story is weak. This is also seen a lot in horror. If you want the viewers to be impressed you have to give them something worth investing into. Don't be so vague. Give us a story with depth. The acting could've been better.
I have seen worse films and this was ok. Not perfect but I could look past problems and still enjoy the film. If you aren't a horror snob, this really isn't all that bad and you can find some enjoyment in it.
Wow are you guys tough on this film. Granted it was "I know What You Did Last Summer" with a Nun. But the Nun was pretty scary and the film maintained a disturbingly eerie feel. There is something about the European sensibility that gives this kind of film a moody realism. It was a little odd that everyone had Spanish accents I thought the acting was pretty natural. The special water effects were pure trailer material. However, I felt let down by the end of the movie. It seemed rushed. And I'm sure it wasn't. This was also the work of a first time director. I thought he did a great job.
That said, I have seen far worse films.
I'm also dieing to see Yuzna's "What Lies Beneath". I enjoyed to book and was sorry to see his film isn't available on DVD.
That said, I have seen far worse films.
I'm also dieing to see Yuzna's "What Lies Beneath". I enjoyed to book and was sorry to see his film isn't available on DVD.
Directed by Luis de la Madrid and produced by Brian Yuzna's Spanish label Fantastic Factory, The Nun is a modestly budgeted, reasonably effective horror that starts off like a supernatural I Know What You Did Last Summer (the '97 slasher is even referenced in this movie), but ends with a neat psychological twist. It's by no means perfect, suffering from some iffy CGI effects and a few dodgy performances from its largely European cast, but it does deliver in terms of creepy atmosphere, and benefits from a couple of fun, gory death scenes.
The story, by Jaume Balagueró (The Darkness), sees a young woman, Eve (Anita Briem), travelling to Spain with her friends Julia (Belén Blanco) and Joel (Alistair Freeland) after she witnesses her mother being murdered by a ghostly nun. In Barcelona, Eve searches for clues to help her understand what happened, her investigation leading to the now closed Catholic boarding school attended by her mother 18 years earlier. As she delves deeper into the mystery, Eve begins to suspect that her mother was killed by the vengeful spirit of Sister Ursula, a strict nun at the school who disappeared shortly before its closure.
With the ghostly nun only appearing in water, there is quite a lot of not-quite-convincing digital trickery involved, but the nun herself is suitably scary looking, and kills off her victims in some satisfyingly inventive ways, the best being a fatal elevator ride (the lift severing the victim's arms) and a decapitation by falling sheet of glass. Other less memorable deaths include a slashed throat, an impalement on a broken pipe, and the crucifixion of a woman with big hooters and a gimpy leg (the Lord giveth and the Lord taketh away).
5.5 out of 10, rounded up to 6 for IMDb.
The story, by Jaume Balagueró (The Darkness), sees a young woman, Eve (Anita Briem), travelling to Spain with her friends Julia (Belén Blanco) and Joel (Alistair Freeland) after she witnesses her mother being murdered by a ghostly nun. In Barcelona, Eve searches for clues to help her understand what happened, her investigation leading to the now closed Catholic boarding school attended by her mother 18 years earlier. As she delves deeper into the mystery, Eve begins to suspect that her mother was killed by the vengeful spirit of Sister Ursula, a strict nun at the school who disappeared shortly before its closure.
With the ghostly nun only appearing in water, there is quite a lot of not-quite-convincing digital trickery involved, but the nun herself is suitably scary looking, and kills off her victims in some satisfyingly inventive ways, the best being a fatal elevator ride (the lift severing the victim's arms) and a decapitation by falling sheet of glass. Other less memorable deaths include a slashed throat, an impalement on a broken pipe, and the crucifixion of a woman with big hooters and a gimpy leg (the Lord giveth and the Lord taketh away).
5.5 out of 10, rounded up to 6 for IMDb.
Lo sapevi?
- QuizFantastic Factory's eighth and penultimate production after Faust (2000), Dagon - La mutazione del male (2001), Arachnid - Il predatore (2001), Darkness (2002), Beyond Re-Animator (2003), I delitti della luna piena (2004) and Rottweiler (2004). It was followed by Dal profondo delle tenebre (2005). Fantastic Factory closed in 2005 after to fail in its attempt to create the first Spanish cinema company specialized in genre movies.
- Blooper(at around 1h 25 mins) When the water is filling in the shower room at the end, the water is closer to the light fixture in one scene than it is in the next scene.
- ConnessioniReferenced in L'uomo senza sonno (2004)
- Colonne sonoreMuchacha Borracha
Written by Dani Nel·lo and Jorge Soto
Performed by Vértigo
Courtesy of Dani Nel·lo and Jorge Soto
Blue Moon Records
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 759.209 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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